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Osmanl\u0131 \u0130mparatorlu\u011fu ve T\u00fcrkiye Cumhuriyeti’nin ilk kad\u0131n ressamlar\u0131ndan Mihri M\u00fc\u015ffik Han\u0131m, \u00fclkemizde kad\u0131n sanat\u00e7\u0131lar\u0131n yeti\u015fmesine katk\u0131da bulunmu\u015f, \u0130stanbul K\u0131z Lisesinde resim \u00f6\u011fretmenli\u011fi yapm\u0131\u015f ve \u00e7a\u011fda\u015f T\u00fcrk kad\u0131nlar\u0131n\u0131n sanatta ve toplumda yer bulabilmeleri i\u00e7in \u00f6nc\u00fc bir rol \u00fcstlenerek sonraki nesillerde sanat\u00e7\u0131lara ilham vermi\u015ftir. Genellikle portre \u00e7al\u0131\u015fmalar\u0131yla tan\u0131nan Mihri M\u00fc\u015ffik Han\u0131m, 1922 y\u0131l\u0131nda Mustafa Kemal Atat\u00fcrk\u2019e olan sayg\u0131s\u0131n\u0131 g\u00f6stermek amac\u0131yla \u00fc\u00e7 metrelik bir portresini yaparak ona hediye etmi\u015ftir. Mihri M\u00fc\u015ffik Han\u0131m\u2019\u0131n hayat\u0131 ve eserleri hakk\u0131nda daha fazla bilgiye yaz\u0131m\u0131zda ula\u015fabilirsiniz.<\/p>\n
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Mihri M\u00fc\u015ffik Han\u0131m, \u00fclkemizde ilk t\u0131p e\u011fitimi veren \u0130stanbul \u00dcniversitesi T\u0131p Fak\u00fcltesinin \u00fcnl\u00fc hocalar\u0131ndan Dr. Mehmet Rasim\u2019in k\u0131z\u0131 olarak 1886 y\u0131l\u0131nda d\u00fcnyaya geldi. Sanata olan ilgisi ve yetene\u011fi, hen\u00fcz k\u00fc\u00e7\u00fck ya\u015flarda fark edilen Mihri Han\u0131m, 10\u2019lu ya\u015flar\u0131ndan itibaren resimle ilgilenmeye ba\u015flad\u0131. Gen\u00e7 ya\u015fta yapt\u0131\u011f\u0131 resimlerini Sultan II. Abd\u00fclhamit\u2019e sunma f\u0131rsat\u0131 buldu. Sultan, onun yetene\u011finden o kadar etkilendi ki, saray\u0131n ba\u015f ressam\u0131 olan \u0130talyan sanat\u00e7\u0131 Fausto Zonaro\u2019dan \u00f6zel resim dersleri almas\u0131n\u0131 sa\u011flad\u0131. Sarayda ald\u0131\u011f\u0131 bu \u00f6zel e\u011fitim sayesinde, Bat\u0131 tarz\u0131 resim tekniklerini \u00f6\u011frenen Mihri Han\u0131m, k\u0131sa zamanda portre \u00e7al\u0131\u015fmalar\u0131nda ustala\u015farak dikkat \u00e7ekici bir kariyere ad\u0131m att\u0131.<\/p>\n
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\u0130lerleyen y\u0131llarda sanata olan tutkusundan dolay\u0131 bu alandaki e\u011fitim hayat\u0131na devam ettirmek isteyen Mihri M\u00fc\u015ffik Han\u0131m, d\u00f6nemin zorluklar\u0131yla kar\u015f\u0131la\u015f\u0131r. \u00c7\u00fcnk\u00fc, o d\u00f6nemde T\u00fcrkiye’de g\u00fczel sanatlar e\u011fitimi veren tek okul olan Sanayi-i Nefise Mektebi (g\u00fcn\u00fcm\u00fcz\u00fcn G\u00fczel Sanatlar Akademisi), k\u0131z \u00f6\u011frenci kabul etmemektedir. Bu engeli a\u015fmaya kararl\u0131 olan Mihri Han\u0131m, 1903 y\u0131l\u0131nda 17 ya\u015f\u0131nda tek ba\u015f\u0131na \u0130stanbul\u2019dan ayr\u0131larak \u00f6nce Roma\u2019ya, ard\u0131ndan Paris\u2019e gider. 1905-1911 y\u0131llar\u0131 aras\u0131nda Paris\u2019te portre ressam\u0131 olarak \u00e7al\u0131\u015f\u0131r ve sanat\u0131yla ge\u00e7imini sa\u011flar. Bu d\u00f6nemde, Paris\u2019in sanat \u00e7evrelerinde kendini kan\u0131tlayarak \u00f6nemli portre eserlerine imza atar.<\/p>\n
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Fransa\u2019da ge\u00e7irdi\u011fi y\u0131llar\u0131n ard\u0131ndan, T\u00fcrkiye\u2019de g\u00fczel sanatlar e\u011fitimi alan\u0131nda g\u00f6rev almak \u00fczere yurda d\u00f6ner. \u00dclkemizde sanat e\u011fitimi veren kurumlar\u0131n a\u00e7\u0131lmas\u0131na \u00f6nc\u00fcl\u00fck eder ve bu kurumlarda dersler verir. 1914\u2019te, I. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda \u0130stanbul\u2019da k\u0131z \u00f6\u011frencilerin de e\u011fitim g\u00f6rebildi\u011fi G\u00fczel Sanatlar Okulunun (\u0130nas Sanayi-i Nefise Mektebi) kurulmas\u0131na \u00f6nayak olur ve burada y\u00f6netici ve \u00f6\u011fretmen olarak g\u00f6rev yapar. Mihri Han\u0131m, \u00f6\u011frencilerine ilk kez \u0130stanbul sokaklar\u0131nda resim yapma f\u0131rsat\u0131 sunar ve kad\u0131n sanat\u00e7\u0131lar\u0131n toplu sergi a\u00e7malar\u0131na destek olur. Bu sayede Nazl\u0131 Ecevit, G\u00fczin Duran, Belk\u0131s Mustafa, Fahrelnissa Zeid gibi \u00f6nemli sanat\u00e7\u0131lar\u0131n yeti\u015fmesine katk\u0131 sa\u011flar.<\/p>\n
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Mihri M\u00fc\u015ffik Han\u0131m, klasik portre ressaml\u0131\u011f\u0131 gelene\u011fini modern tekniklerle harmanlayarak eserlerinde dikkat \u00e7ekici bir stil geli\u015ftirmi\u015ftir. \u00d6zellikle detayl\u0131 ve ger\u00e7ek\u00e7i portre \u00e7al\u0131\u015fmalar\u0131yla tan\u0131nan sanat\u00e7\u0131, Osmanl\u0131 sultanlar\u0131, devlet adamlar\u0131 ve d\u00f6nemin \u00fcnl\u00fc isimlerinin portrelerini resmetmi\u015ftir. Mihri Han\u0131m, Mustafa Kemal Atat\u00fcrk\u2019\u00fcn de bir portresini yapm\u0131\u015ft\u0131r. Mare\u015fal \u00fcniformas\u0131yla resmedilen bu eser, \u00fc\u00e7 metre boyundad\u0131r ve Atat\u00fcrk\u2019e duydu\u011fu sayg\u0131n\u0131n bir ifadesi olarak, T\u00fcrkiye Cumhuriyeti’nin kurulu\u015f d\u00f6neminde Roma’da yapm\u0131\u015f ve Ankara’ya hediye olarak yollam\u0131\u015ft\u0131r. Ne yaz\u0131k ki bug\u00fcn bu portrenin nerede oldu\u011fu tam olarak bilinmemektedir.<\/p>\n
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1928 y\u0131l\u0131nda ABD\u2019ye giderek New York’a yerle\u015fen Mihri M\u00fc\u015ffik Han\u0131m, burada da sanat \u00e7al\u0131\u015fmalar\u0131na devam etmi\u015f ve \u00e7e\u015fitli sergiler a\u00e7m\u0131\u015ft\u0131r. ABD Ba\u015fkan\u0131 Franklin Delano Roosevelt ve \u00fcnl\u00fc mucit Thomas Edison gibi d\u00f6nemin \u00f6nemli isimlerinin portrelerini \u00e7izerek uluslararas\u0131 alanda da ad\u0131ndan s\u00f6z ettirmi\u015ftir. Ne yaz\u0131k ki eserlerinin \u00e7o\u011fu kaybolmu\u015f olsa da T\u00fcrkiye\u2019de 32, \u0130talya\u2019da 36, Fransa\u2019da 23 ve Amerika\u2019da 60’tan fazla eseri kay\u0131t alt\u0131na al\u0131nm\u0131\u015ft\u0131r. Yakla\u015f\u0131k 150 eserlik bir portf\u00f6y\u00fc g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015ft\u0131r. 1954 y\u0131l\u0131nda vefat eden Mihri M\u00fc\u015ffik Han\u0131m\u2019\u0131n “\u00c7ingene” adl\u0131 tablosu, Fransa\u2019n\u0131n en prestijli sanat m\u00fczelerinden biri olan Louvre’da sergilenmekte ve sanat d\u00fcnyas\u0131nda \u00f6nemli bir yer tutmaktad\u0131r.<\/p>\n
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Mihri M\u00fc\u015ffik Han\u0131m, 1954 y\u0131l\u0131nda New York’ta hayata veda etmi\u015ftir. Cumhuriyet tarihinin ilk kad\u0131n ressamlar\u0131ndan biri olarak, eserleri ve \u00fclkemize yapt\u0131\u011f\u0131 hizmetlerle sanat d\u00fcnyas\u0131na b\u00fcy\u00fck bir miras b\u0131rakm\u0131\u015ft\u0131r. Mihri Han\u0131m\u2019\u0131n \u00f6nc\u00fc \u00e7al\u0131\u015fmalar\u0131, kad\u0131nlar\u0131n sanat d\u00fcnyas\u0131nda kendilerine yer bulmalar\u0131n\u0131 ve kabul g\u00f6rmelerini sa\u011flamada \u00f6nemli bir rol oynam\u0131\u015ft\u0131r.<\/p>\n
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[vc_row][vc_column][vc_column_text] Osmanl\u0131 \u0130mparatorlu\u011fu ve T\u00fcrkiye Cumhuriyeti’nin ilk kad\u0131n ressamlar\u0131ndan Mihri M\u00fc\u015ffik Han\u0131m, \u00fclkemizde kad\u0131n sanat\u00e7\u0131lar\u0131n yeti\u015fmesine katk\u0131da bulunmu\u015f, \u0130stanbul K\u0131z Lisesinde resim \u00f6\u011fretmenli\u011fi yapm\u0131\u015f ve \u00e7a\u011fda\u015f T\u00fcrk kad\u0131nlar\u0131n\u0131n sanatta ve toplumda yer bulabilmeleri i\u00e7in \u00f6nc\u00fc bir rol \u00fcstlenerek sonraki nesillerde sanat\u00e7\u0131lara ilham vermi\u015ftir. Genellikle portre \u00e7al\u0131\u015fmalar\u0131yla tan\u0131nan Mihri M\u00fc\u015ffik Han\u0131m, 1922 y\u0131l\u0131nda Mustafa Kemal Atat\u00fcrk\u2019e […]<\/p>\n","protected":false},"author":1,"featured_media":29921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2572,453,847,2014],"class_list":["post-29919","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-mihri-musfik-hanim","tag-resim","tag-ressam","tag-sanatci"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29919"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29919\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}