[vc_row][vc_column][vc_column_text]<\/p>\n
Asya ile Avrupa K\u0131talar\u0131n\u0131n \u00fczerinde kurulu; Roma, Bizans ve Osmanl\u0131 \u0130mparatorlu\u011fu\u2019na ev sahipli\u011fi yapan \u0130stanbul; adalar\u0131, yap\u0131lar\u0131, do\u011fal g\u00fczellikleriyle as\u0131rlard\u0131r \u00f6nemli bir ticaret ve k\u00fclt\u00fcr kenti olmu\u015ftur. T\u00fcm bu g\u00fczelliklere sahip \u015fehrin sanat\u00e7\u0131lar \u00fczerinde b\u0131rakt\u0131\u011f\u0131 etkiye bir\u00e7ok sanat eserinde rastlamak m\u00fcmk\u00fcnd\u00fcr. Yaz\u0131m\u0131zda 1700\u2019l\u00fc y\u0131llar\u0131n sonundan itibaren \u00fclkemizi ziyaret eden 10 yabanc\u0131 ressam\u0131n f\u0131r\u00e7as\u0131ndan yans\u0131yan eski \u0130stanbul manzaralar\u0131n\u0131 inceleyebilirsiniz.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cG\u00fcn Bat\u0131m\u0131nda Ortak\u00f6y\u2019den \u0130stanbul\u201d” title_font_size=”13″][vc_single_image image=”29139″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Ortak\u00f6y\u2019deki B\u00fcy\u00fck Mecidiye Camii\u2019nin de yer ald\u0131\u011f\u0131 \u201cG\u00fcn Bat\u0131m\u0131nda Ortak\u00f6y\u2019den \u0130stanbul\u201d tablosu 1856 tarihlidir. 19. y\u00fczy\u0131lda ya\u015fayan Rus ressam Ivan Ayvazovski, 1874\u2019te Sultan Abd\u00fclaziz’in davetlisi olarak \u0130stanbul\u2019a gelir. \u0130stanbul manzaralar\u0131n\u0131 romantik tarzda incelikle resmeden Ayvazovski, 45 sene i\u00e7inde sekiz kez \u0130stanbul\u2019u ziyaret eder ve Sultan i\u00e7in yapt\u0131\u011f\u0131 resimlerden biri \u00e7ok be\u011fenildi\u011fi i\u00e7in \u201cOsmaniye Ni\u015fan\u0131\u201d ile \u00f6d\u00fcllendirilir. G\u00fcn bat\u0131m\u0131 manzaras\u0131nda iskeledeki gemiler ve g\u00fcnl\u00fck rutinlerinde resmedilen insanlar d\u00f6nemin \u0130stanbul\u2019unu g\u00f6rd\u00fc\u011f\u00fcm\u00fcz nadir belgelerdendir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cHali\u00e7\u2019te G\u00fcn Do\u011fumu\u201d” title_font_size=”13″][vc_single_image image=”29145″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Manzara resimleriyle \u00fcnlenen Venedikli ressam Ippolito Caffi, g\u00fcne\u015fi ve \u0131\u015f\u0131\u011f\u0131 kullanma tekni\u011fi ile dikkat \u00e7ekmektedir. 1840\u2019l\u0131 y\u0131llarda Yunanistan, Orta Do\u011fu ve Anadolu\u2019yu kapsayan gezisi s\u0131ras\u0131nda \u0130stanbul\u2019a gelen Caffi\u2019ni iki y\u0131l burada kal\u0131r. \u0130stanbul\u2019da \u00fcretti\u011fi ya\u011fl\u0131 boya tablolar\u0131 bug\u00fcn d\u00fcnyan\u0131n en \u00f6nemli sanat galerilerinde sergilenmektedir. Ya\u015fad\u0131\u011f\u0131 \u00e7a\u011f\u0131n tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar\u0131ndan biri olan Caffi\u2019nin \u201cHali\u00e7\u2019te G\u00fcn Do\u011fumu\u201d tablosunda \u0131\u015f\u0131\u011f\u0131 kullanma ustal\u0131\u011f\u0131 net bir \u015fekilde yans\u0131maktad\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cPatrona Halil \u0130syan\u0131\u201d” title_font_size=”13″][vc_single_image image=”29136″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]17. y\u00fczy\u0131lda ya\u015fayan Frans\u0131z ressam Jean Baptiste Vanmour, 1699\u2019da yeni g\u00f6reve ba\u015flayan Fransa Konsolosu ile \u0130stanbul\u2019a gelir. Konsolos \u00fclkesine d\u00f6nse de Vanmour ya\u015fam\u0131n\u0131n sonuna kadar \u0130stanbul\u2019da kal\u0131r. Osmanl\u0131 d\u00f6nemindeki g\u00fcndelik ya\u015fam\u0131 resmetti\u011fi gibi saray ya\u015fant\u0131s\u0131ndan kesitleri de resmeden Vanmour, saray\u0131n i\u00e7inde tuvale resim yapan ilk ressamlardand\u0131r. 1730’da ger\u00e7ekle\u015fen Patrona Halil \u0130syan\u0131’n\u0131 tuvaline ta\u015f\u0131yan Vanmour, 18. y\u00fczy\u0131l Osmanl\u0131 tarihinin en ilgin\u00e7 belgelerinden kabul edilen eseri de \u00fcretmi\u015f olur. Patrona Halil’i arkada\u015flar\u0131yla betimledi\u011fi bu resim ile Vanmour\u2019un eserlerinin \u00f6nemli bir k\u0131sm\u0131 Amsterdam\u2019daki devlet m\u00fczesi olan Rijks M\u00fczesinde, baz\u0131 tablolar\u0131 da \u0130stanbul\u2019daki \u0130talyan Konsoloslu\u011funda sergilenmektedir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201c\u0130stanbul Panaromas\u0131\u201d” title_font_size=”13″][vc_single_image image=”29138″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]18. y\u00fczy\u0131lda ya\u015fayan \u0130talyan ressam Antoine de Favray, 1762\u2019de T\u00fcrkiye’yi ve T\u00fcrkleri konu alan resimler yapmak i\u00e7in \u0130stanbul\u2019a gelir. Portreler ve kabul t\u00f6renleri gibi g\u00fcndelik ya\u015fam resimlerinin yan\u0131 s\u0131ra eski ismi Pera olan Beyo\u011flu s\u0131rtlar\u0131ndan \u00e7izdi\u011fi \u0130stanbul manzaralar\u0131 ile \u00fcnlenir. Favray\u2019nin en bilinen eserleri aras\u0131nda yer alan \u201c\u0130stanbul Panaromas\u0131\u201d, bir s\u00fcre ya\u015fad\u0131\u011f\u0131 Rus Saray\u0131\u2019ndan g\u00f6rd\u00fc\u011f\u00fc manzarad\u0131r. \u00d6n planda g\u00f6r\u00fclen bah\u00e7eler Rus Saray\u0131\u2019na aittir. Topkap\u0131 Saray\u0131 ve bug\u00fcn var olmayan \u201cKavak Saray\u0131\u201dn\u0131n arka plan\u0131nda kalan karl\u0131 tepe ise Uluda\u011f\u2019d\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cSultan Abd\u00fclmecid\u2019in Beylerbeyi Camii\u2019ne Geli\u015fi\u201d” title_font_size=”13″][vc_single_image image=”29140″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]19. y\u00fczy\u0131lda ya\u015fayan \u0130stanbul a\u015f\u0131\u011f\u0131 Maltal\u0131 ressam Amedeo Preziosi, 1840\u2019lar\u0131n ba\u015f\u0131nda ziyarete geldi\u011fi \u0130stanbul\u2019dan ayr\u0131lamaz ve Beyo\u011flu\u2019nda ya\u015famaya ba\u015flar. Evinin bir k\u0131sm\u0131n\u0131 resim st\u00fcdyosu olarak kullanan sanat\u00e7\u0131, \u0130stanbul\u2019u konu alan bir\u00e7ok resim yapar. Eserlerinin bir k\u0131sm\u0131 \u0130ngiliz Saray\u0131\u2019n\u0131n koleksiyonunda, bir b\u00f6l\u00fcm\u00fc de British M\u00fczesinde yer almaktad\u0131r. En \u00fcnl\u00fc eserlerinden olan \u201cSultan Abd\u00fclmecid\u2019in Beylerbeyi Camii\u2019ne Geli\u015fi\u201d Sultan\u2019\u0131n cuma g\u00fcn\u00fc saltanat kay\u0131\u011f\u0131 ile yapt\u0131\u011f\u0131 selaml\u0131k t\u00f6renini konu edinir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201c\u0130stanbul Manzaras\u0131\u201d” title_font_size=”13″][vc_single_image image=”29141″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]19. y\u00fczy\u0131l\u0131n en \u00f6zg\u00fcn manzara ressamlar\u0131ndan olan Frans\u0131z gezgin F\u00e9lix Ziem, 1856\u2019da ziyarete geldi\u011fi \u0130stanbul’dan \u00e7ok etkilenir ve birka\u00e7 ay Beyo\u011flu\u2019nda ya\u015far. \u0130stanbul ve kent ya\u015fam\u0131n\u0131 yans\u0131tan pek \u00e7ok eser \u00fcreten sanat\u00e7\u0131, \u201c\u0130stanbul Manzaras\u0131\u201d tablosunda g\u00f6rkemli camileriyle \u00fcnl\u00fc \u0130stanbul siluetinin \u00f6n\u00fcnde, limandaki yelkenlileri ve bir kay\u0131kta k\u00fcrek \u00e7eken kay\u0131k\u00e7\u0131lar\u0131 betimler.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cFenerbah\u00e7e Sahili\u2019nden Prens Adalar\u0131 Manzaras\u0131\u201d” title_font_size=”13″][vc_single_image image=”29142″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1883\u2019te \u0130stanbul\u2019a gelen ve \u015ei\u015fli\u2019de ya\u015fayan \u0130talyan ressam Salvatore Valeri, o d\u00f6nemki g\u00fczel sanatlar akademisi olan Sanayi-i Nefise Mektebinin ilk resim \u00f6\u011fretmenlerindendir. 30 y\u0131ldan fazla bu okulda g\u00f6rev alan ve bir\u00e7ok \u00f6nemli T\u00fcrk ressama hocal\u0131k yapan Valeri, II. Abd\u00fclhamit\u2019in o\u011fullar\u0131na da \u00f6zel ders vermi\u015ftir. Eserlerinde s\u0131kl\u0131kla insan fig\u00fcrlerini ve g\u00fcndelik hayat\u0131 resmeden sanat\u00e7\u0131n\u0131n nadide eserleri aras\u0131nda yer alan \u201cFenerbah\u00e7e Sahili\u2019nden Prens Adalar\u0131 Manzaras\u0131\u201d, \u0130stanbul\u2019un Anadolu Yakas\u0131\u2019n\u0131 resmeder.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cHali\u00e7\u2019in Giri\u015finden \u0130stanbul\u201d” title_font_size=”13″][vc_single_image image=”29143″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
\u0130ngiliz ressam Thomas Allom, 19. y\u00fczy\u0131lda, II. Mahmut d\u00f6neminde Osmanl\u0131 Devleti\u2019ni ziyaret eder, bir\u00e7ok kenti dola\u015f\u0131r, resmeder ve bir s\u00fcre \u0130stanbul\u2019da ya\u015far. Allom\u2019\u0131n t\u00fcm eserlerinde canl\u0131 renkler ve ustal\u0131kla \u00e7izilmi\u015f fig\u00fcrlerdeki detaylar \u00f6n plana \u00e7\u0131kar. \u201cHali\u00e7\u2019in Giri\u015finden \u0130stanbul\u201d tablosunda da Tarihi Yar\u0131mada\u2019n\u0131n manzaras\u0131, yap\u0131lar\u0131n heybeti ve Hali\u00e7\u2019in yo\u011fun deniz trafi\u011fi detayl\u0131 bir \u015fekilde resmedilir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201c\u0130stanbul\u2019un Fethi\u201d” title_font_size=”13″][vc_single_image image=”29144″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Saray ressam\u0131 olarak \u00fcnlenen \u0130talyan ressam Fausto Zonaro, 1891\u2019de \u0130stanbul\u2019a geldikten sonra d\u00fcnya \u00e7ap\u0131nda \u00fcne kavu\u015ftu\u011fu eserlere imza atm\u0131\u015ft\u0131r. Tarih, g\u00fcndelik hayat tasvirleri, t\u00f6renler, gelenek ve g\u00f6renekler, manzara ve portrelerin yan\u0131 s\u0131ra devlet merasimlerini de tuvaline aktaran Zonaro, Sultan II. Abd\u00fclhamid\u2019in \u201cErtu\u011frul S\u00fcvari Alay\u0131\u2019n\u0131n Galata K\u00f6pr\u00fcs\u00fc\u2019nden Ge\u00e7i\u015fi\u201d adl\u0131 tablosunu \u00e7ok be\u011fenmesi \u00fczerine \u201cMecidiye Ni\u015fan\u0131\u201d ile \u00f6d\u00fcllendirilmi\u015ftir. Sultan\u2019\u0131n portrelerini yapan say\u0131l\u0131 ressamlar aras\u0131nda yer alan Zonaro\u2019nun 1908\u2019de tamamlad\u0131\u011f\u0131 \u201c\u0130stanbul\u2019un Fethi\u201d tablosu, Be\u015fikta\u015f\u2019taki Saray Koleksiyonlar\u0131 M\u00fczesinde sergilenmektedir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”\u201cYeni Cami ve \u0130stanbul Liman\u0131\u201d” title_font_size=”13″][vc_single_image image=”29146″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Frans\u0131z ressam Jean Baptiste Hilaire, fig\u00fcrl\u00fc manzaralar ve portrelerinin yan\u0131 s\u0131ra g\u00fcndelik ya\u015fam\u0131n t\u00fcm detaylar\u0131n\u0131 ustal\u0131kla eserlerine yans\u0131tmay\u0131 ba\u015farm\u0131\u015f bir isimdir. 18. y\u00fczy\u0131lda Ege \u015fehirlerini ve \u0130stanbul\u2019u ziyaret eden Hilaire, bu gezilerinde bir\u00e7ok ya\u011fl\u0131 boya tablo ve grav\u00fcr eserler \u00fcretmi\u015ftir. \u201cYeni Cami ve \u0130stanbul Liman\u0131\u201d tablosu, Hali\u00e7\u2019te Fransa B\u00fcy\u00fckel\u00e7isi Kont Choiseul-Gouffier\u2019nin toplad\u0131\u011f\u0131 antik eserlerin Fransa\u2019ya g\u00f6nderilmek \u00fczere gemiye y\u00fcklenmesini konu almaktad\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text] Asya ile Avrupa K\u0131talar\u0131n\u0131n \u00fczerinde kurulu; Roma, Bizans ve Osmanl\u0131 \u0130mparatorlu\u011fu\u2019na ev sahipli\u011fi yapan \u0130stanbul; adalar\u0131, yap\u0131lar\u0131, do\u011fal g\u00fczellikleriyle as\u0131rlard\u0131r \u00f6nemli bir ticaret ve k\u00fclt\u00fcr kenti olmu\u015ftur. T\u00fcm bu g\u00fczelliklere sahip \u015fehrin sanat\u00e7\u0131lar \u00fczerinde b\u0131rakt\u0131\u011f\u0131 etkiye bir\u00e7ok sanat eserinde rastlamak m\u00fcmk\u00fcnd\u00fcr. Yaz\u0131m\u0131zda 1700\u2019l\u00fc y\u0131llar\u0131n sonundan itibaren \u00fclkemizi ziyaret eden 10 yabanc\u0131 ressam\u0131n f\u0131r\u00e7as\u0131ndan yans\u0131yan […]<\/p>\n","protected":false},"author":1,"featured_media":29135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1057,2252,356,2253,453,847],"class_list":["post-29134","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-fatih-sultan-mehmet","tag-fetih","tag-istanbul","tag-istanbulun-fethi","tag-resim","tag-ressam"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29134"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/29134\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}