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Alev Alatl\u0131\u2019n\u0131n edeb\u00ee ki\u015fili\u011finin \u015fekillenmesinde aile \u00e7evresinden ald\u0131\u011f\u0131 e\u011fitimin pay\u0131 b\u00fcy\u00fckt\u00fcr. Tiyatro yazar\u0131 b\u00fcy\u00fck amcas\u0131 Musahipzade Celal Bey\u2019in estetik duyarl\u0131l\u0131\u011f\u0131 ile asker bir baban\u0131n disipliniyle yeti\u015fen Alatl\u0131, okuma al\u0131\u015fkanl\u0131\u011f\u0131n\u0131 ise babas\u0131ndan edinmi\u015ftir. Ya\u015fam\u0131 boyunca \u00e7ok say\u0131da \u00f6d\u00fcl alm\u0131\u015f; yaln\u0131zca eserleriyle de\u011fil, d\u00fc\u015f\u00fcnsel ve entelekt\u00fcel duru\u015fuyla da dikkat \u00e7ekmi\u015ftir. Yaz\u0131m\u0131zda, Alev Alatl\u0131\u2019n\u0131n eserlerinde \u00f6ne \u00e7\u0131kan temalar\u0131 sizler i\u00e7in derledik.<\/p>\n
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Alev Alatl\u0131\u2019n\u0131n bas\u0131lan ilk roman\u0131 \u201cYaseminler T\u00fcter mi, H\u00e2l\u00e2?\u201d, Eleni\u2019den Naciye\u2019ye uzanan bir hayat \u00fczerinden kimlik ve aidiyet sorunlar\u0131n\u0131 bireysel bir hik\u00e2ye i\u00e7inde ele al\u0131r; K\u0131br\u0131s meselesini ise g\u00fcndelik ya\u015famda biriken \u00e7at\u0131\u015fmalar arac\u0131l\u0131\u011f\u0131yla g\u00f6r\u00fcn\u00fcr k\u0131lar. \u201c\u0130\u015fkenceci\u201d, \u015fiddeti uygulayanla ona maruz kalan aras\u0131ndaki ili\u015fkiyi sorgular; onur, suskunluk ve adalet aray\u0131\u015f\u0131 roman\u0131n ana temas\u0131n\u0131 olu\u015fturur. Bu eser, 1987 y\u0131l\u0131nda T\u00fcrkiye Yazarlar Birli\u011fi taraf\u0131ndan Y\u0131l\u0131n En \u0130yi Roman \u00d6d\u00fcl\u00fc\u2019ne de\u011fer g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. \u201cKadere Kar\u015f\u0131 Koy A.\u015e.\u201d ise oda\u011f\u0131n\u0131 toplumsal ya\u015fama \u00e7evirir; kad\u0131nlar\u0131n \u201ckader\u201d olarak sunulan s\u0131n\u0131rlara kar\u015f\u0131 durma ve kendi yolunu a\u00e7ma \u00e7abas\u0131n\u0131 merkeze al\u0131r. Roman, bireysel \u00f6zg\u00fcrle\u015fmenin dayan\u0131\u015fma ve fark\u0131ndal\u0131kla m\u00fcmk\u00fcn oldu\u011funu vurgular.<\/p>\n
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Alev Alatl\u0131\u2019n\u0131n \u201cOr\u2019da Kimse Var m\u0131?\u201d serisi; \u201cViva La Muerte! Ya\u015fas\u0131n \u00d6l\u00fcm\u201d, \u201c\u2018Nuke\u2019 T\u00fcrkiye!\u201d, \u201cValla, Kurda Yedirdin Beni\u201d ve \u201cO.K. Musti, T\u00fcrkiye Tamamd\u0131r!\u201d adl\u0131 d\u00f6rt romandan olu\u015fur. Bu eserlerde Alatl\u0131, 1990\u2019l\u0131 y\u0131llar\u0131n T\u00fcrkiye\u2019sinde \u00f6ne \u00e7\u0131kan yabanc\u0131la\u015fma, ideolojik kampla\u015fma ve toplumsal \u00e7\u00f6z\u00fclme sorunlar\u0131n\u0131 ele al\u0131r. Serinin d\u00fc\u015f\u00fcnsel hatt\u0131, \u201cOr\u2019da H\u00e2l\u00e2 Kimse Var m\u0131?\u201d ba\u015fl\u0131\u011f\u0131yla yay\u0131mlanan \u201cBeyaz T\u00fcrkler K\u00fcst\u00fcler\u201d adl\u0131 kitapta yeniden ele al\u0131n\u0131r. Alatl\u0131 bu be\u015finci kitapta, entelekt\u00fcelin toplumsal rol\u00fcn\u00fc, sorumlulu\u011funu ve konumunu ge\u00e7mi\u015fle hesapla\u015farak tart\u0131\u015f\u0131r. B\u00f6ylece seri, bireysel \u00e7\u00f6z\u00fclmeler \u00fczerinden T\u00fcrkiye\u2019nin zihinsel ve k\u00fclt\u00fcrel d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc okumaya imk\u00e2n veren b\u00fct\u00fcnl\u00fckl\u00fc bir anlat\u0131ya d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n
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Alev Alatl\u0131\u2019n\u0131n \u201cGogol\u2019\u00fcn \u0130zinde\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda kaleme ald\u0131\u011f\u0131 nehir anlat\u0131, \u201cAyd\u0131nlanma De\u011fil, Merhamet!\u201d ile ba\u015flar; \u201cD\u00fcnya N\u00f6beti\u201d ve \u201cEyy Uhnem! Eyy Uhnem!\u201d ile devam eder. Alatl\u0131 bu seride Bat\u0131 merkezli ayd\u0131nlanma anlay\u0131\u015f\u0131n\u0131 sorgular; akl\u0131 mutlakla\u015ft\u0131ran d\u00fc\u015f\u00fcnce gelene\u011finin toplumsal ve k\u00fclt\u00fcrel sonu\u00e7lar\u0131n\u0131 tart\u0131\u015f\u0131r. Metinlerde merhamet, ahlak ve yerellik, evrensel do\u011frular iddias\u0131n\u0131n kar\u015f\u0131s\u0131na yerle\u015ftirilir; yabanc\u0131la\u015fma, tek tiple\u015fme ve bilgiye dayal\u0131 \u00fcst\u00fcnl\u00fck s\u00f6ylemi ele\u015ftirinin oda\u011f\u0131nda yer al\u0131r. Seri boyunca Alatl\u0131, d\u00fcnyay\u0131 bilen fakat kendi de\u011ferleriyle ba\u011f\u0131n\u0131 koparmayan entelekt\u00fcel tipini merkeze al\u0131r; modernle\u015fme s\u00fcrecinde ak\u0131l ile vicdan aras\u0131ndaki dengenin nas\u0131l bozuldu\u011funu g\u00f6r\u00fcn\u00fcr k\u0131lar.<\/p>\n
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\u201cSchr\u00f6dinger\u2019in Kedisi\u201d serisinin ilk kitab\u0131 \u201cK\u00e2bus\u201d, distopik bir kurgu i\u00e7inde bireyin k\u00fcresel s\u00f6ylemler kar\u015f\u0131s\u0131ndaki konumunu tart\u0131\u015f\u0131r. Yazar taraf\u0131ndan f\u00fct\u00fcristik bir bilim kurgu olarak de\u011fil, bilimi temel alan bir kurgu olarak de\u011ferlendirilir. Serinin ikinci kitab\u0131 \u201cR\u00fcya\u201d, yabanc\u0131la\u015fma ve aidiyet sorunlar\u0131n\u0131 merkeze alarak entelekt\u00fcelin kendi d\u00fc\u015f\u00fcnsel zeminiyle kurdu\u011fu ili\u015fkiye odaklan\u0131r. Roman\u0131n yay\u0131mlanmas\u0131n\u0131n ard\u0131ndan ortaya \u00e7\u0131kan \u201cOnar\u0131mc\u0131lar\u201d adl\u0131 e-posta grubu ise, uzun s\u00fcreli fikr\u00ee tart\u0131\u015fmalara ev sahipli\u011fi yapan ve edebiyat sosyolojisi a\u00e7\u0131s\u0131ndan dikkat \u00e7eken bir okur-yazar etkile\u015fimi \u00f6rne\u011fi olarak \u00f6ne \u00e7\u0131kar.<\/p>\n
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B\u00fct\u00fcn bu eserler bir arada d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde Alev Alatl\u0131, edebiyat\u0131 yaln\u0131zca bir anlat\u0131 arac\u0131 olarak de\u011fil; bireyi, toplumu ve \u00e7a\u011f\u0131n\u0131 sorgulayan bir d\u00fc\u015f\u00fcnce alan\u0131 olarak kurgular ve okurunu da s\u00fcregelen bir \u00f6\u011frenme ve fark\u0131ndal\u0131k yolculu\u011funa \u00e7a\u011f\u0131r\u0131r.<\/p>\n
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[vc_row][vc_column][vc_column_text] Alev Alatl\u0131\u2019n\u0131n edeb\u00ee ki\u015fili\u011finin \u015fekillenmesinde aile \u00e7evresinden ald\u0131\u011f\u0131 e\u011fitimin pay\u0131 b\u00fcy\u00fckt\u00fcr. Tiyatro yazar\u0131 b\u00fcy\u00fck amcas\u0131 Musahipzade Celal Bey\u2019in estetik duyarl\u0131l\u0131\u011f\u0131 ile asker bir baban\u0131n disipliniyle yeti\u015fen Alatl\u0131, okuma al\u0131\u015fkanl\u0131\u011f\u0131n\u0131 ise babas\u0131ndan edinmi\u015ftir. Ya\u015fam\u0131 boyunca \u00e7ok say\u0131da \u00f6d\u00fcl alm\u0131\u015f; yaln\u0131zca eserleriyle de\u011fil, d\u00fc\u015f\u00fcnsel ve entelekt\u00fcel duru\u015fuyla da dikkat \u00e7ekmi\u015ftir. Yaz\u0131m\u0131zda, Alev Alatl\u0131\u2019n\u0131n eserlerinde \u00f6ne \u00e7\u0131kan […]<\/p>\n","protected":false},"author":1,"featured_media":32731,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2871,707,266,340],"class_list":["post-32730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-alev-alatli","tag-edebiyat","tag-kitap","tag-yazar"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/32730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32730"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/32730\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}