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Kendine has bir\u00e7ok k\u00fclt\u00fcrel \u00f6geye sahip Japonya\u2019n\u0131n m\u00fctevaz\u0131 bah\u00e7eleri her g\u00f6reni kendine hayran b\u0131rak\u0131yor. D\u0131\u015far\u0131dan bak\u0131ld\u0131\u011f\u0131nda kendili\u011finden olu\u015fmu\u015f sand\u0131\u011f\u0131m\u0131z Japon bah\u00e7elerinin arkas\u0131ndaki derin felsefeyi ve bah\u00e7e s\u00fcsleme \u00e7e\u015fitlerini yaz\u0131m\u0131zda okuyabilirsiniz.<\/p>\n
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Japon bah\u00e7eleri uzun y\u0131llar s\u00fcren eme\u011fin sonucunda ortaya \u00e7\u0131kmaktad\u0131r. Bu bah\u00e7eler zenginlik ve l\u00fcks g\u00f6stergesi de\u011fil, tam tersine do\u011fa ile b\u00fct\u00fcnle\u015fme, sadelik ve tabiat sevgisini ifade eder.<\/p>\n
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Japon bah\u00e7elerinin alt\u0131nda yatan temel ilkelerden biri de insan\u0131n ruhundaki g\u00fczellikleri do\u011fan\u0131n e\u015fsiz g\u00fczellikleri ile yans\u0131tmakt\u0131r. G\u00fcnl\u00fck hayat\u0131n rutinlerinden ka\u00e7mak amac\u0131yla de\u011fil; da\u011flar\u0131n, derelerin, bitkilerin, kayalar\u0131n ve a\u011fa\u00e7lar\u0131n i\u00e7indeki ho\u015flu\u011fu ortaya \u00e7\u0131karmak, birlikten do\u011fan ahengi yakalamak ve do\u011faya kar\u015f\u0131 duyulan hayranl\u0131\u011f\u0131 g\u00f6stermek i\u00e7indir.<\/p>\n
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Japon bah\u00e7eleri insan eli de\u011fmeden, kendili\u011finden olu\u015fmu\u015f gibi g\u00f6z\u00fckse de asl\u0131nda bu bah\u00e7elerde insan eli de\u011fmemi\u015f ve tasarlanmam\u0131\u015f tek bir alan yoktur. Bi\u00e7im, renk ve duygu b\u00fct\u00fcnl\u00fc\u011f\u00fc bu sanat\u0131n ard\u0131ndaki estetiktir.<\/p>\n
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Japon mimarisi minimalizm \u00fczerine kuruludur. Basitlik ve sadelik \u00f6n plana \u00e7\u0131kar\u0131l\u0131rken, g\u00f6steri\u015ften m\u00fcmk\u00fcn oldu\u011funca uzak durulur. Bu \u00f6zellikler \u00fclkenin k\u00fclt\u00fcrel kimli\u011fine dayan\u0131p Japon esteti\u011fini olu\u015fturur ve bah\u00e7eler de bu ilkeler \u00fczerine in\u015fa edilir. Japon bah\u00e7elerinin dizayn\u0131nda \u00fc\u00e7 temel stil vard\u0131r. Farkl\u0131l\u0131klar\u0131 ise bu stillerin alt\u0131ndaki ince detaylarda gizlidir.<\/p>\n
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Sansui Stili: G\u00f6letler, \u00e7a\u011flayanlar, k\u00f6pr\u00fcler ve adalar gibi peyzaj\u0131n elemanlar\u0131 ile tepecikler \u00fczerine odaklanmaktad\u0131r. Bu stilin vazge\u00e7ilmez eleman\u0131 sudur.<\/p>\n
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Shakkei Stili: \u201c\u00d6d\u00fcn\u00e7 manzara\u201d olarak da ge\u00e7en bu stil, uzak bir manzaran\u0131n bah\u00e7e kompozisyonuna dahil edilme y\u00f6ntemidir. Bir g\u00f6l, okyanus, orman, b\u00fcy\u00fck a\u011fa\u00e7lar ve hatta bir mimari yap\u0131 bile \u201cshakkei\u201dyi olu\u015fturan \u00f6geler aras\u0131ndad\u0131r.<\/p>\n
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Kare-Sansui Stili: Daha \u00e7ok \u201ckuru manzara bah\u00e7esi\u201d olarak bilinir. Temel olarak Sansui stiliyle benzerdir ancak bu stilde en \u00f6nemli unsur, suyun tasvir edilmesidir. Susuz b\u00f6lgelerde su etkisi olu\u015fturmak i\u00e7in \u00e7ak\u0131l, k\u00fc\u00e7\u00fck ta\u015flar, kum ya da k\u0131r\u0131k ta\u015f par\u00e7alar\u0131 kullan\u0131lmaktad\u0131r. Suyun hareketinden kaynaklanan dalgac\u0131k ve girdaplar i\u00e7in t\u0131rm\u0131kla \u015fekil verilir, ada ve k\u00f6pr\u00fc gibi \u00f6gelerde su varm\u0131\u015f gibi planlan\u0131r.<\/p>\n
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[vc_row][vc_column][vc_column_text] Kendine has bir\u00e7ok k\u00fclt\u00fcrel \u00f6geye sahip Japonya\u2019n\u0131n m\u00fctevaz\u0131 bah\u00e7eleri her g\u00f6reni kendine hayran b\u0131rak\u0131yor. D\u0131\u015far\u0131dan bak\u0131ld\u0131\u011f\u0131nda kendili\u011finden olu\u015fmu\u015f sand\u0131\u011f\u0131m\u0131z Japon bah\u00e7elerinin arkas\u0131ndaki derin felsefeyi ve bah\u00e7e s\u00fcsleme \u00e7e\u015fitlerini yaz\u0131m\u0131zda okuyabilirsiniz. [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”28788″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”] Japon bah\u00e7eleri uzun y\u0131llar s\u00fcren eme\u011fin sonucunda ortaya \u00e7\u0131kmaktad\u0131r. Bu bah\u00e7eler zenginlik ve l\u00fcks g\u00f6stergesi […]<\/p>\n","protected":false},"author":1,"featured_media":28787,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[1956,185,1957,1958],"class_list":["post-28786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rota-doga","tag-bahce","tag-doga","tag-japon-bahceleri","tag-tasarim"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/28786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28786"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/28786\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}