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Yeni kurulan T\u00fcrkiye Cumhuriyeti\u2019nin yeti\u015ftirdi\u011fi \u00f6nemli isimlerden olan Semiha Berksoy, \u00fclkemizin uluslararas\u0131 alanda tan\u0131nan ilk sanat\u00e7\u0131lar\u0131ndan oldu\u011fu kadar bizlere de bir\u00e7ok ilki ya\u015fatm\u0131\u015f \u00e7ok y\u00f6nl\u00fc bir sanat\u00e7\u0131\u2026 Gazi Mustafa Kemal Atat\u00fcrk’\u00fcn talimat\u0131yla sahneye konan ilk T\u00fcrk operas\u0131 \u201c\u00d6zsoy Operas\u0131\u201dnda T\u00fcrk seyircisi ile bulu\u015fan Berksoy, ilerleyen y\u0131llarda yurt d\u0131\u015f\u0131ndaki \u00f6nemli opera sahnelerinde \u00fclkemizi ba\u015far\u0131yla temsil etti. Yapt\u0131\u011f\u0131 resimlerle de dikkat \u00e7eken ve ilerleyen ya\u015f\u0131na ra\u011fmen \u00fcretmekten ve sanattan kopmayan Berksoy, \u00fclkemizde ya\u015fayan her gencin ilham almas\u0131 gereken isimlerden. \u201c\u0130lklerin kad\u0131n\u0131\u201d lakapl\u0131 Semiha Berksoy\u2019un ba\u015far\u0131larla dolu hayat\u0131n\u0131 yaz\u0131m\u0131zda okuyabilirsiniz.<\/p>\n
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Semiha Berksoy, 1910\u2019da \u0130stanbul \u00c7engelk\u00f6y\u2019de heykelt\u0131ra\u015f ve ressam Fatma Saime Han\u0131m ile maliye katibi ve \u015fair Ziya Cenap Berksoy\u2019un ilk \u00e7ocu\u011fu olarak d\u00fcnyaya gelir. \u00c7ocukluk y\u0131llar\u0131 sanatla i\u00e7 i\u00e7e ge\u00e7er ve bu yetene\u011fini de ailesinden al\u0131r. Sekiz ya\u015f\u0131nda annesinin \u0130spanyol gribinden vefat etmesi \u00fczerine bir s\u00fcre amcas\u0131 ile ya\u015fayan Berksoy, babas\u0131n\u0131n yeniden evlenmesinden sonra ailesi ile \u00f6nce Sultanahmet, ard\u0131ndan Kad\u0131k\u00f6y\u2019de ya\u015famaya ba\u015flar. Ortaokul e\u011fitimini Kad\u0131k\u00f6y\u2019de tamamlayan Berksoy, evlerinin kar\u015f\u0131s\u0131nda bulunan Ku\u015fdili Tiyatrosunda amat\u00f6r olarak sanat hayat\u0131na ba\u015flar. \u00c7ocuklu\u011funda \u00f6yk\u00fcler yazan Berksoy, Ca\u011falo\u011flu\u2019nda bulunan \u0130stanbul K\u0131z Lisesinden mezun olduktan sonra 18 ya\u015f\u0131nda, \u0130stanbul Konservatuvar\u0131n\u0131n kurucular\u0131ndan olan Nimet Vahit Han\u0131m\u2019dan \u015fan dersleri al\u0131r. 19 ya\u015f\u0131nda halk\u0131n kar\u015f\u0131s\u0131nda ilk kez \u015fark\u0131 s\u00f6yleyen gen\u00e7 sanat\u00e7\u0131, \u00fcnl\u00fc Rus m\u00fczisyen Nikolay Rimski-Korsakov\u2019un besteledi\u011fi Sadko operas\u0131ndan \u00e7e\u015fitli aryalar seslendirir ve bu konserlerinde kendisine Cemal Re\u015fit Rey e\u015flik eder. 1930\u2019da d\u00f6nemin G\u00fczel Sanatlar Akademisinde bulunan Nam\u0131k \u0130smail At\u00f6lyesini kazanan sanat\u00e7\u0131, usta isimlerden resim ve heykel dersleri al\u0131r. Okulun tiyatro s\u0131navlar\u0131na da giren ve g\u00f6sterdi\u011fi azim ile hedeflerine tek tek ula\u015fan gen\u00e7 sanat\u00e7\u0131, Shakespeare\u2019in yazd\u0131\u011f\u0131 \u201cH\u0131r\u00e7\u0131n K\u0131z\u201d eserindeki Kate rol\u00fc ile tiyatro s\u0131nav\u0131nda da ba\u015far\u0131ya ula\u015f\u0131r ve okula kabul edilir. 1931\u2019de Muhsin Ertu\u011frul\u2019un \u00e7ekti\u011fi ilk sesli T\u00fcrk filmi olan \u201c\u0130stanbul Sokaklar\u0131\u201dnda; 1933\u2019te Naz\u0131m Hikmet\u2019in yazd\u0131\u011f\u0131 \u201cS\u00f6z Bir Allah Bir\u201d filminde rol al\u0131r.<\/p>\n
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1934\u2019te Ahmet Adnan Saygun\u2019un \u2018ilk T\u00fcrk operas\u0131\u2019 say\u0131lan \u00d6zsoy Operas\u0131nda Ay\u015fim rol\u00fcyle sahne alan Semiha Berksoy, 1936\u2019da Berlin Devlet Y\u00fcksek Akademisi Opera B\u00f6l\u00fcm\u00fc bursunu kazan\u0131r. \u00dc\u00e7 y\u0131l sonra, Richard Strauss\u2019un \u201cAriadne auf Naxos\u201d isimli eserindeki performans\u0131yla okuldan birincilikle mezun olan sanat\u00e7\u0131; Bat\u0131 Avrupa\u2019da sahne alm\u0131\u015f ilk T\u00fcrk opera sanat\u00e7\u0131s\u0131 \u00fcnvan\u0131na da eri\u015fir. D\u00f6nd\u00fc\u011f\u00fcnde Ankara Devlet Operas\u0131n\u0131n ba\u015f sanat\u00e7\u0131s\u0131 olarak g\u00f6rev alan Berksoy, Ankara Radyosu taraf\u0131ndan ger\u00e7ekle\u015ftiren ilk radyo konserinde Cemal Re\u015fit Rey ile tekrar bir araya gelir. \u0130lklerin kad\u0131n\u0131 Berksoy, 1941\u2019de \u00fclkemizde ger\u00e7ekle\u015fecek olan ilk opera st\u00fcdyosu kayd\u0131nda da g\u00f6rev al\u0131r. Yine bu d\u00f6nemlerde Ankara Gaz \u015eirketinde \u00e7al\u0131\u015fan, ayn\u0131 zamanda piyanist olan Erc\u00fcment Siyavu\u015fgil ile evlenir ve bu evlilikten k\u0131z\u0131 Zeliha d\u00fcnyaya gelir. Meslek ve aile hayat\u0131n\u0131 ba\u015far\u0131l\u0131 bir \u015fekilde s\u00fcrd\u00fcren Berksoy, 1950\u2019de Ankara Devlet Operas\u0131n\u0131n solisti olur. 1961’de Feridun Altuna taraf\u0131ndan sahneye konulan \u201cHansel ve Gretel\u201d operas\u0131ndaki Haxel rol\u00fcyle sahne hayat\u0131na devam eden Berksoy, ayn\u0131 sene Ankara Dil Tarih ve Co\u011frafya Fak\u00fcltesinde sergilenen \u201cYe\u015fil Cami\u201d ve \u201cFatih\u2019in Bursa\u2019da Do\u011fdu\u011fu Ev\u201d resimleri ile \u00f6d\u00fcller kazan\u0131r. Resimleri, Alman Die Welt gazetesi de dahil olmak \u00fczere bir\u00e7ok sanat \u00e7evresi ve yazardan \u00f6vg\u00fcler al\u0131r. 12 \u015eubat 1963’te Verdi\u2019nin opera eseri \u201cAzucena” rol\u00fcyle 30. sanat y\u0131l\u0131nda opera kariyerinin j\u00fcbilesini yapar ancak sanattan hi\u00e7bir zaman kopmaz. Renkli i\u00e7 d\u00fcnyas\u0131n\u0131 yans\u0131tt\u0131\u011f\u0131 tuvalleri, ilerleyen g\u00fcnlerde uluslararas\u0131 sanat d\u00fcnyas\u0131nda olduk\u00e7a s\u00fckse yapacak ve b\u00fcy\u00fck ilgi g\u00f6recektir.<\/p>\n
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\u0130lk ki\u015fisel resim sergisini 1974\u2019te Ankara Devlet Resim Heykel Galerisinde a\u00e7an sanat\u00e7\u0131, 1975\u2019te e\u015fi Erc\u00fcment Siyavu\u015fgil’in vefat\u0131yla 10 y\u0131ll\u0131k bir inzivaya \u00e7ekilir. Ya\u015fl\u0131l\u0131k ve \u00f6l\u00fcm korkusuna kap\u0131lan Berksoy, bu korkuyu yo\u011fun \u00fcretim s\u00fcreci ve sanat\u0131yla yener. Yeniden resme, \u015fark\u0131lar s\u00f6ylemeye ba\u015flayan sanat\u00e7\u0131; 1982’de Taksim\u2019deki Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nde resim sergisi d\u00fczenler. T\u00fcrk kad\u0131n\u0131n\u0131n se\u00e7me ve se\u00e7ilme hakk\u0131 kazanmas\u0131n\u0131n 50. y\u0131l\u0131 \u015ferefine 1984\u2019te Berksoy’a “\u0130lk Kad\u0131n Opera Sanat\u00e7\u0131s\u0131\u201d \u00fcnvan\u0131 ile \u201cAtat\u00fcrk Opera \u00d6d\u00fcl\u00fc\u201d verilir. Resimleri, Leningrad ve Moskova’da sergilenir. Yo\u011fun bir \u015fekilde resim yapmaya ba\u015flayan sanat\u00e7\u0131, 1992\u2019de daha \u00f6nce bir\u00e7ok kez beraber sahne ald\u0131\u011f\u0131 Cemal Re\u015fit Rey\u2019in an\u0131s\u0131n\u0131 ya\u015fatmak i\u00e7in isminin verildi\u011fi konser salonunda yeni resimlerini sergiler. 1993\u2019te Ayaspa\u015fa\u2019daki evinin bir odas\u0131n\u0131, an\u0131lar\u0131 ve hik\u00e2yeleri olan e\u015fyalar\u0131yla d\u00fczenleyen Semiha Berksoy, kendisi i\u00e7in anlam ifade eden t\u00fcm objeleri bu odaya yerle\u015ftirir. Daha sonra \u201cSemiha Berksoy\u2019un Odas\u0131\u201d olarak an\u0131lacak bu odadaki t\u00fcm objeler, Mimar Sinan \u00dcniversitesi Resim Heykel M\u00fczesinin daimi koleksiyonuna d\u00e2hil edilir. 85 ya\u015f\u0131nda New York ve Almanya\u2019da bulunan uluslararas\u0131 resim sergilerine kat\u0131l\u0131r. 1996\u2019da Kutlu\u011f Ataman ile bir araya gelen Berksoy, hayat\u0131n\u0131 ve hayat\u0131 alg\u0131lay\u0131\u015f\u0131n\u0131 konu alan 6,5 saatlik video enstalasyonunda kendi evinin odas\u0131nda hayat\u0131n\u0131 ve an\u0131lar\u0131n\u0131 anlat\u0131r. Berksoy’un tablolar\u0131 ile birlikte bu video, 1997’de \u0130stanbul Bienali\u2019nde yer al\u0131r. Sanat \u00e7evresinin b\u00fcy\u00fck sayg\u0131 duydu\u011fu usta isim Berksoy\u2019un videosu Milano, Berlin, L\u00fcksemburg ve Montreal gibi \u015fehirlerde de g\u00f6sterime girer ve yo\u011fun ilgi g\u00f6r\u00fcr. 1999\u2019da yani 89 ya\u015f\u0131nda New York\u2019ta \u201c\u00d6nceki G\u00fcnler, \u00d6l\u00fcm, Y\u0131k\u0131m ve Detroit III\u201d isimli operada sahne al\u0131r, aryalar s\u00f6yler. 2000\u2019de Viyana\u2019da “Kunst Museum Bonn”da ger\u00e7ekle\u015ftirilen y\u00fczy\u0131l\u0131n en \u00f6nemli sanat\u00e7\u0131lar\u0131n\u0131 bir araya getiren \u201cZeitwenden 2000 Millenium\u201d sergisine kat\u0131lan ilk T\u00fcrk ressam olur. \u00dcstelik “Semiha Berksoy Odas\u0131” adl\u0131 yap\u0131t\u0131yla birincilik \u00f6d\u00fcl\u00fc ile onurland\u0131r\u0131l\u0131r. 2003\u2019te Viyana\u2019da son d\u00f6nem resimlerini sergileyen Semiha Berksoy, 15 A\u011fustos 2004’te, 94 ya\u015f\u0131nda hayata veda eder. Son g\u00fcnlerinde bile ne\u015fesinden ve enerjisinden hi\u00e7bir \u015fey kaybetmeyen Berksoy, sevenlerinin omzunda \u0130stanbul\u2019da topra\u011fa verilir.<\/p>\n
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[vc_row][vc_column][vc_column_text] Yeni kurulan T\u00fcrkiye Cumhuriyeti\u2019nin yeti\u015ftirdi\u011fi \u00f6nemli isimlerden olan Semiha Berksoy, \u00fclkemizin uluslararas\u0131 alanda tan\u0131nan ilk sanat\u00e7\u0131lar\u0131ndan oldu\u011fu kadar bizlere de bir\u00e7ok ilki ya\u015fatm\u0131\u015f \u00e7ok y\u00f6nl\u00fc bir sanat\u00e7\u0131\u2026 Gazi Mustafa Kemal Atat\u00fcrk’\u00fcn talimat\u0131yla sahneye konan ilk T\u00fcrk operas\u0131 \u201c\u00d6zsoy Operas\u0131\u201dnda T\u00fcrk seyircisi ile bulu\u015fan Berksoy, ilerleyen y\u0131llarda yurt d\u0131\u015f\u0131ndaki \u00f6nemli opera sahnelerinde \u00fclkemizi ba\u015far\u0131yla temsil […]<\/p>\n","protected":false},"author":1,"featured_media":26926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1648,1649,453,1241],"class_list":["post-26925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-ilklerin-kadini","tag-opera","tag-resim","tag-semiha-berksoy"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/26925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26925"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/26925\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}