[vc_row][vc_column][vc_column_text]<\/p>\n
T\u00fcrk \u015fairlerin dizelerine Bat\u0131l\u0131 tarzdaki vokaliyle yapt\u0131\u011f\u0131 besteleri ile T\u00fcrk musikisine yeni bir soluk getiren M\u00fcnir Nurettin Sel\u00e7uk, \u0130stanbul Konservatuvar\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131 y\u0131llar boyunca pek \u00e7ok m\u00fczisyenin yeti\u015fmesini sa\u011flam\u0131\u015f bir sanat\u00e7\u0131. Gen\u00e7li\u011finde Fenerbah\u00e7e\u2019de futbol oynayan, ayn\u0131 zamanda tambur ve piyano \u00e7alan Sel\u00e7uk, besteledi\u011fi y\u00fczlerce \u015fark\u0131, \u00e7\u0131kard\u0131\u011f\u0131 plaklar ve verdi\u011fi konserlerle T\u00fcrk halk\u0131n\u0131n g\u00f6nl\u00fcnde taht kurmay\u0131 ba\u015farm\u0131\u015f unutulmaz bir isim. Usta sanat\u00e7\u0131n\u0131n hayat\u0131n\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”29241″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
M\u00fcnir Nurettin, 1900\u2019de Sar\u0131yer\u2019de d\u00fcnyaya gelir. Ailesinin soyu Sel\u00e7uklu Beyliklerinden Germiyano\u011fullar\u0131\u2019na uzand\u0131\u011f\u0131 i\u00e7in 1934\u2019teki Soyad\u0131 Kanunu\u2019nda Sel\u00e7uk soyad\u0131n\u0131 al\u0131r. \u00a0<\/strong><\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”29242″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n M\u00fcnir Nurettin gen\u00e7lik y\u0131llar\u0131nda futbola g\u00f6n\u00fcl verir ve bir d\u00f6nem Fenerbah\u00e7e\u2019de futbol oynar. \u0130lk ve orta \u00f6\u011freniminin ard\u0131ndan 15 ya\u015f\u0131ndayken girdi\u011fi Kad\u0131k\u00f6y’deki Dar\u00fclfeyzi Musiki Mektebinde \u00fc\u00e7 y\u0131l e\u011fitim al\u0131r. Heyet kar\u015f\u0131s\u0131nda ilk konserine \u00e7\u0131kan Sel\u00e7uk, s\u0131nav sonucunda elde etti\u011fi ba\u015far\u0131yla o d\u00f6nem Dar\u00fclelhan ad\u0131yla e\u011fitim veren \u0130stanbul Belediyesi Konservatuar\u0131na girmeye hak kazan\u0131r. Ancak ailesinin \u0131srar\u0131yla ziraat e\u011fitimi almak i\u00e7in Macaristan’a gider. M\u00fczi\u011fe olan ilgisi sebebiyle 1917\u2019de \u0130stanbul\u2019a d\u00f6nme karar\u0131 alan Sel\u00e7uk, D\u00e2r-\u00fcl Feyz-\u00ee M\u00fbsik\u00ee Cemiyetinde \u00f6nemli klasik T\u00fcrk m\u00fczi\u011fi bestek\u00e2rlar\u0131ndan dersler almaya ba\u015flar ve m\u00fczik e\u011fitimine kald\u0131\u011f\u0131 yerden devam eder.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”29243″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n 1920\u2019de \u015fair Tevfik Fikret\u2019in \u201cBu bir ter\u00e2nedir\u201d \u015fiirine yapt\u0131\u011f\u0131 besteyle bestek\u00e2rl\u0131\u011fa ba\u015flayan M\u00fcnir Nurettin, 1923’te te\u011fmen r\u00fctbesiyle askerlik hizmetini yapmak \u00fczere Ankara\u2019ya gider. Ordu bandosu \u201cMuz\u0131ka-i Humayun\u201dde solistlik yapar. Muz\u0131ka-i Humayun, kurulu\u015fundan itibaren varl\u0131\u011f\u0131n\u0131 kesintisiz s\u00fcrd\u00fcren en eski orkestralar\u0131ndan biri olan Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131n\u0131n temelini olu\u015fturan isimlerden biri olur. Orkestra, cumhuriyetin ilan\u0131ndan sonra Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131 ismini alm\u0131\u015ft\u0131r. 1926\u2019da Atat\u00fcrk\u2019ten izin alarak Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131ndan ayr\u0131l\u0131r ve \u0130stanbul\u2019a d\u00f6ner. 1928\u2019de ilk pla\u011f\u0131n\u0131 yay\u0131mlar. Eski \u00fcslupla yeni anlay\u0131\u015f\u0131n birle\u015fti\u011fi plaktaki eserler d\u00f6nem i\u00e7in yenidir ve dikkatleri \u00fczerine \u00e7eker. Ayn\u0131 y\u0131l ses tekni\u011fi konusunda \u00f6\u011frenim g\u00f6rmek i\u00e7in Fransa\u2019ya giden sanat\u00e7\u0131, bir y\u0131l boyunca Paris Konservatuvar\u0131nda \u015fan, piyano ve solfej dersleri al\u0131r. Burada verdi\u011fi konseri sanat \u00e7evrelerinden b\u00fcy\u00fck \u00f6vg\u00fc toplar, Bat\u0131l\u0131 vokal tarz\u0131nda okudu\u011fu eserleri dikkat \u00e7eker.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”29244″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n T\u00fcrk m\u00fczik tarihinde tek ba\u015f\u0131na konser verme anlay\u0131\u015f\u0131n\u0131 getiren M\u00fcnir Nurettin Sel\u00e7uk, ilk solo konserini Paris d\u00f6n\u00fc\u015f\u00fc 1930\u2019da Beyo\u011flu\u2019nda verir. Konseri \u00e7ok be\u011fenilir ve b\u00fcy\u00fck ilgi g\u00f6r\u00fcr. Giydi\u011fi frak ile ayakta konser veren ve koro e\u015fli\u011finde solo performans\u0131n\u0131 sergileyen M\u00fcnir Nurettin Sel\u00e7uk\u2019un bu konseri T\u00fcrk musikisinde d\u00f6n\u00fcm noktas\u0131 olur. Usta sanat\u00e7\u0131lar e\u015fli\u011finde ger\u00e7ekle\u015fen bu konser, musikiye olan sayg\u0131 ve ciddiyetin temellerinin at\u0131ld\u0131\u011f\u0131 bir konserdir. Sanat\u0131na verdi\u011fi \u00f6nem, giyimine g\u00f6sterdi\u011fi \u00f6zen, profesyonel e\u011fitim hayat\u0131 ve sanat anlay\u0131\u015f\u0131yla M\u00fcnir Nurettin\u2019in m\u00fczi\u011fi h\u0131zla yay\u0131l\u0131r.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”29245″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n Fransa\u2019da ald\u0131\u011f\u0131 \u015fan dersleri sayesinde Bat\u0131 m\u00fczi\u011fine h\u00e2kim olan Sel\u00e7uk, Mevl\u00e2na, Fuzuli, Nedim, Ahmet Pa\u015fa, \u015eeyh Galip, Ziya Pa\u015fa, S\u00fcleyman Nazif, Tevfik Fikret, Yahya Kemal Beyatl\u0131, Faruk Nafiz \u00c7aml\u0131bel, Beh\u00e7et Kemal \u00c7a\u011flar, Cahit S\u0131tk\u0131 Taranc\u0131, \u00dcmit Ya\u015far O\u011fuzcan ve Refik Ahmet Sevengil gibi \u00fcnl\u00fc \u015fairlerin \u015fiirlerini besteler.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”29246″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n 100’den fazla esere imza atan sanat\u00e7\u0131n\u0131n T\u00fcrk m\u00fczi\u011fine kazand\u0131rd\u0131\u011f\u0131 bestelerden baz\u0131lar\u0131 \u015funlard\u0131r: \u201cBeni K\u00f6r Kuyularda Merdivensiz B\u0131rakt\u0131n, Kalam\u0131\u015f, Aziz \u0130stanbul (G\u00fcfte: Yahya Kemal Beyatl\u0131), S\u00f6yle Sevgili, G\u00fcl Y\u00fcz\u00fcnde G\u00f6reli Z\u00fclf-i Semen-say G\u00f6n\u00fcl, Safa-y\u0131 Metle Par\u0131ldas\u0131n Cam\u0131m\u0131z, H\u00fclyama Do\u011fan Son G\u00fcne\u015fim, Son Hevesimde, Varal\u0131m Kuy-\u0131 Dilaraya G\u00f6n\u00fcl Hu Diyerek, Bir S\u00f6z Dedi Canan ki Keramet Var \u0130\u00e7inde, Rindlerin Ak\u015fam\u0131 (D\u00f6n\u00fclmez Ak\u015fam\u0131n Ufkunday\u0131z) (G\u00fcfte: Yahya Kemal Beyatl\u0131), Ne Do\u011fan G\u00fcne H\u00fckm\u00fcm Ge\u00e7er Ne Halden Anlayan Bulunur, End\u00fcl\u00fcs’te Raks, Sessiz Gemi, Rindlerin \u00d6l\u00fcm\u00fc, Sen \u015eark\u0131 S\u00f6yledi\u011fin Zaman, Dumanl\u0131 Ba\u015flar\u0131 G\u00f6klere Ermi\u015f, Yedi Renk \u00dcst\u00fcne Hareli Da\u011flar.\u201d<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”29247″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n T\u00fcrk m\u00fczi\u011finin \u00fclke \u00e7ap\u0131nda tan\u0131nmas\u0131nda ve sevilmesinde M\u00fcnir Nurettin\u2019in okudu\u011fu plaklar\u0131n b\u00fcy\u00fck etkisi olur. Klasik T\u00fcrk musikisinden t\u00fcrk\u00fclere kadar de\u011fi\u015fik bestelerin oldu\u011fu plaklar\u0131 ve konserleri ile yeni bir tarz\u0131n \u00e7er\u00e7evesini olu\u015fturan M\u00fcnir Nurettin Sel\u00e7uk, sanatla ge\u00e7en 81 y\u0131l\u0131n ard\u0131ndan 27 Nisan 1981’de Ni\u015fanta\u015f\u0131’ndaki evinde vefat eder ve A\u015fiyan Mezarl\u0131\u011f\u0131’na defnedilir.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row][vc_column][vc_column_text] T\u00fcrk \u015fairlerin dizelerine Bat\u0131l\u0131 tarzdaki vokaliyle yapt\u0131\u011f\u0131 besteleri ile T\u00fcrk musikisine yeni bir soluk getiren M\u00fcnir Nurettin Sel\u00e7uk, \u0130stanbul Konservatuvar\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131 y\u0131llar boyunca pek \u00e7ok m\u00fczisyenin yeti\u015fmesini sa\u011flam\u0131\u015f bir sanat\u00e7\u0131. Gen\u00e7li\u011finde Fenerbah\u00e7e\u2019de futbol oynayan, ayn\u0131 zamanda tambur ve piyano \u00e7alan Sel\u00e7uk, besteledi\u011fi y\u00fczlerce \u015fark\u0131, \u00e7\u0131kard\u0131\u011f\u0131 plaklar ve verdi\u011fi konserlerle T\u00fcrk halk\u0131n\u0131n g\u00f6nl\u00fcnde taht kurmay\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":29240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3647,3648,1113,2014,3649],"class_list":["post-29239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-istanbul-konservatuvari","tag-munir-nurettin-selcuk","tag-muzisyen","tag-sanatci","tag-vokal"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29239"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29239\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}