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Ye\u015fil\u00e7am\u2026 Yaln\u0131zca bir sinema d\u00f6nemi de\u011fil; T\u00fcrkiye\u2019nin duygusal belle\u011finde en derin iz b\u0131rakan zamanlardan biriydi. Bir ku\u015fa\u011f\u0131n a\u015fk\u0131, umudu ve k\u0131rg\u0131nl\u0131\u011f\u0131 y\u0131llar boyunca o filmlerle hayat buldu. Sahnelerin duygusu, arkadan gelen o tan\u0131d\u0131k melodilerle tamamlan\u0131rd\u0131. \u0130\u015fte \u015fimdi, 14 \u015eubat Sevgililer G\u00fcn\u00fc\u2019nde Ye\u015fil\u00e7am\u2019\u0131n o tan\u0131d\u0131k a\u015fk sahneleri yine zihnimizde canlan\u0131yor. Yaz\u0131m\u0131zda, bu \u00f6zel g\u00fcn\u00fcn ruhuna e\u015flik eden k\u0131sa bir yolculu\u011fa \u00e7\u0131k\u0131yoruz: Filmlerden yapt\u0131\u011f\u0131m\u0131z se\u00e7kilerle a\u015fk\u0131n sinemadaki h\u00e2line ses veren kad\u0131n yorumcular\u0131 ve onlar\u0131n unutulmaz a\u015fk \u015fark\u0131lar\u0131n\u0131 birlikte an\u0131ms\u0131yoruz.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Sonbahar R\u00fczg\u00e2rlar\u0131 \u2013 Handan Kara Sipahio\u011flu” title_font_size=”13″][vc_single_image image=”32794″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1969 yap\u0131m\u0131, Mehmet Dinler\u2019in y\u00f6netti\u011fi Sonbahar R\u00fczg\u00e2rlar\u0131\u2019nda sevdi\u011fi adamla evlenmek \u00fczereyken ge\u00e7irdi\u011fi bir kaza sonucu sakat kalan gen\u00e7 bir kad\u0131n\u0131n (T\u00fcrkan \u015eoray) hik\u00e2yesine tan\u0131kl\u0131k ederiz. T\u00fcrkan \u015eoray\u2019\u0131n oyunculu\u011fuyla hissettirdi\u011fi h\u00fcz\u00fcnl\u00fc duygunun ard\u0131ndaki ses, pek \u00e7ok Ye\u015fil\u00e7am filmine sesiyle hayat veren Handan Kara Sipahio\u011flu\u2019dur. 1944\u2019te Bak\u0131rk\u00f6y\u2019de do\u011fan Kara, gen\u00e7 ya\u015fta m\u00fczi\u011fe y\u00f6nelir; ustalardan ald\u0131\u011f\u0131 dersler ve sahne deneyimleriyle k\u0131sa s\u00fcrede kendi \u00e7izgisini olu\u015fturur. \u201cKulaklar\u0131n \u00c7\u0131nlas\u0131n\u201d, \u201cSen Bir Yana D\u00fcnya Bir Yana\u201d gibi eserlerdeki berrak yorumu, dinleyenin belle\u011finde kolayca yer eder. TRT \u0130stanbul Radyosundaki uzun y\u0131llar\u0131n\u0131n ard\u0131ndan yurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda konserler verir; sesi, Ye\u015fil\u00e7am filmlerinin duygusuna sinen kal\u0131c\u0131 bir imza h\u00e2line gelir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Kezban Roma’da \u2013 Nermin Candan” title_font_size=”13″][vc_single_image image=”32795″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1970 yap\u0131m\u0131, Orhan Aksoy y\u00f6netmenli\u011findeki Kezban Roma\u2019da filminde k\u00f6yden \u015fehre, \u015fehrin i\u00e7inden Roma\u2019ya uzanan bir yolculu\u011fa e\u015flik ederiz. Kezban\u2019\u0131n (H\u00fclya Ko\u00e7yi\u011fit) d\u00fc\u011f\u00fcnde seslendirdi\u011fi \u201cHayat m\u0131 Bu\u201d \u015fark\u0131s\u0131yla y\u00fcz\u00fcm\u00fcze bir g\u00fcl\u00fcmseme yerle\u015firken onun a\u015fk\u0131na (Ediz Hun) kavu\u015fmas\u0131na ad\u0131m ad\u0131m tan\u0131k oluruz. Filmde duydu\u011fumuz \u015fark\u0131n\u0131n sesi, Nermin Candan\u2019a aittir. \u201cHayat m\u0131 Bu\u201d, T\u00fcrk pop m\u00fczi\u011finin en \u00e7ok ses getiren 45\u2019liklerinden biri olmu\u015f; ilk pla\u011f\u0131yla b\u00fcy\u00fck sat\u0131\u015f rakamlar\u0131na ula\u015farak Nermin Candan\u2019\u0131 k\u0131sa s\u00fcrede d\u00f6nemin en pop\u00fcler kad\u0131n seslerinden biri h\u00e2line getirmi\u015ftir. O y\u0131llarda ender rastlanan bir durum ya\u015fan\u0131r; 45\u2019li\u011fin B y\u00fcz\u00fc de en az A y\u00fcz\u00fc kadar ilgi g\u00f6r\u00fcr.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Ar\u0131m Bal\u0131m Pete\u011fim \u2013 Nesrin Sipahi” title_font_size=”13″][vc_single_image image=”32796″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1970 yap\u0131m\u0131, Muzaffer Arslan y\u00f6netmenli\u011findeki Ar\u0131m Bal\u0131m Pete\u011fim filminde ad\u0131 konmam\u0131\u015f bir ili\u015fkiyi ve y\u0131llara yay\u0131lan bir kar\u015f\u0131la\u015fmay\u0131 izleriz. Kad\u0131n\u0131n (T\u00fcrkan \u015eoray) ad\u0131 filmin sonuna dek erkek (C\u00fcneyt Ark\u0131n) taraf\u0131ndan bilinmez. Bir oyun duygusu i\u00e7inde ilerleyen bu hik\u00e2yede, m\u00fczik sahnenin heyecan\u0131n\u0131 belirler. \u201cO g\u00f6zler, sendeki siyah g\u00f6zler\u2026\u201d dizeleriyle ba\u015flayan \u015fark\u0131 s\u0131ras\u0131nda T\u00fcrkan \u015eoray, sevdi\u011fi adam\u0131 dans edenler aras\u0131nda g\u00f6r\u00fcr; dans s\u00fcrerken kalbinin i\u00e7indekilerle ba\u015f ba\u015fa kal\u0131r. Seyirci de bu duru ve bu\u011fulu yorumun pe\u015fine tak\u0131l\u0131p hayallere dalar. \u0130\u015fte bu ses, Nesrin Sipahi\u2019ye aittir. 1934 do\u011fumlu Sipahi, en \u00e7ok \u201cAr\u0131m Bal\u0131m Pete\u011fim\u201d, \u201c\u00d6mr\u00fcmce Hep Ad\u0131m Ad\u0131m\u201d ve \u201cReyhan\u201d yorumlar\u0131yla haf\u0131zalarda yer eder. Farkl\u0131 dillerde seslendirdi\u011fi eserlerle de bilinen sanat\u00e7\u0131, 60\u2019lar ve 70\u2019lerde kusursuz s\u00f6yleyi\u015fi ve \u00f6zenli sahne duru\u015fuyla d\u00f6nemin en g\u00fc\u00e7l\u00fc kad\u0131n seslerinden biri olarak an\u0131l\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Seni Sevmek Kaderim \u2013 Kamuran Akkor” title_font_size=”13″][vc_single_image image=”32797″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1971 yap\u0131m\u0131, Orhan Aksoy y\u00f6netmenli\u011findeki Seni Sevmek Kaderim filminde a\u015fk\u0131n ba\u015fka bir h\u00e2lini izleriz. \u201cA\u015fk\u0131n Kanunu\u201d \u015fark\u0131s\u0131 bir d\u00fc\u011f\u00fcn sahnesinde y\u00fckselirken, Lale (Filiz Ak\u0131n) ba\u015f\u0131na geleceklerden habersizdir. \u0130lerleyen sahnelerde babas\u0131n\u0131n intikam\u0131n\u0131 almak i\u00e7in \u00e2\u015f\u0131k bir kad\u0131n rol\u00fcne b\u00fcr\u00fcnen Lale, zamanla bu rol\u00fcn ger\u00e7e\u011fe d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc fark eder ancak gururu a\u011f\u0131r bast\u0131k\u00e7a Murat\u2019a (Ediz Hun) kalbindekini bir t\u00fcrl\u00fc s\u00f6yleyemez. Film boyunca duydu\u011fumuz bu i\u00e7li \u015fark\u0131lar, hik\u00e2yenin duygusal y\u00fck\u00fcn\u00fc s\u0131rtlanan Kamuran Akkor\u2019un sesinden gelir. Sanat\u00e7\u0131, \u201cA\u015fk Eski Bir Yalan\u201d, \u201cKime Niyet Kime K\u0131smet\u201d, \u201cSev Yeter\u201d gibi 45\u2019likleriyle k\u0131sa s\u00fcrede geni\u015f kitlelerin belle\u011finde yer edinir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Beyo\u011flu G\u00fczeli \u2013 Belk\u0131s \u00d6zener” title_font_size=”13″][vc_single_image image=”32798″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1972 y\u0131l\u0131nda Ertem E\u011filmez y\u00f6netmenli\u011finde g\u00f6sterime giren Beyo\u011flu G\u00fczeli filminde s\u0131ms\u0131cak bir hik\u00e2ye izleriz. Tesad\u00fcf sonucu yollar\u0131 kesi\u015fen Alev ile Ferit, k\u0131sa s\u00fcrede birbirine \u00e2\u015f\u0131k olur. Ancak biri varl\u0131kl\u0131 bir aileden gelirken di\u011feri \u00e7ad\u0131r tiyatrosunda \u00e7al\u0131\u015fan yoksul bir hayata sahiptir. Alev (H\u00fclya Ko\u00e7yi\u011fit) ve Ferit (Tar\u0131k Akan) y\u0131llar boyu kavu\u015famaz; yeniden kar\u015f\u0131la\u015ft\u0131klar\u0131nda ise t\u00fcm engellere ra\u011fmen evlenirler. Tam her \u015fey yoluna girdi derken seyirciyi beklenmedik bir son kar\u015f\u0131lar. \u0130\u015fte bu sahnelerde duygu y\u00fckl\u00fc o ses perde arkas\u0131ndan y\u00fckselir. Bu ses, Ye\u015fil\u00e7am\u2019\u0131n g\u00f6r\u00fcnmeyen y\u00fczlerinden Belk\u0131s \u00d6zener\u2019e aittir. \u00d6zener, m\u00fczikle i\u00e7 i\u00e7e bir ailede b\u00fcy\u00fcr, gen\u00e7 ya\u015fta kat\u0131ld\u0131\u011f\u0131 bir ses yar\u0131\u015fmas\u0131nda birincilik kazan\u0131r. \u201cBir Garip Yolcu\u201d, \u201cAd\u0131n\u0131 Anmayaca\u011f\u0131m\u201d, \u201cSevemedim Karag\u00f6zl\u00fcm\u201d ve \u201cDamar\u0131mda Kan\u0131ms\u0131n\u201d gibi eserlerle Ye\u015fil\u00e7am\u2019da s\u00f6ylenemeyen duygular\u0131 seyircinin kalbine ta\u015f\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Ayr\u0131l\u0131k \u2013 \u0130nci \u00c7ay\u0131rl\u0131” title_font_size=”13″][vc_single_image image=”32799″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1972 yap\u0131m\u0131, T\u00fcrker \u0130nano\u011flu y\u00f6netmenli\u011findeki Ayr\u0131l\u0131k filminde Suna (Filiz Ak\u0131n) sahneye ad\u0131m atar; parlak dekorlar\u0131n aras\u0131nda dans ederken \u201cBana \u00c7ok Mu G\u00f6r\u00fcyorsun?\u201d \u015fark\u0131s\u0131n\u0131 seslendirir. Ba\u015f\u0131ndan sonuna h\u00fcz\u00fcnle \u00f6r\u00fcl\u00fc bu hik\u00e2yede, \u00e2\u015f\u0131klar bir t\u00fcrl\u00fc kavu\u015famaz. Perdede izledi\u011fimiz bu sahnenin duygusu, g\u00f6r\u00fcnt\u00fcn\u00fcn \u00f6tesine ta\u015fan duru ve kederli bir sesle derinle\u015fir. \u0130\u015fte bu ses, Ye\u015fil\u00e7am\u2019da s\u0131k\u00e7a duydu\u011fumuz \u0130nci \u00c7ay\u0131rl\u0131\u2019ya aittir. 1935\u2019te \u0130stanbul\u2019da do\u011fan \u00c7ay\u0131rl\u0131, gen\u00e7 ya\u015fta konservatuvara girer; M\u00fcnir Nurettin Sel\u00e7uk korosundan \u0130stanbul Radyosuna uzanan bir m\u00fczik e\u011fitimi al\u0131r. Yurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda verdi\u011fi konserlerle geni\u015f bir dinleyici kitlesine ula\u015f\u0131r. \u201c\u00c7ileli B\u00fclb\u00fcl\u201d, \u201cSon Nefes\u201d ve \u201cKad\u0131n Asla Unutmaz\u201d gibi filmlerin m\u00fcziklerinde imzas\u0131 bulunan sanat\u00e7\u0131, 1998 y\u0131l\u0131nda Devlet Sanat\u00e7\u0131s\u0131 \u00fcnvan\u0131yla onurland\u0131r\u0131l\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text] Ye\u015fil\u00e7am\u2026 Yaln\u0131zca bir sinema d\u00f6nemi de\u011fil; T\u00fcrkiye\u2019nin duygusal belle\u011finde en derin iz b\u0131rakan zamanlardan biriydi. Bir ku\u015fa\u011f\u0131n a\u015fk\u0131, umudu ve k\u0131rg\u0131nl\u0131\u011f\u0131 y\u0131llar boyunca o filmlerle hayat buldu. Sahnelerin duygusu, arkadan gelen o tan\u0131d\u0131k melodilerle tamamlan\u0131rd\u0131. \u0130\u015fte \u015fimdi, 14 \u015eubat Sevgililer G\u00fcn\u00fc\u2019nde Ye\u015fil\u00e7am\u2019\u0131n o tan\u0131d\u0131k a\u015fk sahneleri yine zihnimizde canlan\u0131yor. Yaz\u0131m\u0131zda, bu \u00f6zel g\u00fcn\u00fcn ruhuna […]<\/p>\n","protected":false},"author":1,"featured_media":32793,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[117,80,57,58,4669],"class_list":["post-32792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-film","tag-sarki","tag-sinema","tag-yesilcam","tag-yesilcam-sarkilari"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/32792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32792"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/32792\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}