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T\u00fcrkiye’nin \u00f6nde gelen sanat tarih\u00e7ilerinden Semavi Eyice, Osmanl\u0131 ve Bizans d\u00f6nemine ait eserlerin derinlemesine incelenmesine b\u00fcy\u00fck katk\u0131lar sa\u011flam\u0131\u015f ve mimarl\u0131k tarihi ile sanat tarihini bir araya getirerek bu d\u00f6nemin yap\u0131lar\u0131 ve sanat eserlerini detayl\u0131 bir \u015fekilde ara\u015ft\u0131rm\u0131\u015ft\u0131r. Tarih\u00ee eserlerin korunmas\u0131 ve restorasyonu konusunda \u00f6nc\u00fc \u00e7al\u0131\u015fmalar yapan Eyice\u2019nin \u00e7al\u0131\u015fmalar\u0131, T\u00fcrk mimarl\u0131k tarihi ara\u015ft\u0131rmalar\u0131 i\u00e7in \u00f6nemli birer kaynak olmu\u015ftur. \u00d6zellikle Osmanl\u0131 d\u00f6nemine ait mimari eserler \u00fczerine yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarla sanat tarihi ve arkeoloji alan\u0131nda g\u00fcn\u00fcm\u00fczdeki ara\u015ft\u0131rmalara rehberlik eden Semavi Eyice\u2019nin hayat\u0131n\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.<\/p>\n
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Semavi Eyice, 9 Aral\u0131k 1922\u2019de \u0130stanbul\u2019un Kad\u0131k\u00f6y il\u00e7esinde d\u00fcnyaya geldi. Babas\u0131 emekli deniz subay\u0131 Mehmet K\u00e2mil Eyice, annesi Hatice Han\u0131m\u2019d\u0131r. Amasra’n\u0131n k\u00f6kl\u00fc ailelerinden birine mensup olan Eyice, Galatasaray Lisesinden mezun olduktan sonra, 1943 y\u0131l\u0131nda \u0130stanbul \u00dcniversitesi Sanat Tarihi b\u00f6l\u00fcm\u00fcnde \u00fcniversite e\u011fitimine ba\u015flar. Ayn\u0131 y\u0131l, sanat tarihi ve arkeoloji e\u011fitimi almak \u00fczere Almanya\u2019ya gider fakat II. D\u00fcnya Sava\u015f\u0131\u2019n\u0131n yo\u011funla\u015ft\u0131\u011f\u0131 bir d\u00f6nemde Viyana \u00dcniversitesinde e\u011fitimine devam eder. 1944-1945 y\u0131llar\u0131nda Berlin \u00dcniversitesinde Bizans Tarihi \u00fczerine \u00f6\u011frenim g\u00f6ren Eyice, Berlin’in i\u015fgali g\u00fcndeme gelince T\u00fcrkiye\u2019ye d\u00f6nmek zorunda kal\u0131r.<\/p>\n
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1945 y\u0131l\u0131nda \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Sanat Tarihi K\u00fcrs\u00fcs\u00fcnde “\u0130stanbul Minareleri” ba\u015fl\u0131kl\u0131 teziyle lisans e\u011fitimini tamamlayan Semavi Eyice, kariyeri boyunca \u00f6zellikle \u0130stanbul\u2019daki Bizans ve Osmanl\u0131 d\u00f6nemlerine ait mimari yap\u0131lar, mozaikler ve freskler \u00fczerine kapsaml\u0131 \u00e7al\u0131\u015fmalar y\u00fcr\u00fctm\u00fc\u015ft\u00fcr. Eyice, bu d\u00f6neme ait eserlerin korunmas\u0131 ve belgelenmesi konusunda b\u00fcy\u00fck bir \u00f6nc\u00fcl\u00fck yapm\u0131\u015f; pek \u00e7ok tarih\u00ee yap\u0131n\u0131n g\u00fcn\u00fcm\u00fcze ula\u015fmas\u0131nda \u00f6nemli rol oynam\u0131\u015ft\u0131r. Eserleri, T\u00fcrk sanat tarihi ve arkeolojisine yapt\u0131\u011f\u0131 katk\u0131larla derin bir bilgi kayna\u011f\u0131 olu\u015fturmaktad\u0131r.<\/p>\n
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1950-1953 y\u0131llar\u0131 aras\u0131nda, \u00fclkemizin ilk “Eski \u00c7a\u011f Tarih\u00e7isi” ve arkeolo\u011fu olan \u00c2rif M\u00fcfit Mansel’in ba\u015fkanl\u0131\u011f\u0131n\u0131 y\u00fcr\u00fctt\u00fc\u011f\u00fc Side arkeolojik kaz\u0131lar\u0131na kat\u0131lm\u0131\u015f ve “Side Bizans Devri Eserleri” adl\u0131 teziyle 1952 y\u0131l\u0131nda doktor unvan\u0131n\u0131 alm\u0131\u015ft\u0131r. \u00dc\u00e7 y\u0131l sonra, “\u0130stanbul\u2019da Son Devir Bizans Mimarisi” ba\u015fl\u0131kl\u0131 \u00e7al\u0131\u015fmas\u0131yla do\u00e7entlik unvan\u0131n\u0131 kazanm\u0131\u015f, ard\u0131ndan “\u0130lk Osmanl\u0131 Devrinin Din\u00ee-\u0130\u00e7tima\u00ee Bir M\u00fcessesesi: Z\u00e2viyeler” konulu teziyle profes\u00f6r olmu\u015ftur.<\/p>\n
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1990 y\u0131l\u0131nda akademik g\u00f6revinden emekli olan Semavi Eyice’nin eserleri, T\u00fcrk sanat tarihinin en de\u011ferli kaynaklar\u0131 aras\u0131nda yer al\u0131r. Bizans sanat\u0131 ve mimarisi alan\u0131nda d\u00fcnya \u00e7ap\u0131nda otorite olarak kabul edilen Eyice, \u00f6zellikle \u0130stanbul’un k\u00fclt\u00fcrel ve sanatsal miras\u0131na, \u015fehrin tarih\u00ee dokusuna kal\u0131c\u0131 izler b\u0131rakm\u0131\u015ft\u0131r. Anadolu’dan Bat\u0131 Trakya’ya kadar uzanan geni\u015f co\u011frafyada, Osmanl\u0131 izlerini ta\u015f\u0131yan topraklarda y\u00fcr\u00fctt\u00fc\u011f\u00fc kaz\u0131lar ve ara\u015ft\u0131rmalar\u0131 sayesinde, harap olmu\u015f eserlerin ve yap\u0131lar\u0131n tarihimize yeniden kazand\u0131r\u0131lmas\u0131na \u00f6nc\u00fcl\u00fck etmi\u015ftir. Ayr\u0131ca, \u00fclkemize gelen yabanc\u0131 ressam ve seyyahlar\u0131n seyahatnamelerini inceleyerek, T\u00fcrk sanat tarihi literat\u00fcr\u00fcne \u00f6nemli katk\u0131lar sunmu\u015f ve yok olmaya y\u00fcz tutmu\u015f bir\u00e7ok tarih\u00ee eserin g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r. Balkan \u00fclkelerindeki ara\u015ft\u0131rmalarla bu b\u00f6lgedeki Osmanl\u0131 d\u00f6nemine ait yap\u0131lar\u0131 belgelemi\u015f ve Bizans d\u00f6nemi eserlerini ilk defa tan\u0131tan ki\u015fi olmu\u015ftur.<\/p>\n
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Akademik kariyeri boyunca \u0130stanbul \u00dcniversitesi’nin yan\u0131 s\u0131ra Hacettepe \u00dcniversitesi, Avrupa’daki Bochum, Sorbonne, Coll\u00e8ge de France, Cenevre ve Ravenna \u00dcniversitesi gibi bir\u00e7ok sayg\u0131n \u00fcniversitede misafir \u00f6\u011fretim \u00fcyesi olarak dersler ve konferanslar veren Semavi Eyice, 40 y\u0131l s\u00fcren “Eski Eserler ve An\u0131tlar Y\u00fcksek Kurulu” \u00fcyeli\u011fi g\u00f6revini \u00fcstlenmi\u015ftir. T\u00fcrk T\u0131p Tarihi Enstit\u00fcs\u00fc ve Atat\u00fcrk K\u00fclt\u00fcr Merkezi \u015eeref \u00dcyeli\u011fi unvanlar\u0131na sahiptir. Ayr\u0131ca Alman Arkeoloji Kurumu ve Bel\u00e7ika Krall\u0131k Akademisi’nin asli \u00fcyesidir. Fransa’n\u0131n en y\u00fcksek dereceli asker\u00ee ve sivil ni\u015fan\u0131 olan “L\u00e9gion d\u2019Honneur” (Onur Lejyonu) madalyas\u0131na, Cumhurba\u015fkanl\u0131\u011f\u0131 K\u00fclt\u00fcr ve Sanat B\u00fcy\u00fck \u00d6d\u00fcl\u00fc’ne, Y\u00fczy\u0131l\u0131n \u0130slam K\u00fclt\u00fcr Hizmeti Onur \u00d6d\u00fcl\u00fc’ne ve Hizmet \u00d6d\u00fcl\u00fc’ne lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n
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2018 y\u0131l\u0131nda 96 ya\u015f\u0131nda hayata veda eden Semavi Eyice, ard\u0131nda zengin bir akademik miras ve derin bir k\u00fclt\u00fcrel birikim b\u0131rakm\u0131\u015ft\u0131r. Eyice\u2019nin \u00e7al\u0131\u015fmalar\u0131 hem \u00fclkemizde hem de uluslararas\u0131 alanda sanat tarihinin anla\u015f\u0131lmas\u0131na b\u00fcy\u00fck katk\u0131lar sa\u011flam\u0131\u015f ve gelecek nesillere ilham kayna\u011f\u0131 olmu\u015ftur.<\/p>\n
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[vc_row][vc_column][vc_column_text] T\u00fcrkiye’nin \u00f6nde gelen sanat tarih\u00e7ilerinden Semavi Eyice, Osmanl\u0131 ve Bizans d\u00f6nemine ait eserlerin derinlemesine incelenmesine b\u00fcy\u00fck katk\u0131lar sa\u011flam\u0131\u015f ve mimarl\u0131k tarihi ile sanat tarihini bir araya getirerek bu d\u00f6nemin yap\u0131lar\u0131 ve sanat eserlerini detayl\u0131 bir \u015fekilde ara\u015ft\u0131rm\u0131\u015ft\u0131r. Tarih\u00ee eserlerin korunmas\u0131 ve restorasyonu konusunda \u00f6nc\u00fc \u00e7al\u0131\u015fmalar yapan Eyice\u2019nin \u00e7al\u0131\u015fmalar\u0131, T\u00fcrk mimarl\u0131k tarihi ara\u015ft\u0131rmalar\u0131 i\u00e7in \u00f6nemli […]<\/p>\n","protected":false},"author":1,"featured_media":29888,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2530,2531,2532,2533],"class_list":["post-29887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-mimarlik-tarihi","tag-sanat-tarihi","tag-semavi-eyice","tag-tarihci"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29887"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29887\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}