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Do\u011fu Anadolu\u2019nun da\u011flar\u0131 aras\u0131nda y\u00fckselen \u0130shak Pa\u015fa Saray\u0131, ilk bak\u0131\u015fta bir kartal yuvas\u0131n\u0131 and\u0131ran g\u00f6r\u00fcn\u00fcm\u00fcyle ziyaret\u00e7ilerini etkiliyor. Osmanl\u0131 mimarisinin Anadolu\u2019daki se\u00e7kin \u00f6rneklerinden biri olan bu yap\u0131, UNESCO D\u00fcnya Miras\u0131 Ge\u00e7ici Listesi\u2019nde yer al\u0131yor. T\u00fcrkiye\u2019den ve d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan gelen yolcular\u0131n rotas\u0131nda bulunan \u0130shak Pa\u015fa Saray\u0131\u2019n\u0131n \u00f6ne \u00e7\u0131kan \u00f6zelliklerini sizin i\u00e7in derledik.<\/p>\n
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A\u011fr\u0131\u2019n\u0131n Do\u011fubayaz\u0131t il\u00e7esinin 7 kilometre do\u011fusunda, bir da\u011f\u0131n yamac\u0131ndaki tepe \u00fczerine kurulan saray\u0131n in\u015fas\u0131na \u00c7\u0131ld\u0131r Atabeklerinden \u00c7olak Abdi Pa\u015fa taraf\u0131ndan 1685\u2019te ba\u015flam\u0131\u015ft\u0131r. Saray, ayn\u0131 soydan gelen K\u00fc\u00e7\u00fck \u0130shak Pa\u015fa zaman\u0131nda, 1784\u2019te tamamlanm\u0131\u015ft\u0131r. Osmanl\u0131\u2019n\u0131n do\u011fu s\u0131n\u0131r\u0131nda konumlanan bu yap\u0131 hem y\u00f6netim merkezi hem de g\u00fcvenlik karakolu olarak g\u00f6rev g\u00f6rm\u00fc\u015f; sivil ve asker\u00ee i\u015flevleri bir arada bar\u0131nd\u0131ran kapsaml\u0131 bir kompleks olarak tasarlanm\u0131\u015ft\u0131r.<\/p>\n
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Yakla\u015f\u0131k 7.600 m\u00b2\u2019lik alana yay\u0131lan saray\u0131n baz\u0131 k\u0131s\u0131mlar\u0131 tek veya iki, baz\u0131lar\u0131 ise bodrum d\u00e2hil \u00fc\u00e7 katl\u0131 olarak in\u015fa edilmi\u015f ve \u00fc\u00e7 ana b\u00f6l\u00fcmden olu\u015fmaktad\u0131r. Birinci avlu, ziyaret\u00e7iyi kar\u015f\u0131layan kamuya a\u00e7\u0131k alanlar ile ge\u00e7i\u015f mek\u00e2nlar\u0131n\u0131 i\u00e7erir. \u0130kinci avlu, y\u00f6netim i\u015flerinin y\u00fcr\u00fct\u00fcld\u00fc\u011f\u00fc ve sosyal ya\u015fam\u0131n \u015fekillendi\u011fi merkez konumundad\u0131r. En i\u00e7te yer alan harem ve \u00f6zel ya\u015fam alanlar\u0131 ise, aile bireylerine ayr\u0131lm\u0131\u015f mahrem mek\u00e2nlar\u0131ndan olu\u015fur.<\/p>\n
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Saray\u0131n yap\u0131m\u0131nda kesme ta\u015f kullan\u0131lm\u0131\u015f; ta\u015flar\u0131n do\u011fal k\u0131rm\u0131z\u0131, sar\u0131 ve gri tonlar\u0131 tercih edilerek yap\u0131ya estetik bir g\u00f6r\u00fcn\u00fcm kazand\u0131r\u0131lm\u0131\u015ft\u0131r. Duvar kal\u0131nl\u0131klar\u0131n\u0131n 1 metreyi a\u015fmas\u0131, saray\u0131n Do\u011fu Anadolu\u2019nun sert iklimine uygun \u015fekilde in\u015fa edildi\u011fini g\u00f6stermektedir. En dikkat \u00e7ekici teknik \u00f6zellik ise, d\u00f6nemin \u00e7ok ilerisinde say\u0131labilecek zemin alt\u0131 \u0131s\u0131tma sistemidir. Bu sistemde ocaklarda \u0131s\u0131t\u0131lan hava, duvar i\u00e7i ve zemin alt\u0131ndaki kanallar arac\u0131l\u0131\u011f\u0131yla odalara da\u011f\u0131t\u0131larak mek\u00e2nlar\u0131n \u0131s\u0131nmas\u0131 sa\u011flanm\u0131\u015ft\u0131r.<\/p>\n
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Barok, Sel\u00e7uklu ve \u0130ran \u00fcsluplar\u0131n\u0131n bir arada kullan\u0131ld\u0131\u011f\u0131 s\u00fcslemeler, giri\u015fteki ta\u00e7 kap\u0131dan pencere ni\u015flerine, cami mihrab\u0131ndan minbere kadar her k\u00f6\u015fede kendini g\u00f6sterir. Osmanl\u0131 D\u00f6nemi\u2019nde A\u011fr\u0131\u2019da in\u015fa edilen en b\u00fcy\u00fck ve en \u00f6nemli mimari eser olan \u0130shak Pa\u015fa Saray\u0131\u2019n\u0131n duvarlar\u0131ndaki yaz\u0131tlar ve kitabeler ise yaln\u0131zca s\u00fcsleme unsuru de\u011fil, ayn\u0131 zamanda in\u015fa s\u00fcreci ve d\u00f6nemin y\u00f6neticilerini belgeleyen tarih\u00ee kay\u0131t niteli\u011fi ta\u015f\u0131r.<\/p>\n
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Saray\u0131n tek kubbeli camisi, iki renk ta\u015fla \u00f6r\u00fclm\u00fc\u015f minaresiyle dikkat \u00e7eker. Bug\u00fcne en sa\u011flam \u015fekilde ula\u015fan b\u00f6l\u00fcm olan cami, saray\u0131n tarih\u00ee izlerini g\u00fcn\u00fcm\u00fcze ta\u015f\u0131r. K\u0131ble duvar\u0131n\u0131n d\u0131\u015f\u0131nda yer alan t\u00fcrbe ise muhtemelen Abdi \u00c7olak Pa\u015fa ile \u0130shak Pa\u015fa ve yak\u0131nlar\u0131 i\u00e7in in\u015fa edilmi\u015ftir. Geometrik ve bitkisel motiflerle s\u00fcslenen bu alan, ziyaret\u00e7ilerin en \u00e7ok ilgisini \u00e7eken b\u00f6l\u00fcmlerden biri olarak \u00f6ne \u00e7\u0131kar.<\/p>\n
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Yap\u0131m\u0131 99 y\u0131l s\u00fcren saray, Do\u011fubayaz\u0131t\u2019a yaln\u0131zca 7 kilometre uzakl\u0131kta yer al\u0131r. Ad\u0131m att\u0131\u011f\u0131n\u0131z anda ta\u015f i\u015f\u00e7ili\u011finin detaylar\u0131n\u0131 ve tarih\u00ee dokuyu hisseder, avlular aras\u0131nda dola\u015f\u0131rken saray\u0131n konumu ve manzaras\u0131yla b\u00fct\u00fcnle\u015firsiniz. Anadolu\u2019da g\u00fcn\u00fcm\u00fcze ula\u015fabilen tek saray yap\u0131s\u0131 olarak kabul edilen bu eseri, videoda da izleyebilirsiniz.<\/p>\n
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[vc_row][vc_column][vc_column_text] Do\u011fu Anadolu\u2019nun da\u011flar\u0131 aras\u0131nda y\u00fckselen \u0130shak Pa\u015fa Saray\u0131, ilk bak\u0131\u015fta bir kartal yuvas\u0131n\u0131 and\u0131ran g\u00f6r\u00fcn\u00fcm\u00fcyle ziyaret\u00e7ilerini etkiliyor. Osmanl\u0131 mimarisinin Anadolu\u2019daki se\u00e7kin \u00f6rneklerinden biri olan bu yap\u0131, UNESCO D\u00fcnya Miras\u0131 Ge\u00e7ici Listesi\u2019nde yer al\u0131yor. T\u00fcrkiye\u2019den ve d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan gelen yolcular\u0131n rotas\u0131nda bulunan \u0130shak Pa\u015fa Saray\u0131\u2019n\u0131n \u00f6ne \u00e7\u0131kan \u00f6zelliklerini sizin i\u00e7in derledik. [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title […]<\/p>\n","protected":false},"author":1,"featured_media":32131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[112,113,4289],"class_list":["post-32130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-dogu-anadolu","tag-ishak-pasa-sarayi","tag-unesco-dunya-mirasi-gecici-listesi"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/32130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32130"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/32130\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}