[vc_row][vc_column][vc_column_text]T\u00fcrk resim sanat\u0131n\u0131n \u00f6nc\u00fc isimlerinden Feyhaman Duran, kendine \u00f6zg\u00fc tekni\u011fiyle bir d\u00f6nemin ruhunu tuvallerine ta\u015f\u0131makla kalmam\u0131\u015f, e\u011fitmen kimli\u011fi ile yeni ressamlar\u0131n yeti\u015fmesinde yol g\u00f6sterici olmu\u015ftur. Sanata olan tutkusu onu \u0130stanbul\u2019dan Paris\u2019e, oradan da T\u00fcrk resim tarihinde unutulmaz bir yere ta\u015f\u0131m\u0131\u015ft\u0131r. Ya\u015fam\u0131 boyunca hem \u00fcreten hem de \u00f6\u011freten bir ressam olarak b\u00fcy\u00fck bir miras b\u0131rakan sanat\u00e7\u0131n\u0131n ya\u015fam\u0131n\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”#1″ title_font_size=”13″][vc_single_image image=”31367″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1886 y\u0131l\u0131nda \u0130stanbul\u2019da d\u00fcnyaya gelen Feyhaman Duran, hen\u00fcz alt\u0131 ya\u015f\u0131ndayken babas\u0131 \u015eair S\u00fcleyman Hayri Bey\u2019i kaybeder. Babas\u0131n\u0131n ona b\u0131rakt\u0131\u011f\u0131 en k\u0131ymetli miras, b\u00fcy\u00fcd\u00fc\u011f\u00fcnde okumas\u0131 i\u00e7in kaleme ald\u0131\u011f\u0131 141 beyitlik bir \u00f6\u011f\u00fct \u015fiirdir. Babas\u0131 bu \u015fiirde, evlad\u0131na aktarabilece\u011fi t\u00fcm ya\u015fam rehberini sat\u0131rlara d\u00f6ker; kendi hayat g\u00f6r\u00fc\u015f\u00fcn\u00fc, inan\u00e7lar\u0131n\u0131 ve de\u011ferlerini anlatarak iyi bir insan olabilmesi i\u00e7in nelere dikkat etmesi gerekti\u011fini vurgular. \u015eiir \u015fu dizelerle ba\u015flar:<\/p>\n
“Feyhaman\u0131m beni dinle imdi\u00a0 <\/em><\/p>\n (Feyhaman\u0131m, beni dinle \u015fimdi)<\/em><\/p>\n Zikret Allah’\u0131n\u0131, Peygamberini\u00a0 <\/em><\/p>\n (S\u00f6yle Allah\u2019\u0131n\u0131, Peygamberini<\/em>)\u201d<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”31368″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n Annesini de kaybettikten sonra dedesi taraf\u0131ndan b\u00fcy\u00fct\u00fclen Duran, annesinin vasiyeti \u00fczerine Mekteb-i Sultanide (Galatasaray Lisesi) e\u011fitimine ba\u015flar. Burada Bat\u0131 k\u00fclt\u00fcr\u00fcyle tan\u0131\u015f\u0131r, Frans\u0131zcay\u0131 ak\u0131c\u0131 bir \u015fekilde \u00f6\u011frenir ve okul m\u00fcd\u00fcr\u00fc Abdurrahman \u015eeref Bey\u2019in deste\u011fiyle kara kalem portreler \u00e7izer. \u00c7ini m\u00fcrekkebi, ya\u011fl\u0131 boya ve hat sanat\u0131yla ilgilenir.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”31369″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Alt\u0131nc\u0131 s\u0131n\u0131f\u0131 bitirdikten sonra \u00e7al\u0131\u015fma hayat\u0131na at\u0131lan Feyhaman Duran, bir s\u00fcre Bab\u0131alide k\u00e2tiplik yapar. 1907 y\u0131l\u0131nda okuluna geri d\u00f6nerek Frans\u0131zca g\u00fczel yaz\u0131 \u00f6\u011fretmenli\u011fine ba\u015flar ve bu d\u00f6nemde Tevfik Fikret\u2019le dostluk kurar.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”31370″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1910 y\u0131l\u0131nda Osmanl\u0131 devlet adamlar\u0131ndan Abbas Halim Pa\u015fa ile tan\u0131\u015fan Duran, onun y\u00f6nlendirmesiyle resimle i\u00e7 i\u00e7e bir hayata ad\u0131m atar. Pa\u015fa, Duran\u2019a ailesinin portrelerini yapt\u0131r\u0131r ve onu Paris\u2019e g\u00f6nderir. Burada \u00f6nemli ressamlardan ders al\u0131r, tekni\u011fini ve anatomi bilgisini geli\u015ftirir. 1914\u2019te I. D\u00fcnya Sava\u015f\u0131\u2019n\u0131n ba\u015flamas\u0131yla Paris\u2019te bulunan birka\u00e7 T\u00fcrk \u00f6\u011frenciyle birlikte Rusya \u00fczerinden zorlu bir yolculukla \u0130stanbul\u2019a d\u00f6ner. T\u00fcm ya\u015fam\u0131 boyunca m\u00fctevaz\u0131 ve sayg\u0131l\u0131 bir karaktere sahip olan Duran, e\u011fitimini \u00fcstlenen Abbas Halim Pa\u015fa\u2019n\u0131n g\u00f6nderdi\u011fi paran\u0131n yaln\u0131zca gerekti\u011fi kadar\u0131n\u0131 harcar; biriktirdi\u011fi miktar\u0131 ise \u0130stanbul\u2019a d\u00f6nd\u00fc\u011f\u00fcnde Pa\u015fa\u2019ya iade eder.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”31371″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1915-1918 y\u0131llar\u0131 aras\u0131nda yay\u0131mlanan Harp Mecmuas\u0131 i\u00e7in sava\u015f resimleri \u00e7izer. Yapt\u0131\u011f\u0131 portreler ve \u00f6zg\u00fcn tekni\u011fiyle dikkatleri \u00fczerine \u00e7eken Duran, 1916\u2019da kat\u0131ld\u0131\u011f\u0131 Galatasarayl\u0131lar Sergisi\u2019nde Dr. \u00c2kil Muhtar\u2019\u0131n Portresi adl\u0131 eseriyle g\u00fcm\u00fc\u015f madalya ve Zikr-i Cemil (G\u00fczelli\u011fi Anma) \u00d6d\u00fcl\u00fc kazan\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”31372″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1919 y\u0131l\u0131nda kad\u0131nlara g\u00fczel sanatlar e\u011fitimi vermek amac\u0131yla \u0130stanbul\u2019da kurulan \u0130nas Sanayi-i Nefise Mektebinde resim \u00f6\u011fretmenli\u011fi yapacak biri arand\u0131\u011f\u0131nda, T\u00fcrk resim tarihinin ilk kad\u0131n ressamlar\u0131ndan Mihri M\u00fc\u015ffik Han\u0131m, Feyhaman Duran\u2019\u0131 \u00f6nerir. Duran, bu okulda 1951\u2019de emekli olana kadar \u00f6\u011fretmenlik yapar ve pek \u00e7ok gen\u00e7 sanat\u00e7\u0131n\u0131n yeti\u015fmesine katk\u0131 sa\u011flar. 1921 y\u0131l\u0131nda yeni bir t\u00fcz\u00fckle \u201cT\u00fcrk Ressamlar Cemiyeti\u201d ad\u0131n\u0131 alan Osmanl\u0131 Ressamlar Cemiyetinin kurucu \u00fcyeleri aras\u0131nda yer al\u0131r. 1922 y\u0131l\u0131nda ressam G\u00fczin Han\u0131m ile evlenir; \u00e7ift, bir s\u00fcre Baltaliman\u0131 ve Beylerbeyi\u2019nde ya\u015fad\u0131ktan sonra G\u00fczin Han\u0131m\u2019\u0131n ailesinden kalan S\u00fcleymaniye\u2019deki eve ta\u015f\u0131n\u0131r. G\u00fcn\u00fcm\u00fczde bu ev, Feyhaman Duran K\u00fclt\u00fcr ve Sanat Evi olarak ya\u015famaktad\u0131r; sanat\u00e7\u0131n\u0131n ki\u015fisel e\u015fyalar\u0131, at\u00f6lyesi ve eserleri burada sergilenmektedir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”31373″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1939 y\u0131l\u0131nda de\u011ferli ressamlar\u0131m\u0131z \u0130brahim \u00c7all\u0131 ve Ayetullah S\u00fcmer ile \u0130smet \u0130n\u00f6n\u00fc\u2019n\u00fcn portresini yapmak \u00fczere Ankara\u2019ya davet edilir. Mustafa Kemal Atat\u00fcrk\u2019\u00fcn \u00f6l\u00fcm\u00fcn\u00fcn ard\u0131ndan kendi izlenimlerine ve mevcut foto\u011fraflara dayanarak onun pek \u00e7ok portresini yapar. Bu eserler hem resm\u00ee hem de ki\u015fisel g\u00f6zlemleri ustal\u0131kla birle\u015ftiren \u00e7al\u0131\u015fmalard\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”8#” title_font_size=”13″][vc_single_image image=”31374″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u00d6\u011frencilerine her zaman sevgi dolu, anlay\u0131\u015fl\u0131 ve yumu\u015fak bir tav\u0131rla yakla\u015fan Feyhaman Duran, emeklili\u011finin ard\u0131ndan portre \u00e7al\u0131\u015fmalar\u0131ndan uzakla\u015farak daha \u00e7ok do\u011fa manzaralar\u0131na, peyzajlara ve \u00f6zellikle \u00e7i\u00e7ekli nat\u00fcrmortlara y\u00f6nelir. Sanat\u00e7\u0131n\u0131n bilinen son eseri, 1968 y\u0131l\u0131nda yapt\u0131\u011f\u0131 bir \u00e7i\u00e7ek tablosudur. Ya\u015fam\u0131n\u0131n son iki y\u0131l\u0131nda giderek artan g\u00f6rme problemleri nedeniyle f\u0131r\u00e7as\u0131n\u0131 elinden b\u0131rakmak zorunda kalan Duran, T\u00fcrk resim sanat\u0131n\u0131n \u00f6nc\u00fc isimlerinden biri olarak 6 May\u0131s 1970 tarihinde \u0130stanbul\u2019da hayata veda eder.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row][vc_column][vc_column_text]T\u00fcrk resim sanat\u0131n\u0131n \u00f6nc\u00fc isimlerinden Feyhaman Duran, kendine \u00f6zg\u00fc tekni\u011fiyle bir d\u00f6nemin ruhunu tuvallerine ta\u015f\u0131makla kalmam\u0131\u015f, e\u011fitmen kimli\u011fi ile yeni ressamlar\u0131n yeti\u015fmesinde yol g\u00f6sterici olmu\u015ftur. Sanata olan tutkusu onu \u0130stanbul\u2019dan Paris\u2019e, oradan da T\u00fcrk resim tarihinde unutulmaz bir yere ta\u015f\u0131m\u0131\u015ft\u0131r. Ya\u015fam\u0131 boyunca hem \u00fcreten hem de \u00f6\u011freten bir ressam olarak b\u00fcy\u00fck bir miras b\u0131rakan sanat\u00e7\u0131n\u0131n […]<\/p>\n","protected":false},"author":1,"featured_media":31366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3828,453,847,2014,3829],"class_list":["post-31365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-feyhaman-duran","tag-resim","tag-ressam","tag-sanatci","tag-turk-ressam"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/31365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31365"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/31365\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}