[vc_row][vc_column][vc_column_text]\u00c7ini sanat\u0131, y\u00fczy\u0131llard\u0131r hayat\u0131m\u0131za dokunan, evleri, saraylar\u0131, camileri ve g\u00fcndelik e\u015fyalar\u0131 g\u00fczelle\u015ftiren k\u00f6kl\u00fc bir s\u00fcsleme sanat\u0131d\u0131r. \u0130lk bak\u0131\u015fta sadece fayans ya da seramik \u00fczerine yap\u0131lm\u0131\u015f desenler gibi g\u00f6r\u00fcnse de asl\u0131nda her motifin ve her rengin ard\u0131nda derin bir k\u00fclt\u00fcr\u00fcn izleri sakl\u0131d\u0131r. Peki, \u00e7iniyi sadece bir s\u00fcsleme olmaktan \u00e7\u0131kar\u0131p onu k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn simgesi h\u00e2line getiren s\u0131r nedir? Bu yaz\u0131m\u0131zda, motiflerin dili ve renklerin anlam\u0131 e\u015fli\u011finde, \u00e7ini sanat\u0131n\u0131n b\u00fcy\u00fcl\u00fc d\u00fcnyas\u0131n\u0131 inceleyece\u011fiz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1# ” title_font_size=”13″][vc_single_image image=”31492″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u00c7inicilik 12. y\u00fczy\u0131ldan bu yana s\u00fcregelen T\u00fcrk zanaatk\u00e2rl\u0131\u011f\u0131n\u0131 yans\u0131tan bir sanatt\u0131r. Minai (\u00e7ok renkli ve s\u0131r \u00fcst\u00fc boyama), l\u00fcster (metal oksitlerle yap\u0131lan parlak ve \u0131\u015f\u0131lt\u0131l\u0131 y\u00fczey), perdah (parlak ve p\u00fcr\u00fczs\u00fcz bir y\u00fczey elde etme y\u00f6ntemi) ve s\u0131r alt\u0131 gibi tekniklerle uygulan\u0131r. K\u00f6keni \u00c7in\u2019e dayanmakla birlikte Karahanl\u0131lardan Osmanl\u0131\u2019ya uzanan s\u00fcre\u00e7te T\u00fcrk k\u00fclt\u00fcr\u00fcyle b\u00fct\u00fcnle\u015fmi\u015f ve 15. ila 18. y\u00fczy\u0131llar aras\u0131nda zirveye ula\u015fm\u0131\u015ft\u0131r. Bu d\u00f6nemin en g\u00f6z al\u0131c\u0131 \u00f6rnekleri aras\u0131nda Ye\u015fil Camii, Muradiye Camii, \u00c7inili K\u00f6\u015fk ve \u00dcsk\u00fcdar \u00c7inili Camii yer al\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”31493″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]16. y\u00fczy\u0131ldan bu yana \u00e7ini ustalar\u0131, geleneksel re\u00e7etelerle haz\u0131rlad\u0131klar\u0131 \u00e7inilerde genellikle s\u0131r alt\u0131 tekni\u011fini kullanm\u0131\u015ft\u0131r. \u00d6nce hamur \u015fekillendirilir, astarlan\u0131r ve f\u0131r\u0131nlanarak sert, g\u00f6zenekli ve p\u00fcr\u00fczs\u00fcz bir y\u00fczey elde edilir. K\u00e2\u011f\u0131t \u00fczerine \u00e7izilen desenler, ince i\u015f\u00e7ilik gerektiren ajur tekni\u011fi ile delinip k\u00f6m\u00fcr tozuyla y\u00fczeye aktar\u0131l\u0131r; ard\u0131ndan d\u0131\u015f konturlar siyah boya ile elle \u00e7izilir. Desenler \u00e7e\u015fitli renklerle boyand\u0131ktan sonra serami\u011fin \u00fczeri s\u0131r ile kaplan\u0131r ve ikinci kez 900-940 \u00b0C\u2019de pi\u015firilir. B\u00f6ylece \u00e7ininin yap\u0131m\u0131 tamamlan\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”31494″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u00c7inilerdeki her motif ve renk bir anlam ta\u015f\u0131r. Lale, g\u00fcl, karanfil, servi veya hayat a\u011fac\u0131 yaln\u0131zca estetik bir s\u00fcsleme unsuru de\u011fil, ayn\u0131 zamanda derin sembolik anlamlar i\u00e7erir. Lale hem harf yap\u0131s\u0131 hem de say\u0131sal de\u011feriyle kutsal kavramlarla ili\u015fkilendirilirken; hayat a\u011fac\u0131 \u00f6l\u00fcms\u00fczl\u00fc\u011f\u00fcn, g\u00fcl a\u015fk\u0131n ve g\u00fczelli\u011fin, karanfil ise sevgi ve ba\u011fl\u0131l\u0131\u011f\u0131n simgesidir. Bu sembolik dil, yaln\u0131zca motiflerle de\u011fil, renklerin kullan\u0131m\u0131yla da kendini g\u00f6sterir. \u0130znik \u00e7inilerinin mercan k\u0131rm\u0131z\u0131s\u0131 ve turkuaz mavisi yaln\u0131zca g\u00f6ze hitap etmez; g\u00f6ky\u00fcz\u00fc, su ve ya\u015fam enerjisinin yans\u0131mas\u0131d\u0131r. Geleneksel \u00e7inilerde beyaz veya lacivert fon \u00fczerinde k\u0131rm\u0131z\u0131, kobalt mavisi, turkuaz mavisi ve ye\u015fil renkler karakteristik olarak kullan\u0131l\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”31495″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Geleneksel \u00e7ini sanat\u0131na karakter kazand\u0131ran en temel unsur; ham maddeden boyalara, f\u0131r\u0131nlama s\u00fcre\u00e7lerinden s\u00fcsleme tekniklerine kadar nesiller boyunca aktar\u0131lan zanaatk\u00e2rl\u0131k bilgisidir. Bu gelene\u011fin ta\u015f\u0131y\u0131c\u0131lar\u0131 \u00e7ini ustalar\u0131d\u0131r. G\u00fcn\u00fcm\u00fczde T\u00fcrkiye\u2019de yakla\u015f\u0131k 5.000 \u00e7ini ustas\u0131 bulunmaktad\u0131r. At\u00f6lyelerde \u015fekillendirmeyi yapan \u201c\u00e7ark\u00e7\u0131\u201d, s\u00fcsleme ve konturlar\u0131 \u00e7izen \u201ctahrirci\u201d, desenleri renklendiren \u201cboyamac\u0131\u201d ve f\u0131r\u0131nlama i\u015fini \u00fcstlenen \u201cf\u0131r\u0131nc\u0131\u201d gibi ustalar; kalfalar ve \u00e7\u0131raklar birlikte bu gelene\u011fin ya\u015fat\u0131lmas\u0131nda \u00f6nemli rol oynar.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”31496″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u00c7ini bilgisi ve ustal\u0131k gelene\u011fi, usta-\u00e7\u0131rak ili\u015fkisiyle ku\u015faktan ku\u015fa\u011fa aktar\u0131lmaktad\u0131r. \u201cEl almak\u201d gelene\u011fiyle kalfalar, ustalar\u0131ndan yaln\u0131zca teknikleri de\u011fil, ayn\u0131 zamanda etik de\u011ferleri de \u00f6\u011frenir. \u00c7ini, mimaride esteti\u011fi ve k\u00fclt\u00fcrel miras\u0131 gelecek ku\u015faklara ta\u015f\u0131rken, kamusal ve din\u00ee yap\u0131lar\u0131n cephelerini s\u00fcsleyerek kent kimli\u011finin ayr\u0131lmaz bir par\u00e7as\u0131 h\u00e2line gelmi\u015ftir. Bu gelenek; K\u00fctahya, \u0130znik ve \u00c7anakkale\u2019nin yan\u0131 s\u0131ra Antalya, Konya, Kayseri, Sivas ve \u0130stanbul\u2019daki simgesel yap\u0131larda da \u00f6zel bir yer tutar.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][vc_video link=”https:\/\/www.youtube.com\/watch?v=FfRDY5yRoiU”][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][vc_column_text el_class=”innerText”]G\u00fcn\u00fcm\u00fczde bu gelene\u011fin ya\u015fayan \u00f6rneklerinden biri de sanatk\u00e2r Mehmet G\u00fcrsoy\u2019dur. 1950 y\u0131l\u0131nda Denizli’nin Bekilli il\u00e7esinde do\u011fan ve 10 ya\u015f\u0131nda ailesiyle K\u00fctahya\u2019ya ta\u015f\u0131nan G\u00fcrsoy, 1975\u2019ten bu yana \u00e7ini sanat\u0131n\u0131 profesyonel olarak s\u00fcrd\u00fcrmektedir. UNESCO taraf\u0131ndan 2009 y\u0131l\u0131nda “Ya\u015fayan \u0130nsan Hazinesi” \u00fcnvan\u0131yla onurland\u0131r\u0131lan Mehmet G\u00fcrsoy, K\u00fctahya\u2019daki at\u00f6lyesinde 16. y\u00fczy\u0131l desenlerini modern tekniklerle birle\u015ftirerek \u00e7ini sanat\u0131n\u0131 zamans\u0131z k\u0131lmaya devam etmektedir. 50 \u00fclkede 72 sergi a\u00e7an sanatk\u00e2r\u0131n hik\u00e2yesi videoda![\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text]\u00c7ini sanat\u0131, y\u00fczy\u0131llard\u0131r hayat\u0131m\u0131za dokunan, evleri, saraylar\u0131, camileri ve g\u00fcndelik e\u015fyalar\u0131 g\u00fczelle\u015ftiren k\u00f6kl\u00fc bir s\u00fcsleme sanat\u0131d\u0131r. \u0130lk bak\u0131\u015fta sadece fayans ya da seramik \u00fczerine yap\u0131lm\u0131\u015f desenler gibi g\u00f6r\u00fcnse de asl\u0131nda her motifin ve her rengin ard\u0131nda derin bir k\u00fclt\u00fcr\u00fcn izleri sakl\u0131d\u0131r. Peki, \u00e7iniyi sadece bir s\u00fcsleme olmaktan \u00e7\u0131kar\u0131p onu k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn simgesi h\u00e2line getiren s\u0131r nedir? […]<\/p>\n","protected":false},"author":1,"featured_media":31491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[477],"class_list":["post-31489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","tag-cini"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/31489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31489"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/31489\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}