[vc_row][vc_column][vc_column_text]<\/p>\n
G\u00fcn\u00fcm\u00fczde t\u00fcm d\u00fcnyada trend haline gelen etik \u00fcretim, geri d\u00f6n\u00fc\u015f\u00fcm, s\u0131f\u0131r at\u0131k, kad\u0131n eme\u011fi, s\u00fcrd\u00fcr\u00fclebilirlik ve do\u011fal malzemeler gibi yakla\u015f\u0131mlar\u0131n \u00e7o\u011fu y\u00fczlerce y\u0131ld\u0131r Anadolu\u2019daki \u00fcretim k\u00fclt\u00fcr\u00fcnde yer al\u0131yor. Nesilden nesile aktar\u0131lan, el i\u015f\u00e7ili\u011fi ile farkl\u0131la\u015fan, ustalar\u0131n marifetli ellerinde hayat bulan ve hayat\u0131m\u0131z\u0131n par\u00e7as\u0131 olan k\u00fclt\u00fcrel miras niteli\u011findeki \u00fcr\u00fcnlerin ve \u00fcretim tekniklerinin en g\u00fczel \u00f6rneklerini yaz\u0131m\u0131zda listeledik.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Konya Gelin Aynas\u0131 ” title_font_size=”13″][vc_single_image image=”29173″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Anadolu k\u00fclt\u00fcr\u00fcnde bereket ve ayd\u0131nl\u0131\u011f\u0131 temsil etti\u011fine inan\u0131lan gelin aynas\u0131, baba oca\u011f\u0131ndan ayr\u0131lan gelini u\u011furlarken gelinin \u00f6n\u00fcnde ta\u015f\u0131n\u0131yor. Evlili\u011finin bereketli olmas\u0131, u\u011fur ve \u015fans getirmesi, gelini k\u00f6t\u00fcl\u00fcklerden korumas\u0131 i\u00e7in y\u00fczy\u0131llardan bu yana uygulanan bu gelenekte tutulan aynalar ise el eme\u011fi g\u00f6z nuru. Ah\u015fap kasan\u0131n ortas\u0131nda yer alan aynan\u0131n kenarlar\u0131 cam alt\u0131 tekni\u011fi ile i\u015flenmi\u015f \u00e7i\u00e7eklerle s\u00fcsleniyor.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Tokat Yazmas\u0131” title_font_size=”13″][vc_single_image image=”29174″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Do\u011fan\u0131n g\u00fczelliklerinden ilham al\u0131narak s\u00fcslenen Tokat yazmalar\u0131, Osmanl\u0131\u2019dan bu yana boyay\u0131 emme \u00f6zelli\u011fi olan \u0131hlamur a\u011fac\u0131ndan \u00fcretilen ah\u015fap kal\u0131plarda elle i\u015fleniyor. Kal\u0131pla oyulan motifler kara kalem ve elvan bask\u0131 tekni\u011fi ile pamuk bezlere i\u015fleniyor. K\u0131rm\u0131z\u0131 tonlar\u0131n h\u00e2kim oldu\u011fu yazmalarda kullan\u0131lan \u00fcz\u00fcm, elma, kiraz, asma yapra\u011f\u0131 gibi motifler ve geometrik desenler ise y\u00f6renin k\u00fclt\u00fcrel birikiminin bir yans\u0131mas\u0131.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Ad\u0131yaman Sincik Hal\u0131s\u0131 ” title_font_size=”13″][vc_single_image image=”29175″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Ate\u015f k\u0131rm\u0131z\u0131s\u0131 rengi ve birbiri ard\u0131na s\u0131ralanan alt\u0131gen Sel\u00e7uklu y\u0131ld\u0131zlar\u0131n\u0131n el dokumas\u0131yla Ad\u0131yaman\u2019a \u00f6zg\u00fc Sincik hal\u0131s\u0131 k\u00f6k boya ile renklendiriliyor. Siyah, k\u0131rm\u0131z\u0131, gri, turuncu, lacivert y\u00fcn ve pamuk kar\u0131\u015f\u0131m\u0131 koyu renkli ipliklerle dokunuyor; yerde oturma k\u00fclt\u00fcr\u00fcn\u00fcn h\u00e2l\u00e2 devam etti\u011fi y\u00f6relerde yer yayg\u0131s\u0131 veya yast\u0131k olarak da kullan\u0131l\u0131yor.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Ayd\u0131n K\u0131l \u00c7ad\u0131r\u0131 ” title_font_size=”13″][vc_single_image image=”29176″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Ayd\u0131n\u2019\u0131n Bozdo\u011fan il\u00e7esine ba\u011fl\u0131 Olukba\u015f\u0131 k\u00f6y\u00fcnde yakla\u015f\u0131k bin y\u0131ll\u0131k bir gelenekle ke\u00e7i k\u0131l\u0131ndan elde edilen ka\u015fmir \u00e7ad\u0131rlar \u00fcretiliyor. Yaz\u0131n serin, k\u0131\u015f\u0131n s\u0131cak tutan \u00e7ad\u0131rlar ate\u015fte yanm\u0131yor; \u00fczerinde y\u0131lan, akrep gibi ha\u015fereler y\u00fcr\u00fcyemedi\u011fi i\u00e7in do\u011fa ko\u015fullar\u0131nda g\u00fcvenli ya\u015fam alanlar\u0131 sa\u011fl\u0131yor. K\u0131l \u00e7ad\u0131r\u0131nda k\u0131\u015f mevsiminde ya da ya\u011fmurlu havalarda g\u00f6zenekler kapand\u0131\u011f\u0131ndan ya\u011fmurun veya so\u011fuk havan\u0131n i\u00e7eri girmesi \u00f6nleniyor. Yaz\u0131n ise g\u00f6zenekler a\u00e7\u0131l\u0131p r\u00fczg\u00e2r\u0131n ge\u00e7mesini sa\u011flad\u0131\u011f\u0131 i\u00e7in sirk\u00fclasyon meydana gelip i\u00e7eride serinlik sa\u011flan\u0131yor.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Gaziantep Kutnu Kuma\u015f\u0131” title_font_size=”13″][vc_single_image image=”29177″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Gaziantep\u2019in geleneksel kutnu kuma\u015f\u0131, suni ipek ve pamuktan \u00fcretilen flo\u015f iplikler ile el tezg\u00e2hlar\u0131nda metresine 5 binden fazla iplik at\u0131larak dokunuyor. Osmanl\u0131 d\u00f6neminde oldu\u011fu gibi bug\u00fcn de kad\u0131n-erkek giyiminde ve d\u00f6\u015femelerde kullan\u0131lan kutnu kuma\u015f\u0131nda sar\u0131 rengin h\u00e2kim oldu\u011fu boyuna \u00e7izgili desenleri \u00f6n plana \u00e7\u0131karken \u00e7arp\u0131c\u0131 tonlardaki k\u0131rm\u0131z\u0131s\u0131, moru, ye\u015fili ile her g\u00f6reni kendine hayran b\u0131rak\u0131yor. \u0130plik say\u0131s\u0131 ve \u00e7\u00f6zg\u00fcs\u00fcne g\u00f6re mecidiye, zencirli, k\u00fcrdiye, sedefli, mekkavi, hindiye, c\u00fctari ve Osmaniye gibi isimleri ve \u00e7e\u015fitleri olan kutnu kuma\u015f\u0131 \u00fclkemizde sadece Gaziantep\u2019te \u00fcretiliyor.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Karam\u00fcrsel Sepeti ” title_font_size=”13″][vc_single_image image=”29178″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Karam\u00fcrsel sepeti, kestane a\u011fa\u00e7lar\u0131n\u0131n k\u00f6klerinden \u00e7\u0131kan, y\u00f6rede \u015fah diye bilinen dal ve filizlerin tekleme ve ikileme tekni\u011fi ile elde \u00f6r\u00fclmesiyle \u00fcretiliyor. Yar\u0131m koni \u015feklini and\u0131ran sepet, iyi kesilmi\u015f ve kurutulmu\u015f kestane \u00e7\u0131talar\u0131ndan \u00f6r\u00fcld\u00fc\u011f\u00fc i\u00e7in i\u00e7 hacmi olduk\u00e7a geni\u015f oluyor. ”Ufac\u0131k tefecik g\u00f6rd\u00fcn de Karam\u00fcrsel sepeti mi sand\u0131n?\u201d deyimi ise tam olarak bu \u00f6zelli\u011finden kaynaklan\u0131yor. Bah\u00e7elerden zedelemeden meyve-sebze ta\u015f\u0131mak ve muhafaza etmek i\u00e7in kullan\u0131lan Karam\u00fcrsel sepeti, pazar \u00e7antas\u0131, dekoratif ama\u00e7l\u0131 saks\u0131l\u0131k gibi farkl\u0131 \u015fekillerde de kullan\u0131l\u0131yor.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text] G\u00fcn\u00fcm\u00fczde t\u00fcm d\u00fcnyada trend haline gelen etik \u00fcretim, geri d\u00f6n\u00fc\u015f\u00fcm, s\u0131f\u0131r at\u0131k, kad\u0131n eme\u011fi, s\u00fcrd\u00fcr\u00fclebilirlik ve do\u011fal malzemeler gibi yakla\u015f\u0131mlar\u0131n \u00e7o\u011fu y\u00fczlerce y\u0131ld\u0131r Anadolu\u2019daki \u00fcretim k\u00fclt\u00fcr\u00fcnde yer al\u0131yor. Nesilden nesile aktar\u0131lan, el i\u015f\u00e7ili\u011fi ile farkl\u0131la\u015fan, ustalar\u0131n marifetli ellerinde hayat bulan ve hayat\u0131m\u0131z\u0131n par\u00e7as\u0131 olan k\u00fclt\u00fcrel miras niteli\u011findeki \u00fcr\u00fcnlerin ve \u00fcretim tekniklerinin en g\u00fczel \u00f6rneklerini […]<\/p>\n","protected":false},"author":1,"featured_media":29172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2112,2113,2114,2115,2116,733,2117,2118,2119],"class_list":["post-29171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-adiyaman-sincik-halisi","tag-aydin-kil-cadiri","tag-gaziantep-kutnu-kumasi","tag-karamursel-sepeti","tag-konya-gelin-aynasi","tag-sehir","tag-tokat-yazmasi","tag-zanaat","tag-zanaat-urunleri"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29171"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29171\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}