[vc_row][vc_column][vc_column_text]<\/p>\n
Do\u011fayla girdi\u011fimiz m\u00fccadele boyunca \u00fczerimizi kapatacak ve bizleri g\u00fcne\u015fin yak\u0131c\u0131, so\u011fuk havalar\u0131n \u00fc\u015f\u00fct\u00fcc\u00fc etkilerinden koruyacak her t\u00fcrl\u00fc \u00f6rt\u00fcnme eylemine giyinme denir. Ancak bu ihtiya\u00e7lardan kaynaklanan giyinme, son y\u00fczy\u0131l\u0131m\u0131zda \u00f6yle bir duruma geldi ki art\u0131k \u00f6rt\u00fcnmek i\u00e7in kulland\u0131\u011f\u0131m\u0131z kuma\u015flar bir bez par\u00e7as\u0131 olmaktan \u00e7ok \u00f6te\u2026 \u0130\u015fte modan\u0131n ak\u0131l almaz ser\u00fcveni!<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”26642″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Bir \u00e7a\u011fa damgas\u0131n\u0131 vuran k\u00fclt\u00fcr ve ya\u015fam bi\u00e7imine ili\u015fkin be\u011fenilerin b\u00fct\u00fcn\u00fcne moda denir. Modan\u0131n ba\u015flang\u0131\u00e7 hik\u00e2yesi ise 1900\u2019l\u00fc y\u0131llardaki \u0130ngiliz kraliyet ailesine uzan\u0131r. 1901\u2019de Krali\u00e7e Victoria\u2019n\u0131n vefat\u0131yla; \u015fatafatl\u0131 ya\u015fam\u0131 ile \u00fcn salan o\u011flu Edward tahta ge\u00e7er. D\u00f6nemin aristokrasisini etraf\u0131nda toplayan kraliyet ailesinin k\u0131yafetleri halk taraf\u0131ndan taklit edilirken, End\u00fcstri Devrimi\u2019nin sonu\u00e7lar\u0131 bu y\u00fczy\u0131lda kendini iyice g\u00f6stermeye ba\u015flar. Yeni teknolojiler, insanlar\u0131n ya\u015fam \u015fekillerini de de\u011fi\u015ftirir; fabrikala\u015fma ile birlikte geli\u015fen yeni orta s\u0131n\u0131f, diki\u015f makinelerinin yayg\u0131nla\u015fmas\u0131, haz\u0131r giyim k\u0131yafetlerinin kolayl\u0131kla \u00fcretilmesi ve kad\u0131nlar\u0131n kendi k\u0131yafetlerini daha kolay dikebilmesi art\u0131k giyim ku\u015fam i\u00e7in yeni bir \u00e7a\u011f\u0131n habercisi olur. \u0130\u015f hayat\u0131nda aktif ve d\u0131\u015fa d\u00f6n\u00fck, e\u011fitimli yeni orta s\u0131n\u0131f kad\u0131nlar\u0131n ula\u015fmak istedikleri \u015f\u0131kl\u0131k \u0130ngiliz kraliyet ailesinden ilham al\u0131r. Edward d\u00f6neminde trendleri belirleyenler, Gibson Girl ve Alice Roosevelt Longworth olur. Gibson Girl, Charles Dana Gibson\u2019un ill\u00fcstrasyonlar\u0131nda tasvir edilen isimsiz, hayal \u00fcr\u00fcn\u00fc bir karakterdir ve 20 sene boyunca kad\u0131n modas\u0131n\u0131n belirleyicisi olur.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”26643″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
Y\u00fczy\u0131l\u0131n de\u011fi\u015fmesi ve kad\u0131nlar\u0131n aktif i\u015f hayat\u0131nda rol almas\u0131yla birlikte k\u0131yafetlerin tasar\u0131m trendleri de de\u011fi\u015fir. Bir \u00f6nceki y\u00fczy\u0131l\u0131n kabar\u0131k etekleri ve a\u011f\u0131r kuma\u015flar\u0131, yerini hareketli ya\u015fam tarz\u0131na uygun hafif kuma\u015flara b\u0131rak\u0131r. 1907\u2019de uzun ve salk\u0131m elbiselerle yeni bir moda ak\u0131m\u0131 ba\u015flarken 10 y\u0131l sonra elbise modellerinde par\u00e7alanmalar ve \u00e7e\u015fitli desenler i\u015flenmeye ba\u015flar. Yine Edward d\u00f6neminde, bedenin duru\u015funu de\u011fi\u015ftiren ve \u00e7ok da sa\u011fl\u0131kl\u0131 olmayan; bel ve kal\u00e7alarda S \u015feklinde bir k\u0131vr\u0131m olu\u015fturan korse piyasalara s\u00fcr\u00fcl\u00fcr ve rahat olmamas\u0131na ra\u011fmen yo\u011fun ilgi g\u00f6r\u00fcr. 10 y\u0131l\u0131n sonuna do\u011fru moda yeniden \u015fekillenir ve korselerin yerini ku\u015faklar al\u0131r; kad\u0131nlar\u0131n kum saati sil\u00fceti de\u011fi\u015fir. Blazer ceketler, uzun etekler ve y\u00fcn kazaklar gibi \u00fcr\u00fcnler bu \u00e7a\u011f\u0131n miras\u0131d\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”26644″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1910\u2019l\u0131 y\u0131llarda etek boyu ayak bile\u011fini hafif\u00e7e ge\u00e7erek y\u00fcr\u00fcmeyi daha da kolayla\u015ft\u0131r\u0131rken, ayn\u0131 d\u00f6nemlerde, ayak bile\u011fi boyunca dar olan ve bazen diz alt\u0131ndan bantlanan, tasar\u0131mc\u0131 Paul Poiret taraf\u0131ndan pop\u00fcler h\u00e2le getirilen \u201cHobble etekler\u201d moda olmaya ba\u015flar. Hobble etekler o kadar dard\u0131r ki hareketi imk\u00e2ns\u0131z hale getirir. Bu moda \u00e7ok uzun s\u00fcrmez ancak yine o d\u00f6nemin \u00fcr\u00fcn\u00fc olan pratik tozluklar ve ba\u011fc\u0131kl\u0131 \u00e7izmeler bug\u00fcn bile moda d\u00fcnyas\u0131nda yer almaya devam eder. 1920\u2018lerle birlikte giyim ve ku\u015fam biraz daha sporla\u015f\u0131r. Ekoseli kuma\u015flar g\u00f6r\u00fcn\u00fcr h\u00e2le gelirken, elbise ve etek boylar\u0131 genellikle diz alt\u0131 midi elbiseler olur ve kad\u0131nlar art\u0131k daha rahat hareket edebilir. \u0130ki par\u00e7a elbiseler pop\u00fclerlik kazan\u0131rken, \u00e7o\u011funlukla etek u\u00e7lar\u0131na kuma\u015flar ve dantellerle f\u0131rf\u0131rlar i\u015flenir. Flapper yani p\u00fcsk\u00fcll\u00fc elbiseler, 1920\u2019lerin moda ak\u0131m\u0131n\u0131n en ak\u0131lda kal\u0131c\u0131 tarz\u0131 olur. Coco Chanel bu d\u00f6nemde b\u00fct\u00fcn d\u00fcnyada halen moda olan k\u00fc\u00e7\u00fck siyah elbisesini tan\u0131t\u0131r. Bu elbise, sadelik ve zarafet sunar. Ayr\u0131ca hizmetk\u00e2rlarla veya dullarla ili\u015fkilendirilen siyah renk, \u015f\u0131kl\u0131\u011f\u0131n sembol\u00fc olur. 1930\u2019larda vatka modas\u0131 son derece pop\u00fcler olmaya ba\u015flar. Kad\u0131n-erkek herkes geni\u015f omuzlu g\u00f6z\u00fckmek ister; bu istek t\u00fcm g\u00fcncel moday\u0131 ve tasar\u0131mc\u0131lar\u0131 etkiler. \u00d6zellikle ceket ve montlara dikilen iri vatkalar kad\u0131nlar\u0131n daha ince, erkeklerin de daha sportmen g\u00f6r\u00fcnmesini sa\u011flar. Bu moda ak\u0131m uzun bir s\u00fcre devam ederken, 30\u2019lu y\u0131llarda Hollywood\u2019un alt\u0131n \u00e7a\u011f\u0131 ile birlikte moda d\u00fcnyas\u0131nda Joan Crawford, Marlene Dietrich gibi film y\u0131ld\u0131zlar\u0131n\u0131n etkileri g\u00f6r\u00fcl\u00fcr ki moda, sinema ve sinema y\u0131ld\u0131zlar\u0131n\u0131n tercihlerine g\u00f6re \u015fekillenmeye ba\u015flar. Art\u0131k kraliyet ailesinin taht\u0131n\u0131 sinema y\u0131ld\u0131zlar\u0131 alm\u0131\u015ft\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”26645″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]2. D\u00fcnya Sava\u015f\u0131\u2019n\u0131n ba\u015flamas\u0131yla modan\u0131n kalbi olan Avrupa, yerini Amerika\u2019ya b\u0131rak\u0131r. \u0130\u015fgal alt\u0131ndaki Paris\u2019e gidemeyen Amerikal\u0131 t\u00fcccarlar ve tasar\u0131mc\u0131lar \u00e7\u0131k\u0131\u015f yapmaya ba\u015flar. Sinema sekt\u00f6r\u00fcn\u00fc de arkas\u0131na alan Amerika, seri imalata ge\u00e7er. Frans\u0131z \u201cHaute Couture\u201d yerini, Claire McCardell gibi Amerikan tasar\u0131mc\u0131lara b\u0131rak\u0131r. Daha rahat, spor ve g\u00fcnl\u00fck giyime y\u00f6nelik k\u0131yafetler tasarlan\u0131r ve b\u00f6ylelikle Amerikan stili kendini g\u00f6stermeye ba\u015flar. Sava\u015f d\u00f6neminde Avrupa\u2019n\u0131n pek \u00e7ok yerinde kuma\u015f k\u0131s\u0131tlamalar\u0131 olur ve moda, rasyonel, karamsar bir h\u00e2l al\u0131r. Kad\u0131nlar\u0131n i\u015f g\u00fcc\u00fcnde olmas\u0131 nedeniyle pratik, mask\u00fclen tasar\u0131mlar ve ucuz kuma\u015flar kullan\u0131l\u0131r. Malzeme k\u0131tl\u0131\u011f\u0131 \u201cMake Do and Mend\u201d ak\u0131m\u0131n\u0131 ortaya \u00e7\u0131kar\u0131r. 1943\u2019te New York moda haftas\u0131 ba\u015flar. 1945\u2019in sava\u015f sonras\u0131 Paris\u2019inde modan\u0131n yeniden do\u011fu\u015funu m\u00fcjdelemek ve Parisli \u201cHaute Couture\u201d evlerinin h\u00fcnerlerini sergilemek amac\u0131yla bir gezici moda tiyatrosu olan \u201cTh\u00e9\u00e2tre de la Mode\u201d d\u00fcnya turuna ba\u015flar. Bu tiyatroda \u00fcnl\u00fc Paris Couture tasar\u0131mc\u0131lar\u0131n\u0131n kreasyonlar\u0131 minyat\u00fcr modellere giydirilir. Modeller aksesuarlar dahil olmak \u00fczere m\u00fckemmel bir \u015fekilde haz\u0131rlan\u0131r ve Paris modas\u0131n\u0131 tan\u0131tmak i\u00e7in d\u00fcnya turuna \u00e7\u0131karlar.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”26646″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1950\u2019lerde geni\u015f omuz demode olur, kad\u0131nlarda omuz dekolteleri \u00f6n plana \u00e7\u0131kar. Kad\u0131nlar bu y\u0131llarda spora \u00f6nem vermeye ba\u015flar, k\u0131sa sa\u00e7 modas\u0131 yayg\u0131nla\u015f\u0131r. Kabar\u0131k ve k\u0131sa etekler 1960\u2019larda gen\u00e7lik trendleri aras\u0131nda yer al\u0131rken, 1950\u2019lerin sonu 60\u2019lar\u0131n ba\u015f\u0131yla birlikte moda d\u00fcnyas\u0131 gen\u00e7lik ve alt k\u00fclt\u00fcrlerin etkisi alt\u0131nda kal\u0131r. James Dean ve Marlon Brando gibi akt\u00f6rler isyan, deri ceket, denim pantolon gibi \u00f6geleri moda d\u00fcnyas\u0131na getirirler. Bu d\u00f6nem ayn\u0131 zamanda s\u0131ra d\u0131\u015f\u0131 tasar\u0131mlar\u0131n zirve yapt\u0131\u011f\u0131 d\u00f6nemdir ve 1965\u2019te Paco Rabanne, metal elbiseler tasarlayarak moda d\u00fcnyas\u0131nda sansasyon yarat\u0131r. Bu avangart modan\u0131n yans\u0131mas\u0131 70 ve 80\u2019lerde metalik ve neon renkli kuma\u015flarla zirve yapacakt\u0131r. Bu ak\u0131m\u0131n en \u00fcnl\u00fc ismi Twiggy takma ad\u0131yla \u00fcnlenen \u0130ngiliz model, oyuncu ve \u015fark\u0131c\u0131 olur. 60’larda Londra’daki gen\u00e7lik hareketinin k\u00fclt\u00fcrel ikonu ve \u00f6nde gelen bir modeli olan Twiggy\u2019nin tarz\u0131 h\u0131zla t\u00fcm d\u00fcnyaya yay\u0131l\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”26647″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1970\u2019lere gelindi\u011finde \u00fcnl\u00fc Japon modac\u0131lar\u0131, Avrupa\u2019da do\u011fu r\u00fczg\u00e2r\u0131 estirerek yeni bir sentez olu\u015fturur. Bunlar aras\u0131nda Mitsuhiro Matsuda\u2019dan, Kenzo Takado\u2019ya kadar bir\u00e7ok \u00fcnl\u00fc modac\u0131 vard\u0131r. 60\u2019lardan 70\u2019lere ge\u00e7erken haz\u0131r giyim gitgide daha ula\u015f\u0131l\u0131r h\u00e2le gelir. Sentetik kuma\u015flar\u0131n kullan\u0131m\u0131 moday\u0131 daha da ucuzlat\u0131rken, bu d\u00f6nemde \u201cHippie\u201d etkisi moday\u0131 domine eder. 1970\u2019lerde disko ak\u0131m\u0131 moda olur ve bug\u00fcn bile modas\u0131 ge\u00e7meyen \u0130spanyol pa\u00e7a, modadaki yerini al\u0131r. Sa\u00e7larda dalgal\u0131 modeller \u00f6n plana \u00e7\u0131kmaya ba\u015flar, kad\u0131nlarda kabar\u0131k klo\u015f eteklerin kullan\u0131m\u0131 ve ayn\u0131 modele ve desene uygun sa\u00e7 bandanalar\u0131 s\u0131k s\u0131k tercih edilen par\u00e7alar olur. Greece m\u00fczikali ruhunun rahatl\u0131kla hissedildi\u011fi bu d\u00f6nem 1980\u2019lere kadar devam eder. Fosforlu, metalik ve c\u0131rtlak renkler sadece kad\u0131nlar\u0131n de\u011fil erkeklerin de rahatl\u0131kla kulland\u0131\u011f\u0131 renklerdendir. Kitle ileti\u015fim ara\u00e7lar\u0131n\u0131n yayg\u0131nla\u015fmas\u0131 ile moda kavram\u0131 art\u0131k iyice \u00f6nemli bir \u00f6ge haline gelir. Sinema ve m\u00fczik d\u00fcnyas\u0131n\u0131n y\u0131ld\u0131zlar\u0131 moda ikonlar\u0131 olurken top model kavram\u0131 da hayat\u0131m\u0131za girer. Moda dergileri y\u00fcksek sat\u0131\u015f trendleri elde etmeye ba\u015flar.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”26648″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1990\u2018l\u0131 y\u0131llara geldi\u011fimizde kad\u0131nlarda \u00f6n plana \u00e7\u0131kan k\u0131yafetler; bol, geni\u015f ve sala\u015f kesim olur. \u0130spanyol pa\u00e7a modas\u0131 bu d\u00f6nemde neredeyse etkisini yitirmeye ba\u015flar. Kabar\u0131k ve permal\u0131 sa\u00e7lar\u0131, r\u00f6fleler s\u00fcsler ve v\u00fccut hatlar\u0131n\u0131 pek belli etmeyen geni\u015f bel kesimli pantolonlar moda olur, vatkalar yeniden kullan\u0131l\u0131r. 90\u2019l\u0131 y\u0131llar globalle\u015fen d\u00fcnyan\u0131n karma ruhuna sahiptir ve canl\u0131 renklerle dolu bir d\u00f6nem olur. Sa\u00e7lardan k\u0131yafetlere, aksesuarlardan makyaj stiline kadar uzanan moda, en renkli y\u0131llar\u0131n\u0131 bu d\u00f6nemde ya\u015far. Neon renkler konusunda en iddial\u0131 kombinler yine 90\u2019larda g\u00f6r\u00fcl\u00fcr. 2000\u2019ler ise milenyum \u00e7a\u011f\u0131d\u0131r ve internetin hayat\u0131m\u0131za girmesiyle bamba\u015fka bir h\u00e2l al\u0131r. Y\u00f6n\u00fcn\u00fc genelde gelece\u011fe \u00e7eviren moda trendleri, 2000\u2019lerle birlikte ge\u00e7mi\u015ften ilham almaya ba\u015flar. G\u00fcn\u00fcm\u00fcz modas\u0131nda retro, vintage gibi ge\u00e7mi\u015f d\u00f6nem modas\u0131na ait elementlerin trend oldu\u011fu ak\u0131mlar dikkat \u00e7ekerken bu ak\u0131m; 2000\u2019ler modas\u0131 yani \u201cYears of 2 Thousand\u201d olarak adland\u0131r\u0131l\u0131r.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text] Do\u011fayla girdi\u011fimiz m\u00fccadele boyunca \u00fczerimizi kapatacak ve bizleri g\u00fcne\u015fin yak\u0131c\u0131, so\u011fuk havalar\u0131n \u00fc\u015f\u00fct\u00fcc\u00fc etkilerinden koruyacak her t\u00fcrl\u00fc \u00f6rt\u00fcnme eylemine giyinme denir. Ancak bu ihtiya\u00e7lardan kaynaklanan giyinme, son y\u00fczy\u0131l\u0131m\u0131zda \u00f6yle bir duruma geldi ki art\u0131k \u00f6rt\u00fcnmek i\u00e7in kulland\u0131\u011f\u0131m\u0131z kuma\u015flar bir bez par\u00e7as\u0131 olmaktan \u00e7ok \u00f6te\u2026 \u0130\u015fte modan\u0131n ak\u0131l almaz ser\u00fcveni! [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image […]<\/p>\n","protected":false},"author":1,"featured_media":26641,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1557,220,78],"class_list":["post-26640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-giysi","tag-kiyafet","tag-moda"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/26640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26640"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/26640\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}