[vc_row][vc_column][vc_column_text]20. y\u00fczy\u0131l ba\u015flar\u0131nda \u00e7a\u011fda\u015f resim sanat\u0131n\u0131n geli\u015fmesinde \u00f6nc\u00fcl\u00fck eden kad\u0131n ressamlar\u0131m\u0131z sadece \u00fclkemize de\u011fil, d\u00fcnyan\u0131n k\u00fclt\u00fcrel miras\u0131na de\u011ferli eserler b\u0131rakt\u0131. Yetenek, ba\u015far\u0131 ve azimleriyle gelecek nesillere \u00f6rnek olan, kendilerinden sonra gelen gen\u00e7 sanat\u00e7\u0131lara ilham veren ve \u00fclkemizdeki sanat ortam\u0131n\u0131n geli\u015fmesine \u00f6nemli katk\u0131lar sa\u011flayan \u00e7a\u011fda\u015f kad\u0131n ressamlar\u0131m\u0131z\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”28670″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1880\u2019de Selanik\u2019te d\u00fcnyaya gelen Ay\u015fe Celile Hikmet, ayn\u0131 zamanda \u00fcnl\u00fc \u015fairimiz Naz\u0131m Hikmet\u2019in annesidir. Sultan Abd\u00fclhamit\u2019in yaveri olan babas\u0131n\u0131n g\u00f6rev yapt\u0131\u011f\u0131 d\u00f6nem, saray ressam\u0131 olan \u0130talyal\u0131 sanat\u00e7\u0131 Fausto Zonaro\u2019dan resim dersleri al\u0131r. Portreler, \u00e7i\u00e7ekler ve hamam geleneklerini tasvir etti\u011fi resimleri ile imparatorluk ile cumhuriyet aras\u0131nda sanat k\u00f6pr\u00fcs\u00fc kuran T\u00fcrk resim sanat\u0131n\u0131n en \u00f6nemli ilk kad\u0131n ressamlar\u0131ndan Celile Han\u0131m, ilk e\u015fi Hikmet Bey\u2019den ayr\u0131lmak \u00fczere oldu\u011fu s\u0131rada tan\u0131\u015ft\u0131\u011f\u0131 \u00fcnl\u00fc \u015fairimiz Yahya Kemal Beyatl\u0131 ile b\u00fcy\u00fck bir a\u015fk ya\u015far. Beraberlikleri bitti\u011finde Paris\u2019e yerle\u015ferek resim \u00e7al\u0131\u015fmalar\u0131na burada devam eden Celile Han\u0131m, \u0130stanbul\u2019a d\u00f6nd\u00fckten sonra karma sergilere kat\u0131l\u0131r, ki\u015fisel sergiler a\u00e7ar, d\u00f6nemin en \u00fcretken sanat\u00e7\u0131lar\u0131 aras\u0131nda yer al\u0131r. Son y\u0131llar\u0131nda g\u00f6rme yetisini kaybeden sanat\u00e7\u0131, 1956\u2019da Ankara\u2019da vefat eder.<\/p>\n
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\u0130lk kad\u0131n ressamlar\u0131m\u0131zdan olan Mihri M\u00fc\u015ffik Han\u0131m\u2019\u0131n babas\u0131 \u00fclkemizdeki ilk t\u0131p fak\u00fcltesinin \u00fcnl\u00fc hocalar\u0131ndan Dr. Mehmet Rasim\u2019dir. 1886\u2019da do\u011fan Mihri Han\u0131m, yapt\u0131\u011f\u0131 resimleri Sultan II. Abd\u00fclhamit\u2019e g\u00f6sterir ve yetene\u011finden etkilenen Sultan, hen\u00fcz 10\u2019lu ya\u015flar\u0131n\u0131n ba\u015f\u0131ndaki Mihri Han\u0131m\u2019a saray ressam\u0131 Fausto Zonaro\u2019dan resim dersi almas\u0131na olanak tan\u0131r. \u0130lerleyen y\u0131llarda e\u011fitim hayat\u0131na devam etmek ister ancak o d\u00f6nem, \u00fclkenin g\u00fczel sanatlar e\u011fitimi veren tek okulu k\u0131z \u00f6\u011frenci almamaktad\u0131r. E\u011fitimi i\u00e7in, 1903\u2019te, 17 ya\u015f\u0131nda tek ba\u015f\u0131na \u0130stanbul\u2019dan ayr\u0131l\u0131p Roma\u2019ya ve daha sonra da Paris\u2019e gider. Portre ve grav\u00fcr a\u011f\u0131rl\u0131kl\u0131 resimler yapar, \u00e7a\u011fda\u015f resim ak\u0131mlar\u0131n\u0131 yak\u0131ndan takip eder, k\u00fcbizm ve d\u0131\u015favurumcu ak\u0131mdan etkilenir. Fransa\u2019dan g\u00fczel sanatlar okulunda g\u00f6rev almak i\u00e7in yurda d\u00f6nen Mihri M\u00fc\u015ffik Han\u0131m, \u00fclkemizde sanat e\u011fitimi veren kurumlar\u0131n a\u00e7\u0131lmas\u0131na \u00f6nc\u00fcl\u00fck eder ve bu kurumlarda e\u011fitimler verir. Atat\u00fcrk, ABD Ba\u015fkan\u0131 Franklin Delano Roosevelt ve Amerikal\u0131 mucit Edison gibi \u00f6nemli isimlerin portrelerini \u00e7izer. Eserlerinin \u00e7o\u011fu kaybolsa da T\u00fcrkiye\u2019de 32, \u0130talya\u2019da 36, Fransa\u2019da 23 ve Amerika\u2019da 60\u2019\u0131 a\u015fk\u0131n olmak \u00fczere 150 dolay\u0131nda eseri kay\u0131t alt\u0131na al\u0131n\u0131r. 1954\u2019te vefat eden sanat\u00e7\u0131n\u0131n \u201c\u00c7ingene\u201d tablosu Fransa\u2019n\u0131n en \u00fcnl\u00fc sanat m\u00fczesi olan Louvre’da sergilenmektedir.<\/p>\n
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1890\u2019da \u0130stanbul\u2019da d\u00fcnyaya gelen M\u00fcfide Kadri Han\u0131m, T\u00fcrk arkeolog ve ressam Osman Hamdi Bey ile Sanayi-i Nefise Mektebi hocas\u0131 \u0130talyan ressam Salvatore Valeri\u2019den resim dersleri al\u0131r. Nat\u00fcrmort tablolar\u0131 ve manzara resimleriyle tan\u0131nan M\u00fcfide Han\u0131m\u2019\u0131n, 21 ya\u015f\u0131nda, o s\u0131ralarda \u0130talya k\u00f6kenli bir cemiyete ait olan Beyo\u011flu\u2019ndaki sanat galerisinde \u00fc\u00e7 ya\u011fl\u0131 tablosu ve bir pastel boya eseri sergilenir. Eserleri \u00e7ok be\u011fenilir, tablolar\u0131ndan biri M\u00fcnih\u2019te bir sergiye g\u00f6nderilir ve burada alt\u0131n madalya kazan\u0131r. Bu ba\u015far\u0131 onu, Osmanl\u0131 \u0130mparatorlu\u011fu d\u00f6neminde yurt d\u0131\u015f\u0131ndaki bir sergide yer alan ve \u00f6d\u00fcl kazanan ilk kad\u0131n sanat\u00e7\u0131m\u0131z yapar. Ayn\u0131 zamanda Osmanl\u0131\u2019daki ilk profesyonel M\u00fcsl\u00fcman kad\u0131n resim \u00f6\u011fretmeni de olan M\u00fcfide Han\u0131m, \u00e7ok y\u00f6nl\u00fc bir sanat\u00e7\u0131d\u0131r ve m\u00fczikle de ilgilidir. S\u00f6zleri Selahattin Bey’e ait olan “Tenan-i \u015eebap” ad\u0131nda \u00fcnl\u00fc bestesi bulunan sanat\u00e7\u0131n\u0131n \u201cMesirede Ud \u00c7alan Kad\u0131nlar\u201d tablosundaki ud \u00e7alan kad\u0131n kendisidir. 1912\u2019de \u00e7ok gen\u00e7 ya\u015fta yakaland\u0131\u011f\u0131 t\u00fcberk\u00fcloz hastal\u0131\u011f\u0131ndan dolay\u0131 vefat eder.<\/p>\n
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1904\u2019te \u0130stanbul\u2019da d\u00fcnyaya gelen Sabiha R\u00fc\u015ft\u00fc Bozcal\u0131, 5 ya\u015f\u0131nda ba\u015flad\u0131\u011f\u0131 resim e\u011fitimine 15 ya\u015f\u0131nda Berlin\u2019de devam eder. Hem Do\u011fu\u2019yu hem Bat\u0131\u2019y\u0131 yak\u0131ndan g\u00f6zlemleme f\u0131rsat\u0131 bulan Sabiha Han\u0131m, Paris\u2019te Sultan Abd\u00fclhamid d\u00f6neminde \u0130stanbul’u ziyaret eden \u00fcnl\u00fc sanat\u00e7\u0131 Paul Victor Jules Signac at\u00f6lyesinde \u00fc\u00e7 sene resim e\u011fitimi al\u0131r. M\u00fcnih ve Roma da dahil olmak \u00fczere d\u00f6nemin sanat ak\u0131mlar\u0131n\u0131 yak\u0131ndan g\u00f6zlemler, \u00fcnl\u00fc ressamlar\u0131n at\u00f6lyelerinde resim ve desen dersleri alarak tekni\u011fini ilerletir. Manzara, nat\u00fcrmort ve portre tarz\u0131ndaki eserlerinin yan\u0131 s\u0131ra ya\u011fl\u0131 boya, sulu boya, pastel ve kara kalem \u00e7al\u0131\u015fmalar\u0131 ile yetene\u011fini ortaya koyan sanat\u00e7\u0131, \u0130stanbul Ansiklopedisi ba\u015fta olmak \u00fczere \u00e7e\u015fitli kitaplar ve ulusal gazetelerde desen ve resimler \u00e7izer; kendi \u00f6zg\u00fcn stilini ba\u015far\u0131yla yans\u0131t\u0131r. Sabiha R\u00fc\u015ft\u00fc Bozcal\u0131\u2019n\u0131n di\u011fer bir \u00f6zelli\u011fi ise \u00fclkemizdeki ilk kad\u0131n ill\u00fcstrat\u00f6rlerden olmas\u0131d\u0131r. Ayr\u0131ca \u201cend\u00fcstriyel \u00fcretim\u201din resmini yapan ilk sanat\u00e7\u0131d\u0131r. Sabiha Han\u0131m 1998\u2019de \u0130stanbul\u2019da vefat eder.<\/p>\n
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1905\u2019te \u0130stanbul\u2019da do\u011fan Hale Asaf, Mihri M\u00fc\u015ffik Han\u0131m\u2019\u0131n ye\u011fenidir. Asker ve doktor k\u00f6kenli bir aileden gelen Hale Han\u0131m, sa\u011fl\u0131k sorunlar\u0131 nedeniyle ilk\u00f6\u011frenimi evde \u00f6zel olarak, orta\u00f6\u011frenimini bir Frans\u0131z lisesinde tamamlar. \u0130ngilizce, Rumca ve Frans\u0131zca bilen sanat\u00e7\u0131, 14 ya\u015f\u0131nda anne ve babas\u0131 ile birlikte Roma’ya, teyzesi Mihri M\u00fc\u015ffik Han\u0131m’\u0131n yan\u0131na giderek ilk resim derslerini al\u0131r, burada \u0130talyanca \u00f6\u011frenir. Ard\u0131ndan d\u00f6nemin sanat merkezi Paris\u2019e gider ancak e\u011fitimi i\u00e7in Berlin\u2019i se\u00e7er ve G\u00fczel Sanatlar Akademisine kaydolur. Berlin\u2019de yapt\u0131\u011f\u0131 portreler \u00fcnl\u00fc sanat dergilerinde yay\u0131mlan\u0131r ve sanat \u00e7evresinde tan\u0131nmas\u0131na yol a\u00e7ar. 1924\u2019te yurda d\u00f6nen sanat\u00e7\u0131, \u00fcnl\u00fc ressamlar\u0131m\u0131z Feyhaman Duran ile \u0130brahim \u00c7all\u0131’dan dersler almaya devam eder. 1925’te sanat bursu s\u0131nav\u0131n\u0131 kazanmas\u0131yla Avrupa\u2019da e\u011fitime g\u00f6nderilen ilk kad\u0131n sanat\u00e7\u0131m\u0131z olur. Almanya\u2019da sanat \u00e7al\u0131\u015fmalar\u0131na ve e\u011fitimine devam eden Hale Han\u0131m, bir s\u00fcre de Fransa\u2019da ya\u015fad\u0131ktan sonra 1928\u2019de Paris\u2019te ni\u015fanland\u0131\u011f\u0131 seramik sanat\u00e7\u0131s\u0131 \u0130smail Hakk\u0131 Oygar ile yurda d\u00f6ner. Bursa K\u0131z \u00d6\u011fretmen Okulunda hem resim hem Frans\u0131zca dersler verir. 1929\u2019da \u201cM\u00fcstakil Ressamlar ve Heykelt\u0131ra\u015flar Birli\u011fi\u201dnin kurucular\u0131 aras\u0131nda yer alan Hale Asaf, b\u00f6ylelikle ilk kad\u0131n kurucu \u00fcnvan\u0131na da sahip olur. \u00c7ocukluk hastal\u0131\u011f\u0131 n\u00fckseden sanat\u00e7\u0131, 33 ya\u015f\u0131nda hayata veda eder.<\/p>\n
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1907\u2019de \u0130stanbul\u2019da do\u011fan Maide Arel, ilk ve orta\u00f6\u011frenimini tamamlad\u0131ktan sonra G\u00fczel Sanatlar Akademisine girerek resim dersleri al\u0131r ve 1930\u2019da mezun olur. 1935\u2019te evlenir; resim \u00f6\u011fretmeni e\u015finin g\u00f6revi gere\u011fi Erzincan\u2019a giden Maide Arel, burada Frans\u0131zca ve m\u00fczik \u00f6\u011fretmenli\u011fi yapar. 1948\u2019de d\u00fczenlenen bir yar\u0131\u015fmada resmiyle ikincilik \u00f6d\u00fcl\u00fc kazan\u0131r. Takip eden y\u0131llarda Paris\u2019te \u00e7e\u015fitli sanat\u00e7\u0131lar\u0131n at\u00f6lyelerinde sanat\u0131n\u0131 ve tekni\u011fini geli\u015ftirmek i\u00e7in e\u011fitim almaya devam eder. \u0130lk ki\u015fisel sergisini Paris d\u00f6n\u00fc\u015f\u00fc 1951\u2019de \u0130stanbul\u2019da a\u00e7an sanat\u00e7\u0131, ayr\u0131ca Paris\u2019te d\u00fczenlenen \u201cKad\u0131n Ressamlar Sergisi\u201d ile Edinburgh Festivali\u2019ndeki karma sergilere kat\u0131l\u0131r. E\u015fi \u015eemsi Arel ile Hatay\u2019a giderek TBMM i\u00e7in bu ili tasvir eden tablolar yapt\u0131ktan sonra 1959\u2019da yurt d\u0131\u015f\u0131ndaki ki\u015fisel sergisini Paris\u2019te e\u015fi \u015eemsi Arel ile birlikte a\u00e7ar. T\u00fcrkiye\u2019de kad\u0131n sanat\u00e7\u0131lar aras\u0131nda k\u00fcbizm ak\u0131m\u0131ndan etkilenen ve \u00e7izimlerinde geometrik soyutlamay\u0131 ba\u015far\u0131yla uygulayan Maide Han\u0131m, y\u00f6resel motifleri bu tekniklerde harmanlayan \u00f6nc\u00fc bir isimdir. 1997\u2019de \u0130stanbul\u2019da vefat eder.<\/p>\n
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[vc_row][vc_column][vc_column_text]20. y\u00fczy\u0131l ba\u015flar\u0131nda \u00e7a\u011fda\u015f resim sanat\u0131n\u0131n geli\u015fmesinde \u00f6nc\u00fcl\u00fck eden kad\u0131n ressamlar\u0131m\u0131z sadece \u00fclkemize de\u011fil, d\u00fcnyan\u0131n k\u00fclt\u00fcrel miras\u0131na de\u011ferli eserler b\u0131rakt\u0131. Yetenek, ba\u015far\u0131 ve azimleriyle gelecek nesillere \u00f6rnek olan, kendilerinden sonra gelen gen\u00e7 sanat\u00e7\u0131lara ilham veren ve \u00fclkemizdeki sanat ortam\u0131n\u0131n geli\u015fmesine \u00f6nemli katk\u0131lar sa\u011flayan \u00e7a\u011fda\u015f kad\u0131n ressamlar\u0131m\u0131z\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”28670″ img_size=”full” el_class=”innerImageContainer”][vc_column_text […]<\/p>\n","protected":false},"author":1,"featured_media":28669,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2725,453,847,2014],"class_list":["post-28668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-kadin-ressamlar","tag-resim","tag-ressam","tag-sanatci"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/28668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28668"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/28668\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}