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D\u00fcnya \u00fczerindeki farkl\u0131 k\u00fclt\u00fcrlerin tarihleri ve co\u011frafi ko\u015fullar\u0131yla \u015fekillenmi\u015f geleneksel k\u0131yafetler, yaln\u0131zca g\u00fcnl\u00fck ya\u015fam\u0131n bir par\u00e7as\u0131 olmakla kalmay\u0131p, ayn\u0131 zamanda o toplumun tarihini, ya\u015fam bi\u00e7imini ve sanat anlay\u0131\u015f\u0131n\u0131 yans\u0131tan \u00f6nemli sembollerdir. Geleneksel k\u0131yafetler, bir k\u00fclt\u00fcr\u00fcn kimli\u011fini ve estetik anlay\u0131\u015f\u0131n\u0131 ku\u015faktan ku\u015fa\u011fa aktaran birer g\u00f6rsel miras niteli\u011findedir. G\u00fcn\u00fcm\u00fczde bu k\u0131yafetlerin \u00e7o\u011fu, \u00f6zel t\u00f6renlerde, kutlamalarda veya folklor g\u00f6sterilerinde g\u00f6r\u00fclse de baz\u0131 \u00fclkelerde g\u00fcndelik ya\u015famda h\u00e2l\u00e2 kullan\u0131lmaktad\u0131r. D\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan derledi\u011fimiz geleneksel k\u0131yafetler yaz\u0131m\u0131zda.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Silifke Y\u00f6resel Kost\u00fcm\u00fc, T\u00fcrkiye ” title_font_size=”13″][vc_single_image image=”30323″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
\u00dclkemizde Mersin\u2019in Silifke il\u00e7esine \u00f6zg\u00fc geleneksel k\u0131yafetler, \u00f6zellikle halk danslar\u0131nda ve folklor g\u00f6sterilerinde giyilir. Silifkeli kad\u0131nlar parlak ve canl\u0131 renklerden olu\u015fan, farkl\u0131 uzunluklarda \u00fc\u00e7 par\u00e7a etek giyer. \u00dcst \u00fcste gelen par\u00e7alar hareketli ve katmanl\u0131 bir g\u00f6r\u00fcn\u00fcm olu\u015fturur. \u00dc\u00e7 ete\u011fin \u00fczerine beyaz ya da a\u00e7\u0131k renkli bir g\u00f6mlek giyilir. G\u00f6mle\u011fin \u00fczerine, i\u015flemelerle s\u00fcslenmi\u015f geleneksel bir yelek olan \u201csalta\u201d giyilir. Bele sar\u0131lan renkli ve desenli ku\u015fak alt\u0131n ya da g\u00fcm\u00fc\u015f tak\u0131larla s\u00fcslenerek geleneksel dokuyu g\u00fc\u00e7lendirir. Silifke zeybe\u011finin ve halk oyunlar\u0131n\u0131n ihti\u015fam\u0131n\u0131 daha da \u00f6n plana \u00e7\u0131karan bu geleneksel giysiler, k\u00fclt\u00fcrel miras\u0131m\u0131z\u0131n \u00f6nemli bir par\u00e7as\u0131d\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Kimono, Japonya ” title_font_size=”13″][vc_single_image image=”30324″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Japon k\u00fclt\u00fcr\u00fcn\u00fcn en tan\u0131nm\u0131\u015f ve ikonik giysilerinden biri olan kimono, k\u00f6kenleri Nara D\u00f6nemi’ne (MS 710-794) kadar uzanan zengin bir ge\u00e7mi\u015fe sahiptir. Bug\u00fcnk\u00fc formuna benzeyen \u015fekli ise Heian D\u00f6nemi’nde (MS 794-1185) geli\u015fmi\u015f ve o d\u00f6nemde zarafet ve esteti\u011fin \u00f6nemli bir simgesi h\u00e2line gelmi\u015ftir. Kimono, genellikle ipekten yap\u0131l\u0131r ve kuma\u015f\u0131na i\u015flenen \u00e7i\u00e7ek desenleriyle dikkat \u00e7eker. Kimononun uzun ve geni\u015f kollar\u0131, zarif bir sil\u00fcet olu\u015ftururken, beline ba\u011flanan obi ad\u0131 verilen geni\u015f bir ku\u015fak, k\u0131yafetin tamamlay\u0131c\u0131 bir unsuru olarak \u00f6ne \u00e7\u0131kar. Kimononun \u00e7e\u015fitleri, renkleri ve desenleri, giyenin ya\u015f\u0131 ve medeni durumu gibi ki\u015fisel \u00f6zellikleri yans\u0131t\u0131r. \u00d6rne\u011fin, gen\u00e7 ve bek\u00e2r kad\u0131nlar daha parlak renklerde ve g\u00f6steri\u015fli desenlere sahip kimonolar giyerken, evli kad\u0131nlar\u0131n kimonolar\u0131 daha sade ve sakin tonlara sahiptir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Kilt, \u0130sko\u00e7ya ” title_font_size=”13″][vc_single_image image=”30325″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Kilt, 16. y\u00fczy\u0131lda \u0130sko\u00e7ya’n\u0131n da\u011fl\u0131k b\u00f6lgelerinde ya\u015fayanlar\u0131n giydi\u011fi, yakla\u015f\u0131k 8 metrelik tek par\u00e7a bir kuma\u015ftan yap\u0131lan b\u00fcy\u00fck bir etek olarak ortaya \u00e7\u0131kt\u0131. \u00dcst k\u0131sm\u0131 omuzlardan a\u015fa\u011f\u0131ya do\u011fru pelerin gibi yay\u0131larak g\u00f6vdeyi tamamen kaplarken, alt k\u0131sm\u0131 diz kapaklar\u0131n\u0131n alt\u0131na kadar uzan\u0131yordu. Kilt, bug\u00fcnk\u00fc klasik formunu 18. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda ald\u0131. Bu d\u00f6nemde b\u00fcy\u00fck etek ikiye b\u00f6l\u00fcnd\u00fc ve yaln\u0131zca alt k\u0131sm\u0131, yani etek b\u00f6l\u00fcm\u00fc kullan\u0131lmaya devam edildi. Bu daha sade ve kullan\u0131\u015fl\u0131 tasar\u0131m, \u0130sko\u00e7ya’n\u0131n da\u011fl\u0131k b\u00f6lgelerinde ya\u015fayanlar aras\u0131nda h\u0131zla benimsendi ve yayg\u0131nla\u015ft\u0131. Geleneksel \u0130sko\u00e7 kilti, genellikle tartan ad\u0131 verilen kareli desenlerle s\u00fcslenir ve her desen, belirli bir \u0130sko\u00e7 klan\u0131n\u0131 temsil eder.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Hanbok, Kore ” title_font_size=”13″][vc_single_image image=”30326″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Binlerce y\u0131ll\u0131k bir ge\u00e7mi\u015fe sahip olan Kore\u2019nin geleneksel giysisi hanbok, ilk olarak M\u00d6 37- MS 668 y\u0131llar\u0131 aras\u0131nda Kore Yar\u0131madas\u0131\u2019nda h\u00fck\u00fcm s\u00fcren Goguryeo \u0130mparatorlu\u011fu d\u00f6neminde ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Farkl\u0131 d\u00f6nemlerde de\u011fi\u015fen moda ve tasar\u0131m anlay\u0131\u015f\u0131na ra\u011fmen, hanbok temel \u00f6zelliklerini korumay\u0131 ba\u015farm\u0131\u015ft\u0131r. Hanbok\u2019un \u00fcst k\u0131sm\u0131 k\u0131sa kesimli, d\u00fc\u011fmeli veya ba\u011flamal\u0131 ceket tarz\u0131nda olan \u201cjeogori\u201ddir. Kad\u0131nlarda alt giysi, geni\u015f ve zarif bir etek olan \u201cchima\u201d iken, erkeklerde ise bol pantolon tarz\u0131nda tasarlanan \u201cbaji\u201ddir. K\u0131yafet, sade bir zarafeti yans\u0131tan tasar\u0131m\u0131 ve rahat hareket etmeye olanak tan\u0131yan yap\u0131s\u0131yla dikkat \u00e7eker. Hanbok, ge\u00e7mi\u015fte g\u00fcnl\u00fck ya\u015fam\u0131n bir par\u00e7as\u0131yken, g\u00fcn\u00fcm\u00fczde genellikle \u00f6zel g\u00fcnlerde, geleneksel t\u00f6renlerde ve kutlamalarda giyilmektedir. Ancak, sahip oldu\u011fu tarih\u00ee ve estetik de\u011ferle Kore k\u00fclt\u00fcr\u00fcn\u00fcn \u00f6nemli bir sembol\u00fc olmaya devam etmektedir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Breton, Fransa” title_font_size=”13″][vc_single_image image=”30327″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Hem erkek hem de kad\u0131nlar\u0131n giydi\u011fi Fransa\u2019n\u0131n geleneksel k\u0131yafeti Breton\u2019da kad\u0131nlar\u0131n k\u0131yafeti \u201crobe, coiffe, fichu ve mantelet\u201d par\u00e7alar\u0131ndan olu\u015fur. Robe, bol kesim bir elbisedir ve \u00fczerine s\u00fcsl\u00fc ve i\u015flemeli bir \u00f6nl\u00fck (tablier) tak\u0131l\u0131r. Boynun etraf\u0131na sar\u0131lan \u00fc\u00e7gen \u015feklindeki \u00f6rt\u00fc fichu hem s\u00fcs hem de s\u0131cak tutmas\u0131 i\u00e7in kullan\u0131l\u0131r. Kad\u0131nlar\u0131n ba\u015flar\u0131na takt\u0131\u011f\u0131 dantel veya i\u015flemeli ba\u015fl\u0131k coiffe, Fransa\u2019n\u0131n her b\u00f6lgesinde kendine \u00f6zg\u00fc bir tarza sahiptir. Omuzlara al\u0131nan k\u0131sa bir pelerin veya \u015fal olan mantelet, genellikle y\u00fcn veya kadifeden yap\u0131l\u0131r ve so\u011fuktan korunmak i\u00e7in kullan\u0131l\u0131r. Kad\u0131nlar\u0131n k\u0131yafetleri boncuklu kolyeler, i\u015flemeli mendiller gibi aksesuarlarla tamamlan\u0131r ve k\u0131yafete zarif bir dokunu\u015f katar. Erkekler ise bol kesimli pantolonlar ve d\u00fc\u011fmelerle s\u00fcslenmi\u015f k\u0131sa ceket veya yelekler giyer.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Kebaya, Endonezya ” title_font_size=”13″][vc_single_image image=”30328″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Kad\u0131nlar\u0131n giydi\u011fi Endonezya\u2019n\u0131n geleneksel k\u0131yafeti kebaya, uzun kollu ve d\u00fc\u011fmeli bir g\u00f6mlek ile bu g\u00f6mle\u011fin alt\u0131na giyilen uzun bir etekten olu\u015fur. G\u00f6mlek ve etek zarif dantel detaylar, renkli i\u015flemeler ve desenlerle s\u00fcslenerek k\u0131yafete hem \u015f\u0131kl\u0131k hem de \u00f6zg\u00fcn bir estetik kazand\u0131r\u0131r. Baz\u0131 kebaya modellerinde omuzlara veya belin etraf\u0131na zarif bir \u015fekilde sar\u0131lan bir \u015fal kullan\u0131larak k\u0131yafet tamamlan\u0131r. Kebaya, ilk olarak 15. y\u00fczy\u0131lda Malay Yar\u0131madas\u0131, Sumatra, Java ve Bali\u2019de ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Zamanla yerel geleneklerle Avrupa modas\u0131n\u0131n etkilerini birle\u015ftirerek daha modern bir g\u00f6r\u00fcn\u00fcme kavu\u015fmu\u015ftur. Geleneksel bir k\u0131yafet olarak kebaya, Endonezya\u2019da \u00f6zellikle d\u00fc\u011f\u00fcnler, resm\u00ee t\u00f6renler ve di\u011fer \u00f6zel g\u00fcnlerde h\u00e2l\u00e2 yayg\u0131n \u015fekilde tercih edilmektedir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Ohorokova, Namibya ” title_font_size=”13″][vc_single_image image=”30329″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Namibya\u2019daki etnik bir grup olan Herero kad\u0131nlar\u0131n\u0131n giydi\u011fi geleneksel k\u0131yafetler, ohorokova ad\u0131 verilen ve Viktorya tarz\u0131ndan esinlenilmi\u015f geni\u015f etekli elbiselerden olu\u015fur. Bu k\u0131yafetler, inek boynuzuna benzeyen ve Herero k\u00fclt\u00fcr\u00fcnde \u00f6nemli bir sembol olan ba\u015fl\u0131klarla tamamlan\u0131r. 19. y\u00fczy\u0131l\u0131n sonlar\u0131nda, Alman misyonerlerin ve Avrupal\u0131 kad\u0131nlar\u0131n geni\u015f etekli elbiselerinden ilham alan Herero kad\u0131nlar\u0131, bu tarz\u0131 kendi k\u00fclt\u00fcrlerine uyarlam\u0131\u015ft\u0131r. Canl\u0131 renkler, \u00e7i\u00e7ekli desenler ve g\u00f6z al\u0131c\u0131 kuma\u015flarla s\u00fcslenmi\u015f ohorokova, Herero k\u00fclt\u00fcr\u00fcne \u00f6zg\u00fc bir kimlik kazanm\u0131\u015ft\u0131r. Ba\u015fl\u0131k ise inek boynuzlar\u0131n\u0131 and\u0131ran \u015fekliyle, Herero halk\u0131n\u0131n s\u0131\u011f\u0131r yeti\u015ftiricili\u011fine dayal\u0131 ya\u015fam bi\u00e7imini ve geleneklerini simgeler. Bug\u00fcn bu k\u0131yafet, Herero halk\u0131n\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131 ve kimli\u011fini temsil eden \u00f6nemli bir sembol olarak korunmaktad\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Lliclla, Peru ” title_font_size=”13″][vc_single_image image=”30330″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Peru’nun And Da\u011flar\u0131 b\u00f6lgesindeki Quechua ve di\u011fer yerli halklar taraf\u0131ndan giyilen lliclla, kad\u0131nlar\u0131n omuzlar\u0131na sard\u0131klar\u0131 d\u00f6rtgen veya kare \u015feklindeki geleneksel bir pelerindir. Y\u00fcn veya pamuk gibi do\u011fal malzemelerden yap\u0131lan lliclla, parlak renkler ve karma\u015f\u0131k desenlerle s\u00fcslenir ve yerli dokuma teknikleriyle el tezg\u00e2hlar\u0131nda b\u00fcy\u00fck bir \u00f6zenle \u00fcretilir. Lliclla, omuzlar\u0131n \u00fczerine yerle\u015ftirilir ve genellikle bir i\u011fne veya toka ile sabitlenir. \u0130\u015flevselli\u011fiyle dikkat \u00e7eken bu k\u0131yafet, yaln\u0131zca bir giysi de\u011fil, ayn\u0131 zamanda g\u00fcnl\u00fck ya\u015famda pratik bir ara\u00e7t\u0131r. Kad\u0131nlar lliclla’y\u0131 s\u0131rtlar\u0131nda e\u015fya veya \u00e7ocuklar\u0131n\u0131 ta\u015f\u0131mak i\u00e7in kullan\u0131r. Hem g\u00fcndelik ya\u015famda hem de \u00f6zel g\u00fcnlerde kullan\u0131lan lliclla, And Da\u011flar\u0131 halklar\u0131n\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131n bir par\u00e7as\u0131 olarak hem estetik hem de pratik bir \u00f6neme sahiptir. Bu geleneksel k\u0131yafet, renkleri ve desenleriyle b\u00f6lgenin zengin k\u00fclt\u00fcr\u00fcn\u00fc yans\u0131t\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text] D\u00fcnya \u00fczerindeki farkl\u0131 k\u00fclt\u00fcrlerin tarihleri ve co\u011frafi ko\u015fullar\u0131yla \u015fekillenmi\u015f geleneksel k\u0131yafetler, yaln\u0131zca g\u00fcnl\u00fck ya\u015fam\u0131n bir par\u00e7as\u0131 olmakla kalmay\u0131p, ayn\u0131 zamanda o toplumun tarihini, ya\u015fam bi\u00e7imini ve sanat anlay\u0131\u015f\u0131n\u0131 yans\u0131tan \u00f6nemli sembollerdir. Geleneksel k\u0131yafetler, bir k\u00fclt\u00fcr\u00fcn kimli\u011fini ve estetik anlay\u0131\u015f\u0131n\u0131 ku\u015faktan ku\u015fa\u011fa aktaran birer g\u00f6rsel miras niteli\u011findedir. G\u00fcn\u00fcm\u00fczde bu k\u0131yafetlerin \u00e7o\u011fu, \u00f6zel t\u00f6renlerde, kutlamalarda veya […]<\/p>\n","protected":false},"author":1,"featured_media":30322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2868,2869,220,2870],"class_list":["post-30321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-folklor","tag-geleneksel-kiyafetler","tag-kiyafet","tag-toren"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/30321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30321"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/30321\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}