[vc_row][vc_column][vc_column_text]<\/p>\n
Anadolu\u2019nun kalbinde, Sivas\u2019\u0131n Divri\u011fi il\u00e7esinde y\u00fckselen Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131, yaln\u0131zca bir ibadethane de\u011fil; ta\u015f\u0131n dile geldi\u011fi bir sanat eseri olarak y\u00fczy\u0131llard\u0131r ayakta duruyor. 13. y\u00fczy\u0131l Sel\u00e7uklu ta\u015f i\u015f\u00e7ili\u011finin en g\u00f6z kama\u015ft\u0131r\u0131c\u0131 \u00f6rneklerinden biri olan bu yap\u0131, UNESCO D\u00fcnya Miras\u0131 Listesi\u2019nde yer almas\u0131yla sahip oldu\u011fu k\u00fclt\u00fcrel miras\u0131n evrensel de\u011ferini simgeliyor. Kap\u0131lar\u0131ndaki ola\u011fan\u00fcst\u00fc ta\u015f i\u015f\u00e7ili\u011fiyle g\u00f6renleri kendine hayran b\u0131rakan Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131 hakk\u0131ndaki detaylar yaz\u0131m\u0131zda.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”30688″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131, 1228-1229 y\u0131llar\u0131nda, Sel\u00e7uklu Devleti\u2019ne ba\u011fl\u0131 Meng\u00fccek Beyli\u011fi D\u00f6nemi\u2019nde, S\u00fcleyman \u015eah\u2019\u0131n o\u011flu Ahmed \u015eah ile e\u015fi Melike Turan Melek taraf\u0131ndan in\u015fa ettirilmi\u015ftir. Caminin mimar\u0131, d\u00f6nemin \u00fcnl\u00fc ta\u015f ustas\u0131 Ahlatl\u0131 H\u00fcrrem \u015eah\u2019t\u0131r. H\u00fcrrem \u015eah, yap\u0131n\u0131n hem m\u00fchendislik hem de estetik detaylar\u0131nda sergiledi\u011fi \u00fcst\u00fcn ustal\u0131kla yaln\u0131zca Anadolu\u2019ya de\u011fil, d\u00fcnya mimarl\u0131k tarihine de ad\u0131n\u0131 kaz\u0131m\u0131\u015ft\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”30689″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u0130slam mimarisinin bu ba\u015fyap\u0131t\u0131, iki kubbeli t\u00fcrbeye sahip bir cami ile ona biti\u015fik bir dar\u00fc\u015f\u015fifadan (hastane) olu\u015fmaktad\u0131r. Caminin en dikkat \u00e7ekici yan\u0131, d\u00f6rt farkl\u0131 giri\u015f kap\u0131s\u0131ndaki ta\u015f oymalar\u0131n\u0131n benzersiz detaylar\u0131d\u0131r. Kap\u0131larda yer alan geometrik desenler, bitkisel motifler ve sembolik fig\u00fcrler, sanat tarih\u00e7ileri taraf\u0131ndan \u201cta\u015f i\u015f\u00e7ili\u011finde bir r\u00fcya\u201d olarak nitelendirilmektedir. [vc_row][vc_column][vc_column_text] Anadolu\u2019nun kalbinde, Sivas\u2019\u0131n Divri\u011fi il\u00e7esinde y\u00fckselen Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131, yaln\u0131zca bir ibadethane de\u011fil; ta\u015f\u0131n dile geldi\u011fi bir sanat eseri olarak y\u00fczy\u0131llard\u0131r ayakta duruyor. 13. y\u00fczy\u0131l Sel\u00e7uklu ta\u015f i\u015f\u00e7ili\u011finin en g\u00f6z kama\u015ft\u0131r\u0131c\u0131 \u00f6rneklerinden biri olan bu yap\u0131, UNESCO D\u00fcnya Miras\u0131 Listesi\u2019nde yer almas\u0131yla sahip oldu\u011fu k\u00fclt\u00fcrel miras\u0131n evrensel de\u011ferini simgeliyor. Kap\u0131lar\u0131ndaki ola\u011fan\u00fcst\u00fc ta\u015f […]<\/p>\n","protected":false},"author":1,"featured_media":30687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3180,3181,1593,1659],"class_list":["post-30686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-cami","tag-divrigi-ulu-camii-ve-darussifasi","tag-sivas","tag-unesco"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/30686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30686"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/30686\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”30690″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131, d\u0131\u015ftan sade bir mimari g\u00f6r\u00fcn\u00fcme sahiptir; ancak Dar\u00fc\u015f\u015fifa Ta\u00e7 Kap\u0131s\u0131, Cami Kuzey Ta\u00e7 Kap\u0131s\u0131, Cami Bat\u0131 Ta\u00e7 Kap\u0131s\u0131 ve \u015eah Mahfili Ta\u00e7 Kap\u0131s\u0131\u2019n\u0131n her biri, birbirinden farkl\u0131 ve g\u00f6z kama\u015ft\u0131r\u0131c\u0131 bezemeleriyle birer mimarl\u0131k ve m\u00fchendislik harikas\u0131d\u0131r. Kuzey-g\u00fcney do\u011frultusunda dikd\u00f6rtgen plana sahip olan cami, tamamen kesme ta\u015flarla in\u015fa edilmi\u015ftir. Her bir kap\u0131, \u0131\u015f\u0131k ve g\u00f6lge oyunlar\u0131 sayesinde g\u00fcn\u00fcn farkl\u0131 saatlerinde de\u011fi\u015fen g\u00f6r\u00fcn\u00fcme b\u00fcr\u00fcn\u00fcr. Bu dinamik estetik, yap\u0131n\u0131n mimari zek\u00e2s\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne sererken, sanat\u0131n do\u011fayla nas\u0131l uyum i\u00e7inde olabilece\u011fini de ortaya koyar.
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”30691″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Ahlatl\u0131 H\u00fcrrem \u015eah \u00f6nderli\u011finde Ahlatl\u0131 ve Tiflisli ustalar\u0131n ellerinden \u00e7\u0131kan ta\u015f i\u015f\u00e7ili\u011finin en nadide ve en ince \u00f6rneklerini te\u015fkil eden bu motiflerin d\u00fcnyada e\u015fi benzeri yoktur. <\/span>Caminin i\u00e7 mek\u00e2n\u0131 ise kap\u0131lar\u0131na k\u0131yasla daha sade bir tasar\u0131ma sahiptir. Bu sadelik, ibadet edenlerin dikkatinin da\u011f\u0131lmamas\u0131 ve huzurun bozulmamas\u0131 amac\u0131yla \u00f6zellikle tercih edilmi\u015ftir. \u0130\u00e7 mek\u00e2n, sekizgen s\u00fctunlar\u0131 birbirine ba\u011flayan \u00e7ift y\u00f6nl\u00fc sivri kemerlerle 25 birime ayr\u0131lm\u0131\u015ft\u0131r. Mihrap \u00f6n\u00fcndeki b\u00f6l\u00fcm geni\u015f tutulmu\u015f, orta k\u0131sm\u0131 yuvarlak kubbelerle kaplanm\u0131\u015ft\u0131r. Di\u011fer alanlarda ise y\u0131ld\u0131z, art\u0131 i\u015fareti ve bile\u015fik tonozlar gibi farkl\u0131 formlarda tonozlar kullan\u0131larak yap\u0131ya estetik \u00e7e\u015fitlilik kazand\u0131r\u0131lm\u0131\u015ft\u0131r. Bu tasar\u0131mlar hem i\u015flevsel hem de g\u00f6rsel a\u00e7\u0131dan mek\u00e2n\u0131n huzurlu ve sade atmosferini desteklemektedir.<\/span>
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”30692″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Divri\u011fi Ulu Camii\u2019yi farkl\u0131 ve \u00f6zg\u00fcn k\u0131lan bir di\u011fer \u00f6zellik ise, uzaktan bak\u0131ld\u0131\u011f\u0131nda simetrik gibi g\u00f6r\u00fcnen; ancak yak\u0131ndan incelendi\u011finde asimetrik oldu\u011fu anla\u015f\u0131lan bezemelerdeki on binlerce motifin hi\u00e7bir zaman birbirini tekrar etmemesidir.
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”30693″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Camiye biti\u015fik olarak in\u015fa edilen iki katl\u0131 dar\u00fc\u015f\u015fifa, hastalar\u0131n su sesiyle \u015fifa buldu\u011fu, \u00e7a\u011f\u0131n\u0131n \u00f6tesinde bir sa\u011fl\u0131k merkezidir. D\u00f6nemin t\u0131p merkezi olarak hizmet veren bu yap\u0131, giri\u015f kap\u0131s\u0131ndaki zarif i\u015flemeler ve fig\u00fcrlerle yaln\u0131zca d\u00f6nemin sanat anlay\u0131\u015f\u0131n\u0131 yans\u0131tmakla kalmaz; ayn\u0131 zamanda mek\u00e2n\u0131n \u015fifa veren ruhunu da g\u00f6zler \u00f6n\u00fcne serer. Ta\u015f\u0131n \u00e2deta bir dantel gibi i\u015flendi\u011fi Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131\u2019ndaki bu barok mimari \u00fcslubun, T\u00fcrk ve \u0130slam sanat\u0131nda bir benzeri daha yoktur. Ta\u00e7 kap\u0131larda oldu\u011fu gibi, cami i\u00e7indeki her s\u00fctun, s\u00fctun kaidesi, s\u00fctun ba\u015fl\u0131\u011f\u0131 ve kubbe i\u00e7i tavan s\u00fcslemeleri de farkl\u0131 \u00fcslup ve bezeme \u00f6rneklerini sergiler.
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”30694″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Osmanl\u0131 D\u00f6nemi\u2019nin \u00fcnl\u00fc seyyah\u0131 Evliya \u00c7elebi, gezileri s\u0131ras\u0131nda ziyaret etti\u011fi Divri\u011fi Ulu Camii’nin e\u015fsiz ihti\u015fam\u0131n\u0131 \u015fu s\u00f6zlerle dile getirmi\u015ftir: \u201cMethinde diller k\u0131s\u0131r, kalem k\u0131r\u0131kt\u0131r.\u201d Yani Evliya \u00c7elebi i\u00e7in Divri\u011fi Ulu Camii\u2019nin g\u00f6rkemini \u00f6vmeye kalk\u0131\u015fan diller yetersiz kal\u0131r, s\u00f6zc\u00fckler bu yap\u0131n\u0131n g\u00fczelli\u011fini anlatmaya yetmez; yaz\u0131ya d\u00f6kmek isteyenin kalemi acizdir, ne yazarsa yazs\u0131n bu ihti\u015fam\u0131 aktaramaz. 1985 y\u0131l\u0131nda UNESCO D\u00fcnya Miras\u0131 Listesi\u2019ne al\u0131nan Divri\u011fi Ulu Camii ve Dar\u00fc\u015f\u015fifas\u0131, T\u00fcrkiye\u2019de UNESCO taraf\u0131ndan koruma alt\u0131na al\u0131nan ilk eser olma \u00f6zelli\u011fini ta\u015f\u0131yor. G\u00f6renleri kendine hayran b\u0131rakan bu s\u0131ra d\u0131\u015f\u0131 Sel\u00e7uklu eseri, \u201cAnadolu\u2019nun El Hamras\u0131\u201d olarak da an\u0131lmaktad\u0131r.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"