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\u00d6mr\u00fcn\u00fc tiyatroya adayan Y\u0131ld\u0131z Kenter, yaln\u0131zca y\u00fczden fazla tiyatro oyununda oynam\u0131\u015f bir oyuncu olarak de\u011fil, ayn\u0131 zamanda uzun y\u0131llar hocal\u0131k yaparak y\u00fczlerce tiyatro insan\u0131 yeti\u015ftirmi\u015f bir e\u011fitmendi. Bir\u00e7ok \u00f6d\u00fcl alan, sahne disiplini ve duru\u015fuyla ku\u015faklara ilham veren Kenter, tiyatro kadar sinema perdesinde de derin izler b\u0131rakt\u0131. Sahnedeki g\u00fcc\u00fcn\u00fc beyaz perdeye ta\u015f\u0131yarak duygunun, eme\u011fin ve bireyin t\u00fcm h\u00e2lleriyle bulu\u015ftu\u011fu karakterlere hayat verdi. Sanat\u0131yla nesiller boyu hat\u0131rlanacak bu usta ismin sinemadaki unutulmaz filmlerinden baz\u0131lar\u0131na birlikte g\u00f6z atal\u0131m.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Vatan \u0130\u00e7in (1951)” title_font_size=”13″][vc_single_image image=”31930″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
\u201cSinemac\u0131lar D\u00f6nemi\u201d olarak an\u0131lan 1950\u2019li y\u0131llar T\u00fcrk sinemas\u0131nda yepyeni bir d\u00f6nemin de kap\u0131lar\u0131n\u0131 a\u00e7ar. Film \u00fcretiminin h\u0131zla artt\u0131\u011f\u0131 bu d\u00f6nemde g\u00fc\u00e7l\u00fc hik\u00e2yeler, idealizm ve Kurtulu\u015f Sava\u015f\u0131\u2019n\u0131n duygusal izleri de beyaz perdede yer bulur. 1951\u2019de y\u00f6netmen Ayd\u0131n Arakon imzas\u0131yla g\u00f6sterime giren Vatan \u0130\u00e7in, d\u00fc\u015fman kuvvetlerinin emrinde \u00e7al\u0131\u015fan bir naz\u0131r\u0131n k\u0131z\u0131 ile top\u00e7u binba\u015f\u0131 Sami\u2019nin vatanperverlik \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131r. Kenter, bu filmde b\u00fcy\u00fckanne rol\u00fcyle sinemaya ilk ad\u0131m\u0131n\u0131 atm\u0131\u015ft\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”A\u011fa\u00e7lar Ayakta \u00d6l\u00fcr (1964)” title_font_size=”13″][vc_single_image image=”31931″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Kalp hastas\u0131 bir b\u00fcy\u00fckanne, torununu g\u00f6rme umuduyla ya\u015far. Kocas\u0131, onu mutlu etmek i\u00e7in torununun a\u011fz\u0131ndan mektuplar yazar, sonunda ise sahte bir torunu eve getirir. B\u00fcy\u00fckanne ger\u00e7e\u011fi bilse de sessiz kal\u0131r. Torununu u\u011furlarken, \u201cAnlamad\u0131lar, ayakta durabildim. \u0130\u00e7ten \u00f6lm\u00fc\u015f, ayakta duran bir a\u011fa\u00e7 gibi!\u201d der. \u0130spanyol yazar Alejandro Casona\u2019n\u0131n eserinden uyarlanan film, 1964\u2019te Memduh \u00dcn y\u00f6netmenli\u011finde, Safa \u00d6nal\u2019\u0131n senaryosuyla \u00e7ekilmi\u015f ve Y\u0131ld\u0131z Kenter\u2019e ayn\u0131 y\u0131l Alt\u0131n Portakal\u2019da En \u0130yi Yard\u0131mc\u0131 Kad\u0131n Oyuncu \u00d6d\u00fcl\u00fc\u2019n\u00fc kazand\u0131rm\u0131\u015ft\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Ya\u015fl\u0131 G\u00f6zler (1967)” title_font_size=”13″][vc_single_image image=”31932″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
\u201cBu gidi\u015fle biz n\u2019olaca\u011f\u0131z? Bir \u00e7are bulunsa da tekrar birle\u015febilseydik\u2026\u201d diye yazar mektubunda \u00dcmran rol\u00fcndeki Y\u0131ld\u0131z Kenter, kocas\u0131 Ferit\u2019i canland\u0131ran C\u00fcneyt G\u00f6k\u00e7er\u2019e. Tiyatro sahnesinin iki ustas\u0131, 1967\u2019de beyaz perdede bulu\u015fur. Ertem E\u011filmez\u2019in y\u00f6netti\u011fi, senaryosunu Sad\u0131k \u015eendil\u2019in yazd\u0131\u011f\u0131 siyah-beyaz filmde, t\u00fcm \u00e7ocuklar\u0131n\u0131 evlendirmi\u015f bir \u00e7ifti canland\u0131r\u0131rlar. \u00c7ocuklar\u0131na destek olmak i\u00e7in evlerini sat\u0131p ayr\u0131 ayr\u0131 \u00e7ocuklar\u0131n\u0131n yan\u0131nda ya\u015famaya ba\u015flayan \u00e7ift, onlar\u0131n ilgisizli\u011fi kar\u015f\u0131s\u0131nda derinden sars\u0131l\u0131r. Kenter ve G\u00f6k\u00e7er\u2019in y\u00fcrek burkan performans\u0131yla film, ad\u0131 gibi g\u00f6zleri ya\u015fla b\u0131rak\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Anneler ve K\u0131zlar\u0131 (1971)” title_font_size=”13″][vc_single_image image=”31933″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
L\u00fctfi \u00d6mer Akad y\u00f6netmenli\u011findeki 1971 yap\u0131m\u0131 Anneler ve K\u0131zlar\u0131 filmi, \u0130stanbul\u2019da hayata tutunmaya \u00e7al\u0131\u015fan kad\u0131nlar\u0131n hik\u00e2yesini anlat\u0131r. Fatma (Y\u0131ld\u0131z Kenter), kocas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra k\u00fc\u00e7\u00fck k\u0131z\u0131yla birlikte k\u00f6yden \u015fehre gelir ve sokakta kal\u0131r. Ne\u015fe (Ne\u015fe Karab\u00f6cek), k\u0131t kanaat ge\u00e7inmesine ra\u011fmen Fatma ve k\u0131z\u0131 Iraz\u2019\u0131 evine al\u0131r. Zorluklar, Ne\u015fe\u2019nin \u015fark\u0131c\u0131l\u0131k kariyerinin y\u00fckseli\u015fiyle hafifler; ancak b\u00fcy\u00fcyen k\u0131zlarla ili\u015fkiler giderek gerilir. Fatma ve Iraz \u00fczerinden k\u00f6yden kente g\u00f6\u00e7\u00fcn, s\u0131n\u0131fsal ve k\u00fclt\u00fcrel de\u011fi\u015fimin insan hayat\u0131na etkileri g\u00fc\u00e7l\u00fc bir oyunculukla beyaz perdeye ta\u015f\u0131n\u0131r. \u00d6zellikle k\u0131z\u0131na duydu\u011fu sevgi ve filmin sonundaki ya\u015fama vedas\u0131, izleyicide bo\u011faz\u0131 d\u00fc\u011f\u00fcmleyen bir etki b\u0131rak\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”K\u0131z\u0131m Ay\u015fe (1974)” title_font_size=”13″][vc_single_image image=”31934″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Y\u00f6netmenli\u011fini Y\u00fccel \u00c7akmakl\u0131\u2019n\u0131n \u00fcstlendi\u011fi 1974 yap\u0131m\u0131 K\u0131z\u0131m Ay\u015fe filminde Y\u0131ld\u0131z Kenter, bu kez fakir k\u00f6yl\u00fc kad\u0131n\u0131 Huriye Bac\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. Kocas\u0131n\u0131 doktorsuzluktan kaybeden Huriye Bac\u0131\u2019n\u0131n tek dile\u011fi, k\u0131z\u0131 Ay\u015fe\u2019nin (Necla Naz\u0131r) doktor oldu\u011funu g\u00f6rmektir. Bu u\u011furda k\u00f6yden kente ta\u015f\u0131n\u0131r, ya\u015fam m\u00fccadelesine g\u00f6\u011f\u00fcs gerer. K\u0131z\u0131n\u0131 okutmak i\u00e7in her t\u00fcrl\u00fc fedak\u00e2rl\u0131\u011f\u0131 yapan bir annenin hik\u00e2yesi, Kenter\u2019in sade ama derin oyunculu\u011fuyla y\u00fcrek burkar.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Han\u0131m (1989)” title_font_size=”13″][vc_single_image image=”31935″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1989 yap\u0131m\u0131 Han\u0131m, y\u00f6netmenli\u011fini Halit Refi\u011f\u2019in, senaryosunu ise Nezihe Araz ile Refi\u011f\u2019in birlikte \u00fcstlendi\u011fi dokunakl\u0131 bir hik\u00e2yedir; \u00f6yle ki senaryosuyla T\u00fcrk sinema tarihine ad\u0131n\u0131 yazd\u0131rm\u0131\u015ft\u0131r. Y\u0131ld\u0131z Kenter, bu filmde eski bir \u0130stanbul han\u0131mefendisi Olcay Han\u0131m\u2019\u0131 canland\u0131r\u0131r. Kocas\u0131n\u0131 bir deniz kazas\u0131nda kaybetmi\u015f, kanserle m\u00fccadele eden Olcay’\u0131n tek dile\u011fi, ya\u015fam\u0131n\u0131n son g\u00fcnlerinde can dostu kedisi \u201cHan\u0131m\u201da iyi bak\u0131lmas\u0131n\u0131 sa\u011flamakt\u0131r. \u0130stanbul, de\u011fi\u015fen de\u011ferler, E\u015fref Kol\u00e7ak ile Y\u0131ld\u0131z Kenter’in oyunculu\u011funun muhte\u015femli\u011fi ile h\u0131\u00e7k\u0131r\u0131klar pe\u015fi s\u0131ra gelir: Filmde hem \u00f6lmek \u00fczere olan Olcay Han\u0131m\u2019a hem de bembeyaz t\u00fcyleriyle sahipsiz kalacak Han\u0131m\u2019a a\u011flar da a\u011flars\u0131n\u0131z.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”G\u00fcle G\u00fcle (2000)” title_font_size=”13″][vc_single_image image=”31936″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Dostluklar m\u0131, ada m\u0131 yoksa oyuncular\u0131n samimiyeti mi daha g\u00fczel diye d\u00fc\u015f\u00fcnd\u00fcren film\u2026 Y\u00f6netmenli\u011fini Zeki \u00d6kten\u2019in, senaryosunu Fatih Alt\u0131n\u00f6z\u2019\u00fcn yazd\u0131\u011f\u0131 2000 yap\u0131m\u0131 G\u00fcle G\u00fcle filmi, Bozcaada\u2019da ge\u00e7en bir dostluk ve a\u015fk hik\u00e2yesini konu al\u0131r. Film, 60 ya\u015f\u0131n \u00fcst\u00fcnde be\u015f arkada\u015f\u0131n \u00f6yk\u00fcs\u00fcn\u00fc anlat\u0131r; \u00e7ocukluklar\u0131ndan beri bir arada olan d\u00f6rt erkek ve bir kad\u0131n, hayat\u0131n getirdi\u011fi zorluklar kar\u015f\u0131s\u0131nda birbirine tutunur. Filmde Zarife rol\u00fcnde Y\u0131ld\u0131z Kenter, anne veya b\u00fcy\u00fckanne rollerinin \u00f6tesinde, bu kez dostlu\u011fuyla izleyiciye dokunur.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Beyaz Melek (2007)” title_font_size=”13″][vc_single_image image=”31937″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Mahsun K\u0131rm\u0131z\u0131g\u00fcl\u2019\u00fcn 2007\u2019de hem senaryosunu hem y\u00f6netmenli\u011fini \u00fcstlendi\u011fi ilk filminde \u00f6yle isimler oynar ki filme kar\u015f\u0131 merak duygusu da artar: Arif Erkin G\u00fczelbeyo\u011flu, Y\u0131ld\u0131z Kenter, Erol G\u00fcnayd\u0131n, Nejat Uygur, Salih Kalyon, Ali S\u00fcrmeli, Cezmi Bask\u0131n, Toron Karacao\u011flu, H\u00fcseyin Avni Danyal, Gazanfer \u00d6zcan, Bilge Zobu, Lale Belk\u0131s ve daha bir\u00e7ok isim… Beyaz Melek, ayn\u0131 zamanda filme konu olan hik\u00e2yesiyle de dikkat \u00e7ekicidir: Bir huzurevinde \u00f6m\u00fcrlerinin son demini ya\u015fayan bir grup insan\u0131n ya\u015fam\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne serer. Y\u0131ld\u0131z Kenter ise filmin Melek ismindeki karakterini canland\u0131r\u0131r ve beyaz melek olarak hem sinemada hem de son filmi olan Beyaz Melek\u2019te etraf\u0131na \u0131\u015f\u0131k sa\u00e7ar\u2026<\/p>\n
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[vc_row][vc_column][vc_column_text] \u00d6mr\u00fcn\u00fc tiyatroya adayan Y\u0131ld\u0131z Kenter, yaln\u0131zca y\u00fczden fazla tiyatro oyununda oynam\u0131\u015f bir oyuncu olarak de\u011fil, ayn\u0131 zamanda uzun y\u0131llar hocal\u0131k yaparak y\u00fczlerce tiyatro insan\u0131 yeti\u015ftirmi\u015f bir e\u011fitmendi. Bir\u00e7ok \u00f6d\u00fcl alan, sahne disiplini ve duru\u015fuyla ku\u015faklara ilham veren Kenter, tiyatro kadar sinema perdesinde de derin izler b\u0131rakt\u0131. Sahnedeki g\u00fcc\u00fcn\u00fc beyaz perdeye ta\u015f\u0131yarak duygunun, eme\u011fin ve […]<\/p>\n","protected":false},"author":1,"featured_media":31929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[56,57,141,3004],"class_list":["post-31928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-oyuncu","tag-sinema","tag-tiyatro","tag-yildiz-kenter"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/31928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31928"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/31928\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}