[vc_row][vc_column][vc_column_text]19. y\u00fczy\u0131lda Fransa\u2019da ortaya \u00e7\u0131kan izlenimcilik ak\u0131m\u0131n\u0131n kurucular\u0131ndan olan Claude Monet, \u00fcretti\u011fi eserlerle resim sanat\u0131na farkl\u0131 bir boyut kazand\u0131rd\u0131. D\u00f6nemin sanat\u00e7\u0131lar\u0131 taraf\u0131ndan yapt\u0131\u011f\u0131 eserler i\u00e7in b\u00fcy\u00fck ele\u015ftirilere maruz kalan Monet\u2019nin ya\u015fam\u0131n\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”27368″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1845\u2019te Paris\u2019te d\u00fcnyaya gelen Monet\u2019nin babas\u0131 esnaf, annesi ise sanat\u00e7\u0131d\u0131r. Be\u015f ya\u015f\u0131ndayken ailesi ile birlikte Normandiya\u2019ya ta\u015f\u0131nan Monet, \u00e7izdi\u011fi kara kalem karikat\u00fcrlerini satarak daha alt\u0131 ya\u015f\u0131ndayken para kazanmaya ba\u015flar. Annesinin de motivasyonu ile sanatla i\u00e7 i\u00e7e ge\u00e7en gen\u00e7lik y\u0131llar\u0131nda, a\u00e7\u0131k havada resim yapan ilk Frans\u0131z ressam, Eugene Boudin ile tan\u0131\u015f\u0131r; Boudin\u2019den ya\u011fl\u0131 boya kullanmay\u0131 ve farkl\u0131 resim teknikleri \u00f6\u011frenir.<\/p>\n
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16 ya\u015f\u0131ndayken annesini kaybeden Monet, okuldan ayr\u0131l\u0131r ve teyzesinin yan\u0131nda ya\u015famaya ba\u015flar. Duygusal g\u00fcnlerinden s\u0131yr\u0131lmak i\u00e7in d\u00fcnyan\u0131n en b\u00fcy\u00fck modern sanat eserlerinin bulundu\u011fu Paris\u2019teki Louvre M\u00fczesi\u2019ni ziyaret eder ve burada pek \u00e7ok ressam\u0131n eski ustalar\u0131 taklit etti\u011fini g\u00f6r\u00fcr. Vaktinin \u00e7o\u011funu d\u0131\u015far\u0131da gezinerek ve g\u00f6rd\u00fc\u011f\u00fc etkileyici manzaralar\u0131 resmederek ge\u00e7iren Monet, ileride empresyonist yani izlenimcilik ak\u0131m\u0131n\u0131n temsilcisi olacak ressamlarla arkada\u015f olur.<\/p>\n
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1861\u2019de, 16 ya\u015f\u0131ndayken, yedi y\u0131ll\u0131k bir s\u00f6zle\u015fme ile orduya kat\u0131lan Monet teyzesinin yo\u011fun \u0131srar\u0131yla g\u00f6revinden ayr\u0131l\u0131r ve Paris\u2019teki \u00fcniversitede sanat e\u011fitimi almaya ba\u015flar. Fakat okuldaki geleneksel resim anlay\u0131\u015f\u0131 bu gen\u00e7 sanat\u00e7\u0131y\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011frat\u0131r.<\/p>\n
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\u00dcniversite y\u0131llar\u0131nda Alfred Sisley, Frederic Bazille ve Pierre-Auguste Renoir ile tan\u0131\u015f\u0131r ve s\u0131k s\u0131k birlikte resim yaparlar. I\u015f\u0131\u011f\u0131n a\u00e7\u0131k havada olu\u015fturdu\u011fu etkiyi, tuvale seri f\u0131r\u00e7a darbeleri ile par\u00e7alanm\u0131\u015f renkler \u015feklinde yans\u0131tan teknikte eserler \u00fcreten bu arkada\u015f grubu empresyonizm (izlenimcilik) ak\u0131m\u0131n\u0131n kurucusu olur.<\/p>\n
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1866\u2019da tan\u0131nmas\u0131n\u0131 sa\u011flayan tablo, \u201cCamille\u201d ya da di\u011fer ad\u0131yla \u201cYe\u015fil Elbiseli Kad\u0131n\u201d olur. Camille, ileride Monet\u2019nin e\u015fi, iki \u00e7ocu\u011funun annesi ve bir\u00e7ok eserinin de modeli olacakt\u0131r. Resim kariyeri iyi gitmeye ba\u015flamas\u0131na ra\u011fmen girdi\u011fi bir buhran sonucu 1868\u2019de Seine Nehri\u2019ne atlayarak intihar etmeyi dener ancak ba\u015far\u0131l\u0131 olamaz.<\/p>\n
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1870\u2019te ba\u015flayan ve bir sene s\u00fcren Fransa-Prusya Sava\u015f\u0131\u2019nda \u0130ngiltere\u2019ye s\u0131\u011f\u0131nan Monet, \u00fcnl\u00fc \u0130ngiliz ressamlardan ilham al\u0131r ve yenilik\u00e7i bulu\u015flara imza atar. Ayn\u0131 sene Camille ile evlenir ve 1878\u2019de Fransa\u2019ya geri d\u00f6ner. \u00c7ocuklu\u011funun ge\u00e7ti\u011fi kente geri d\u00f6nen sanat\u00e7\u0131, Le Havre\u2019daki bir manzaray\u0131 resmeder. \u201c\u0130zlenim: G\u00fcn Do\u011fumu\u201d isimli bu resim, Monet\u2019nin izlenimcilik ak\u0131m\u0131na ad\u0131n\u0131 veren eser olur. 1874\u2019te Paris\u2019te bir galeride sergilenen bu resimde kullan\u0131lan sisli hava ve sislerin ard\u0131ndan yay\u0131lan g\u00fcn \u0131\u015f\u0131\u011f\u0131, Monet\u2019nin eserlerinin teknik temelini olu\u015fturur. Bu eser, Paris\u2019teki Marmottan Monet M\u00fczesi\u2019nde sergilenmektedir.<\/p>\n
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1873\u2019te ailesiyle Seine Nehri k\u0131y\u0131s\u0131nda bir k\u00f6ye yerle\u015fen Monet, en \u00e7ok tan\u0131nan eserlerini de burada \u00fcretir. Bir sene sonra Cezanne, Sisley, Renoir gibi izlenimci ressam arkada\u015flar\u0131 ile ba\u015far\u0131s\u0131z bir sergi a\u00e7an Monet\u2019nin bu d\u00f6nemden sonra yapt\u0131\u011f\u0131 eserleri hayat\u0131n\u0131n ba\u015fka hi\u00e7bir d\u00f6neminde olmad\u0131\u011f\u0131 kadar koyula\u015f\u0131r, kasvetli bir h\u00e2l al\u0131r. 1876\u2019da i\u015f insan\u0131 ve koleksiyoner Ernest ve Alice Hosched\u00e9 \u00e7ifti ile tan\u0131\u015fan Monet, yeni tan\u0131\u015ft\u0131klar\u0131 \u00e7iftin evine sipari\u015f resimler yapar, ailesini de yan\u0131na alarak Hosched\u00e9 \u00e7iftinin evinde ya\u015famaya ba\u015flar. Uzunca s\u00fcren i\u015f ve arkada\u015fl\u0131k ili\u015fkileri, Ernest\u2019in iflas ederek Bel\u00e7ika\u2019ya ka\u00e7mas\u0131 ve Monet\u2019nin \u00e7ok sevdi\u011fi e\u015fi Camille\u2019in ikinci \u00e7ocu\u011funun do\u011fumundan hemen sonra yakaland\u0131\u011f\u0131 t\u00fcberk\u00fclozdan \u00f6lmesiyle farkl\u0131la\u015f\u0131r. \u00d6l\u00fcm d\u00f6\u015fe\u011finde son kez resmetti\u011fi Camille\u2019in 1879\u2019daki vefat\u0131ndan sonra Monet, 1892\u2019de Alice Hosched\u00e9 ile evlenir.<\/p>\n
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1883\u2019ten 1908\u2019e kadar Akdeniz\u2019i dola\u015fan ve pek \u00e7ok resim yapan Monet, \u0130talya ve Londra\u2019da \u00e7ok be\u011fenilen sergiler a\u00e7arak dikkatleri \u00fczerine \u00e7eker. \u201cCharing Cross K\u00f6pr\u00fcs\u00fc\u201d ve \u201cParlamento\u201d resimleri, eserleri aras\u0131nda en dikkat \u00e7ekici resimler olur. Paris yak\u0131nlar\u0131ndaki evinde ge\u00e7irdi\u011fi zaman i\u00e7inde ise su bah\u00e7eleri \u00fczerine yo\u011funla\u015f\u0131p suyun g\u00f6zlemleyebildi\u011fi her halini defalarca resmeder. Bu eserler ‘Su Zambaklar\u0131’ serisi olarak bilinir. 60\u2019l\u0131 ya\u015flar\u0131nda katarakt olan Monet\u2019nin bu d\u00f6nem \u00fcretti\u011fi eserler hastal\u0131\u011f\u0131n\u0131n sonucu k\u0131rm\u0131z\u0131 ton a\u011f\u0131rl\u0131kl\u0131d\u0131r. 5 Aral\u0131k 1926\u2019da 86 ya\u015f\u0131nda akci\u011fer kanseri nedeniyle hayata veda eden Monet\u2019nin mezar\u0131, Paris yak\u0131nlar\u0131ndaki Giverny Kilisesi\u2019ndedir.<\/p>\n
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[vc_row][vc_column][vc_column_text]19. y\u00fczy\u0131lda Fransa\u2019da ortaya \u00e7\u0131kan izlenimcilik ak\u0131m\u0131n\u0131n kurucular\u0131ndan olan Claude Monet, \u00fcretti\u011fi eserlerle resim sanat\u0131na farkl\u0131 bir boyut kazand\u0131rd\u0131. D\u00f6nemin sanat\u00e7\u0131lar\u0131 taraf\u0131ndan yapt\u0131\u011f\u0131 eserler i\u00e7in b\u00fcy\u00fck ele\u015ftirilere maruz kalan Monet\u2019nin ya\u015fam\u0131n\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”27368″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”] 1845\u2019te Paris\u2019te d\u00fcnyaya gelen Monet\u2019nin babas\u0131 esnaf, annesi ise sanat\u00e7\u0131d\u0131r. Be\u015f ya\u015f\u0131ndayken ailesi ile […]<\/p>\n","protected":false},"author":1,"featured_media":27367,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1691,453,847,92],"class_list":["post-27366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-claude-monet","tag-resim","tag-ressam","tag-sanat"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/27366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27366"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/27366\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}