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Al\u0131\u015fageldi\u011fimiz sanat t\u00fcrlerinden olduk\u00e7a farkl\u0131 olan kinetik heykel ya mekanik tasar\u0131m\u0131ndan ya da g\u00f6z yan\u0131lmas\u0131 ve \u0131\u015f\u0131k oyunlar\u0131ndan dolay\u0131 hareket etti\u011fini d\u00fc\u015f\u00fcnd\u00fcren eserleri tan\u0131mlamak i\u00e7in kullan\u0131l\u0131yor. Teknik ve sanat\u0131n bir araya geldi\u011fi kinetik heykellerin detaylar\u0131n\u0131 okuyucular\u0131m\u0131z i\u00e7in listeledik.<\/p>\n
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Kinetik sanat, izleyicinin alg\u0131lad\u0131\u011f\u0131 hareketleri i\u00e7eren veya izleyiciye verdi\u011fi etki i\u00e7in harekete ihtiya\u00e7 duyan bir sanat t\u00fcr\u00fcd\u00fcr; \u00e7e\u015fitli teknikleri ve stilleri kapsar. \u00c7ok boyutlu hareketi i\u00e7eren kanvas tablolar kinetik sanat\u0131n en eski \u00f6rnekleri olarak g\u00f6sterilse de asl\u0131nda M.\u00d6. 1000\u2019li y\u0131llarda ya\u015fad\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclen yar\u0131 tarihsel yar\u0131 mitolojik karakter olan Daidalos, kinetik sanat\u0131n bilinen ilk sanat\u00e7\u0131s\u0131 olarak kabul edilir. Daidalos hem mimar hem heykelt\u0131ra\u015f hem de her t\u00fcrl\u00fc mekanik ara\u00e7lar\u0131 yapan \u00e7ok y\u00f6nl\u00fc bir sanat\u00e7\u0131d\u0131r ve Eflatun\u2019un Menon Diyalo\u011fu\u2019nda ge\u00e7en canl\u0131 heykeller esasen kinetik heykellerin ilk \u00f6rnekleri kabul edilir. Kinetik heykel, en basit haliyle hareket eden heykel anlam\u0131na gelir. Hareketli heykellere genellikle r\u00fczg\u00e2r, motor veya g\u00f6zlemci taraf\u0131ndan g\u00fc\u00e7 verilir. G\u00fcn\u00fcm\u00fczden yakla\u015f\u0131k 2300 y\u0131l \u00f6nceki Helenistik D\u00f6nem\u2019de \u0130skenderiye Mekanik Okulundaki matematik\u00e7i ve mekanik\u00e7i Ktesibios, filozof Philon, matematik\u00e7i ve m\u00fchendis Heron, kinetik heykel t\u00fcr\u00fcn\u00fcn \u00f6nc\u00fcleri olmu\u015f; hava ve su gibi do\u011fal yollarla \u00e7al\u0131\u015fan bir\u00e7ok mekanik alet icat ederek bu sanat\u0131n tohumlar\u0131n\u0131 atm\u0131\u015ft\u0131r.<\/p>\n
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Modern d\u00f6nemde kinetik kelimesinin g\u00fczel sanatlarda ilk kullan\u0131m\u0131, 1920\u2019de Naum Gabo ve abisi Antoine Pevsner taraf\u0131ndan haz\u0131rlanan \u201cRealist Manifesto\u201dda g\u00f6r\u00fcl\u00fcr. 20. y\u00fczy\u0131la damgas\u0131n\u0131 vuran Rus heykelt\u0131ra\u015f Naum Gabo, konstr\u00fcktivizm ak\u0131m\u0131n\u0131n da \u00f6nde gelen isimlerinden biridir ve hareketli heykeller \u00fcretmi\u015ftir. Konstr\u00fcktivizm, 1914\u2019te Rusya\u2019da ortaya \u00e7\u0131kan; resim, heykel ve mimari alanlar\u0131nda egemen olmu\u015f, \u00e7a\u011fda\u015f malzemeleri kullanarak geometrik kompozisyonlar \u00fcreten bir ak\u0131md\u0131r ve do\u011fas\u0131 gere\u011fi hareketli heykellerin \u00f6n\u00fcn\u00fc a\u00e7m\u0131\u015ft\u0131r.<\/p>\n
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Kinetik heykel, optik ill\u00fczyonlar\u0131 ve hareketi oda\u011f\u0131na al\u0131r. Bu heykellerin temel amac\u0131; hareket, estetik ve mekani\u011fi birle\u015ftirmektir. Kimi kinetik heykeller ise optik yan\u0131lsama ile sabit duran heykelleri bile hareketli g\u00f6stermektedir. Optik yan\u0131lsama, beynin i\u015fledi\u011fi bilgilerin uyar\u0131c\u0131 kaynak ile uyu\u015fmamas\u0131ndan kaynaklan\u0131r. \u0130srailli heykelt\u0131ra\u015f Yaacov Agam, zaman, de\u011fi\u015fim ve hareketi konu edinen eserleriyle optik yan\u0131lsama ile \u00fcretilen kinetik heykelin temsilcilerinden biridir.<\/p>\n
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Hava, su ve r\u00fczg\u00e2r gibi do\u011fal yollarla hareket ettirilen kinetik heykeller ve optik yan\u0131lsamayla yap\u0131lan kinetik heykellerin yan\u0131 s\u0131ra bir \u00fc\u00e7\u00fcnc\u00fc tarz diyebilece\u011fimiz, \u0131\u015f\u0131kla olu\u015fturulmu\u015f kinetik heykeller de son y\u0131llarda daha fazla kar\u015f\u0131m\u0131za \u00e7\u0131kar h\u00e2le gelmi\u015ftir. Bu tarz\u0131n \u00f6nc\u00fcl ismi Frans\u0131z sanat\u00e7\u0131 Nicolas Sch\u00f6ffer olmu\u015f ve eserlerinde s\u0131k\u00e7a \u0131\u015f\u0131k ve hareketin yans\u0131mas\u0131ndan faydalanm\u0131\u015ft\u0131r. 1961\u2019de Bel\u00e7ika Liege\u2019deki Kongre Saray\u0131\u2019n\u0131n yan\u0131ndaki y\u00fcksekli\u011fi 52 metreyi bulan \u201cCybernetic Light Tower\u201d isimli kuleyi in\u015fa eden Sch\u00f6ffer, \u00fcretti\u011fi bu eseri ile kinetik sanat\u0131n\u0131n an\u0131t eserlerinden birine de imzas\u0131n\u0131 atm\u0131\u015ft\u0131r. Sanat\u00e7\u0131, t\u0131pk\u0131 Gabo gibi teknoloji ve sanat\u0131 birle\u015ftiren \u00f6nemli bir isimdir.<\/p>\n
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Kinetik heykel alan\u0131nda \u00fclkemizde eserleriyle ses getiren sanat\u00e7\u0131m\u0131z \u0130lhan Koman olmu\u015ftur. T\u00fcrk da Vinci olarak bilinen Koman\u2019\u0131n \u201cAkdeniz Heykeli\u201d kinetik heykele verilebilecek en g\u00fczel \u00f6rneklerden biridir. \u0130stanbul G\u00fczel Sanatlar Akademisinde g\u00f6rev yapt\u0131ktan sonra 1959\u2019da \u0130sve\u00e7\u2019e yerle\u015fen Koman\u2019\u0131n, \u00e7o\u011funlu\u011fu Stockholm\u2019de olmak \u00fczere 20 \u015fehrin sokaklar\u0131nda heykelleri bulunmaktad\u0131r. En \u00f6nemli eserinden biri ise Stockholm\u2019deki \u201cLeonardo\u2019ya Selam\u201d heykelidir.<\/p>\n
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[vc_row][vc_column][vc_column_text] Al\u0131\u015fageldi\u011fimiz sanat t\u00fcrlerinden olduk\u00e7a farkl\u0131 olan kinetik heykel ya mekanik tasar\u0131m\u0131ndan ya da g\u00f6z yan\u0131lmas\u0131 ve \u0131\u015f\u0131k oyunlar\u0131ndan dolay\u0131 hareket etti\u011fini d\u00fc\u015f\u00fcnd\u00fcren eserleri tan\u0131mlamak i\u00e7in kullan\u0131l\u0131yor. Teknik ve sanat\u0131n bir araya geldi\u011fi kinetik heykellerin detaylar\u0131n\u0131 okuyucular\u0131m\u0131z i\u00e7in listeledik. [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”27337″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”] Kinetik sanat, izleyicinin alg\u0131lad\u0131\u011f\u0131 hareketleri i\u00e7eren veya […]<\/p>\n","protected":false},"author":1,"featured_media":27336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[618,1655,1656,92],"class_list":["post-27335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-heykel","tag-kinetik-heykel","tag-kinetik-sanat","tag-sanat"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/27335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27335"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/27335\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}