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Anadolu hik\u00e2yelerini ve Anadolulu kad\u0131n portrelerini kendine has tarz\u0131yla tuvallerine ba\u015far\u0131yla yans\u0131tan Nuri \u0130yem, toplumsal-ger\u00e7ek\u00e7i sanat ak\u0131m\u0131n\u0131n \u00fclkemizdeki en \u00f6nemli temsilcilerinden. Endi\u015feli ve \u00fcrkek bak\u0131\u015fl\u0131 kad\u0131n portreleriyle d\u00fcnyaca tan\u0131nan usta ressam Nuri \u0130yem hakk\u0131ndaki bilgileri yaz\u0131m\u0131zda okuyabilirsiniz.<\/p>\n
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Nuri \u0130yem, 1915\u2019te Bulgaristan g\u00f6\u00e7meni bir ailenin ferdi olarak \u0130stanbul\u2019da do\u011far. \u00dc\u00e7 ya\u015f\u0131ndayken \u00e7ok sevdi\u011fi ve portrelerine de konu olan ablas\u0131n\u0131 kaybeder. Resme olan ilk hevesi bu d\u00f6nemde k\u00f6m\u00fcr kalemlerle duvarlar\u0131 boyayarak geli\u015fir. \u0130lkokula Mardin\u2019de ba\u015flar ancak 1923\u2019te ailesiyle \u0130stanbul\u2019a d\u00f6ner ve \u00f6nce mahalle mektebine ard\u0131ndan da \u0130talyan \u0130lkokuluna devam eder. Ortaokul \u00e7a\u011f\u0131ndayken G\u00fczel Sanatlar Akademisine kabul edilir.<\/p>\n
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1941\u2019de hen\u00fcz \u00f6\u011frenciyken; Avni Arba\u015f, Turgut Atalay, Ha\u015fmet Akal, Kemal S\u00f6nmezler, Selim Turan, Fethi Karaka\u015f, Ferruh Ba\u015fa\u011fa ve M\u00fcmtaz Yener gibi toplumcu-ger\u00e7ek\u00e7i sanat anlay\u0131\u015f\u0131n\u0131 payla\u015ft\u0131\u011f\u0131 sanat\u00e7\u0131 arkada\u015flar\u0131 ile \u201cYeniler Grubu\u201dnun kurulmas\u0131na \u00f6nc\u00fcl\u00fck eder. II. D\u00fcnya Sava\u015f\u0131 sonunda ortaya \u00e7\u0131kan toplumcu ger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n resim sanat\u0131ndaki yans\u0131mas\u0131n\u0131 temsil eden Yeniler Grubu\u2019na ilerleyen zamanlarda Abidin Dino, Faruk Morel, Agop Arad, Yusuf Kara\u00e7ay gibi \u00f6nemli isimler kat\u0131l\u0131r. Grubun amac\u0131, Bat\u0131 etkisinde kalan, toplumdan kopuk ve halka yabanc\u0131la\u015fan resim sanat\u0131n\u0131 yeniden toplumla bulu\u015fturup yerel konular \u00fczerinden toplumsal sorunlara \u0131\u015f\u0131k tutmakt\u0131r. Bu ama\u00e7la kendi g\u00f6zlemlerine dayanarak \u0130stanbul limanlar\u0131n\u0131 ve burada ya\u015fam m\u00fccadelesi veren insanlar\u0131 konu alan eserler \u00fcretirler.<\/p>\n
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Yeniler Grubu, \u201cLiman Kenti \u0130stanbul\u201d konulu ilk sergisini Beyo\u011flu Matbuat Umum M\u00fcd\u00fcrl\u00fc\u011f\u00fc binas\u0131nda a\u00e7ar. T\u00fcrkiye\u2019nin ilk \u00f6zel resim dershanesini de Beyo\u011flu Asmal\u0131 Mescit Mahallesi\u2019ndeki \u201cS. \u00d6nay Apartman\u0131\u201dn\u0131n \u00e7at\u0131 kat\u0131nda Fethi Karaka\u015f ve Ferruh Ba\u015fa\u011fa ile birlikte kurar ve yeni \u00f6\u011frencilerin yeti\u015fmesi i\u00e7in at\u00f6lyede dersler verir. \u0130stanbul Resim-Heykel M\u00fczesinde bir s\u00fcre Halil Dikmen\u2019in yard\u0131mc\u0131s\u0131 olarak \u00e7al\u0131\u015fan Nuri \u0130yem, ilk ki\u015fisel sergisini 1946\u2019da bir mobilya ma\u011fazas\u0131nda a\u00e7ar.<\/p>\n
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Anadolu insan\u0131n\u0131n ya\u015fant\u0131s\u0131ndan esinlendi\u011fi eserleriyle kendine \u00f6zg\u00fc bir tarz olu\u015fturmay\u0131 ba\u015faran \u0130yem, ilk d\u00f6nemlerinde duygusal realizm ak\u0131m\u0131nda eserler \u00fcretir. 1950\u2019den sonra y\u00f6neldi\u011fi ve onu T\u00fcrkiye\u2019de ilk soyut \u00e7al\u0131\u015fan ressamlardan biri olarak hat\u0131rlamam\u0131z\u0131 sa\u011flayacak olsa da bu \u00e7al\u0131\u015fmalar\u0131n\u0131 1960\u2019l\u0131 y\u0131llar\u0131n sonunda b\u0131rak\u0131r. K\u00f6yden kente g\u00f6\u00e7 eden insanlar\u0131n; i\u015f\u00e7ilerin, hamallar\u0131n, bal\u0131k\u00e7\u0131lar\u0131n, kad\u0131nlar\u0131n ve emek\u00e7ilerin ya\u015famlar\u0131ndan yans\u0131malar\u0131n a\u011f\u0131rl\u0131kl\u0131 oldu\u011fu bir sanat anlay\u0131\u015f\u0131n\u0131 benimser. Kendine \u00f6zg\u00fc stilde eserler veren sanat\u00e7\u0131, kendi ku\u015fa\u011f\u0131n\u0131n en g\u00fc\u00e7l\u00fc ressamlar\u0131ndan biri haline gelir. \u0130stanbul ve Ankara\u2019da yakla\u015f\u0131k yirmi be\u015f \u00f6zel sergisi bulunan sanat\u00e7\u0131n\u0131n; Hollanda, Venedik, Sao Paulo gibi sanat merkezlerinde de eserleri sergilenir.<\/p>\n
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Nuri \u0130yem, 18 Haziran 2005\u2019te Ulus\u2019taki evinde 90 ya\u015f\u0131nda hayata veda eder. \u0130stanbul Resim ve Heykel M\u00fczesinde, Mill\u00ee K\u00fct\u00fcphane koleksiyonunda, \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi ve daha bir\u00e7ok resmi ve \u00f6zel koleksiyonlarda \u0130yem\u2019in eserleri sergilenmektedir.<\/p>\n
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[vc_row][vc_column][vc_column_text] Anadolu hik\u00e2yelerini ve Anadolulu kad\u0131n portrelerini kendine has tarz\u0131yla tuvallerine ba\u015far\u0131yla yans\u0131tan Nuri \u0130yem, toplumsal-ger\u00e7ek\u00e7i sanat ak\u0131m\u0131n\u0131n \u00fclkemizdeki en \u00f6nemli temsilcilerinden. Endi\u015feli ve \u00fcrkek bak\u0131\u015fl\u0131 kad\u0131n portreleriyle d\u00fcnyaca tan\u0131nan usta ressam Nuri \u0130yem hakk\u0131ndaki bilgileri yaz\u0131m\u0131zda okuyabilirsiniz. [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”28161″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”] Nuri \u0130yem, 1915\u2019te Bulgaristan g\u00f6\u00e7meni bir ailenin ferdi […]<\/p>\n","protected":false},"author":1,"featured_media":28156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3898,3899,3900,453,847],"class_list":["post-28155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-anadolu-hikayeleri","tag-anadolulu-kadin-portreleri","tag-nuri-iyem","tag-resim","tag-ressam"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/28155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28155"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/28155\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}