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Ya\u015fayan en \u00f6nemli avangart sanat\u00e7\u0131lardan biri olan Japon Yayoi Kusama, farkl\u0131 disiplinlerde verdi\u011fi eserlerle tan\u0131n\u0131yor. Resim, happening, enstalasyon, sinema ve edebiyat alanlar\u0131nda \u00fcretti\u011fi eserlerle dikkat \u00e7eken Kusama, uluslararas\u0131 \u015f\u00f6hrete sahip bir sanat\u00e7\u0131. II. D\u00fcnya Sava\u015f\u0131\u2019ndan sonraki sanatsal geli\u015fmelerden olduk\u00e7a etkilenen Yayoi Kusama\u2019n\u0131n eserlerine ve hayat\u0131na k\u0131saca g\u00f6z atmak i\u00e7in yaz\u0131m\u0131z\u0131 okuyabilirsiniz.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”26208″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n
1929\u2019da Japonya\u2019da do\u011fan Yayoi Kusama, 10 ya\u015f\u0131ndan beri sanat\u0131n her dal\u0131na yo\u011fun ilgi duyarak yeti\u015fti. 10 ya\u015f\u0131ndan beri g\u00f6rd\u00fc\u011f\u00fc hal\u00fcsinasyonlardan etkilenerek \u00e7izdi\u011fi benekler ve a\u011flar sanat\u00e7\u0131n\u0131n tarz\u0131n\u0131n temelini olu\u015fturuyor. \u0130lk ki\u015fisel sergisini 1952\u2019de Japonya\u2019da a\u00e7an Kusama, resim yapmas\u0131n\u0131 istemeyen ve ablas\u0131 gibi erken ya\u015fta evlenmesini isteyen annesinin bask\u0131s\u0131 \u00fczerine 1957\u2019de ABD\u2019ye g\u00f6\u00e7 etti. 16 y\u0131l kald\u0131\u011f\u0131 bu \u00fclkede, pek \u00e7ok ses getiren happening ger\u00e7ekle\u015ftirdi; puantiye ve nokta desenlerini buldu\u011fu her zemine \u00e7izdi. Kusama, performans veya happening i\u015fleri ile \u00e7ok y\u00f6nl\u00fc bir sanat\u00e7\u0131 oldu\u011funu g\u00f6stermi\u015f oldu. Happening nedir diye merak edecek olursan\u0131z; Amerika\u2019da 1950\u2019lerin sonu 60\u2019lar\u0131n ba\u015f\u0131nda sanat\u00e7\u0131lar taraf\u0131ndan sergilenen teatral performans\u0131n ismidir.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”26209″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Film yap\u0131mc\u0131l\u0131\u011f\u0131 ve yay\u0131nc\u0131l\u0131k i\u015fleriyle de u\u011fra\u015fan Kusama\u2019n\u0131n \u201cSilinmi\u015flik Odas\u0131\u201d ilk bilinen i\u015fleri aras\u0131nda yer al\u0131yor. Odan\u0131n i\u00e7indeki e\u015fyalar da dahil olmak \u00fczere her \u015feyin d\u00fcz beyaza boyand\u0131\u011f\u0131 bir mek\u00e2nda, ziyaret\u00e7ilerden kendilerine verilen yuvarlak formdaki farkl\u0131 boyut ve \u015fekillerde renkli sticker\u2019lar\u0131 odada se\u00e7tikleri herhangi bir y\u00fczeye yap\u0131\u015ft\u0131rmalar\u0131 istenmi\u015fti. Yayoi Kusama, \u201cSilinmi\u015flik Odas\u0131\u201d ve onu izleyen di\u011fer projeleriyle \u00e2deta bir fenomen haline geldi. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”26210″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n Beden, heykel, bask\u0131, seramik, s\u00fcrrealist, soyut ekspresyonist alanlarda eserler veren Kusama, 2006\u2019daki Singapur Bienali i\u00e7in Orchard Road\u2019daki t\u00fcm a\u011fa\u00e7lar\u0131 puantiyeli kuma\u015fla kaplad\u0131. Yayoi Kusama\u2019n\u0131n \u00fcnl\u00fc kabaklar\u0131 ise sanat\u00e7\u0131n\u0131n \u00e7ocukluk an\u0131lar\u0131ndan ilham al\u0131yor. Bu kabak formu, sanat\u00e7\u0131n\u0131n 1940\u2019larda Kyoto Belediye Sanat ve El Sanatlar\u0131 Okulunda Japon tarz\u0131 resim yani \u201cNihonga\u201d e\u011fitimi s\u0131ras\u0131nda, sadece eskizlerde tasvir edilerek ortaya \u00e7\u0131kt\u0131. 1980\u2019ler ve 90\u2019lardan beri sanatsal \u00fcretimine yerle\u015fti ve alametifarikas\u0131 haline geldi.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”26211″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n Yayoi Kusama\u2019n\u0131n en bilindik ve en etkileyici eserleri aras\u0131nda yer alan \u201cSonsuzluk Odalar\u0131\u201d aynayla kapl\u0131 mek\u00e2nda ziyaret\u00e7ilerine unutulmaz bir deneyim sundu. 1965\u2019ten beri akl\u0131nda bu fikrin oldu\u011funu belirten sanat\u00e7\u0131, New York\u2019taki David Zwirner Galerisi\u2019nde, tamamen camlarla kapl\u0131 25 metrekarelik mek\u00e2na yerle\u015ftirdi\u011fi LED \u0131\u015f\u0131klar sayesinde uzay deneyimi ya\u015fatan \u201cSonsuzluk Odalar\u0131\u201d ile her y\u00f6ne do\u011fru sonsuza kadar uzayan bir galaksi g\u00f6r\u00fcn\u00fcm\u00fc olu\u015fturmay\u0131 ba\u015fard\u0131. Sergide uzun kuyruklar olurken, sanat otoriteleri uzun bir s\u00fcre bu enstalasyonu tart\u0131\u015ft\u0131.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”26212″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n Yayoi Kusama\u2019n\u0131n en \u00e7ok ak\u0131lda kalan eserlerinden olan \u201cButterfly\u201d yine sanat\u00e7\u0131n\u0131n kendine has stilini yans\u0131t\u0131yor. Yo\u011fun lekeler, puantiyeler ve a\u011f desenler Kusama\u2019n\u0131n d\u00fc\u015f d\u00fcnyas\u0131n\u0131n yans\u0131malar\u0131n\u0131n sanata d\u00f6n\u00fc\u015fm\u00fc\u015f formu… 1997\u2019de Rice Gallery\u2019de \u201cDots Obsession\u201d yani \u201cNokta Tak\u0131nt\u0131s\u0131\u201d adl\u0131 eserini sergileyen sanat\u00e7\u0131, galerinin tamam\u0131nda devasa, \u015fekilsiz ve \u015fi\u015firilebilir balonlar kulland\u0131 ve bu nesneleri yine imzas\u0131 olan sar\u0131, pembe, k\u0131rm\u0131z\u0131 puantiyeler ile noktasal desenlere boyad\u0131.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”26213″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]<\/p>\n \u00c7al\u0131\u015fmalar\u0131nda bal kaba\u011f\u0131 formunu s\u0131kl\u0131kla kullanan Kusama, puantiye desenini de s\u0131k\u00e7a kulland\u0131\u011f\u0131 i\u00e7in \u201cPuantiye Krali\u00e7esi\u201d olarak an\u0131l\u0131yor. 1973\u2019te \u00fclkesine d\u00f6nen ve 1977\u2019de g\u00f6n\u00fcll\u00fc olarak bir ak\u0131l hastanesine yerle\u015fen ayk\u0131r\u0131 sanat\u00e7\u0131, burada \u00e7ok say\u0131da roman, \u015fiir ve otobiyografi yazarak edebi bir kariyere de imza att\u0131. Gecelerini hastanede, g\u00fcnd\u00fczlerini at\u00f6lyesinde ge\u00e7iren \u00fcretken sanat\u00e7\u0131n\u0131n 2008\u2019de New York\u2019taki Christie\u2019s M\u00fczayede Evi\u2019nde 5.1 milyon dolara satt\u0131\u011f\u0131 eserinden sonra, \u201cBeyaz No.28\u201d eseri, 2014\u2019te 7 milyon dolara sat\u0131ld\u0131. B\u00f6ylelikle Kusama ya\u015fayan en zengin sanat\u00e7\u0131 unvan\u0131n\u0131n da sahibi oldu.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row][vc_column][vc_column_text] Ya\u015fayan en \u00f6nemli avangart sanat\u00e7\u0131lardan biri olan Japon Yayoi Kusama, farkl\u0131 disiplinlerde verdi\u011fi eserlerle tan\u0131n\u0131yor. Resim, happening, enstalasyon, sinema ve edebiyat alanlar\u0131nda \u00fcretti\u011fi eserlerle dikkat \u00e7eken Kusama, uluslararas\u0131 \u015f\u00f6hrete sahip bir sanat\u00e7\u0131. II. D\u00fcnya Sava\u015f\u0131\u2019ndan sonraki sanatsal geli\u015fmelerden olduk\u00e7a etkilenen Yayoi Kusama\u2019n\u0131n eserlerine ve hayat\u0131na k\u0131saca g\u00f6z atmak i\u00e7in yaz\u0131m\u0131z\u0131 okuyabilirsiniz. [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” […]<\/p>\n","protected":false},"author":1,"featured_media":26207,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2771,707,2772,2773,453,92,57,2774],"class_list":["post-26206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-avangart-sanatci","tag-edebiyat","tag-enstalasyon","tag-happening","tag-resim","tag-sanat","tag-sinema","tag-yayoi-kusama"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/26206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26206"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/26206\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}