{"id":25220,"date":"2024-11-11T09:40:39","date_gmt":"2024-11-11T06:40:39","guid":{"rendered":"https:\/\/kulturveyasam.com\/?p=25220"},"modified":"2024-11-11T09:40:39","modified_gmt":"2024-11-11T06:40:39","slug":"8-madde-ile-sinemanin-tarihi","status":"publish","type":"post","link":"https:\/\/soms.invekor.net\/?p=25220","title":{"rendered":"8 MADDE \u0130LE S\u0130NEMANIN TAR\u0130H\u0130"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]\u0130lk g\u00f6sterime giren filmden itibaren kitlelerin yo\u011fun ilgisini \u00e7ekmeyi ba\u015faran sinema, 20. y\u00fczy\u0131l\u0131n en \u00f6nemli icatlar\u0131ndan biri. Kamera arac\u0131l\u0131\u011f\u0131yla elde edilen g\u00f6r\u00fcnt\u00fcleri \u015feritle dizilen kadrajlarla beyaz renkli perdeye yans\u0131tan makineler, kitlelerin yedinci sanat olarak adland\u0131r\u0131lan sinema sekt\u00f6r\u00fc ile tan\u0131\u015fmas\u0131n\u0131 sa\u011flad\u0131. Hen\u00fcz y\u00fcz y\u0131ld\u0131r hayat\u0131m\u0131zda olan bu teknoloji, g\u00fcndelik hayat\u0131m\u0131z\u0131n vazge\u00e7ilmez e\u011flence arac\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015f durumda. Yediden yetmi\u015fe herkesin en sevdi\u011fi etkinliklerden olan sineman\u0131n tarihini yaz\u0131m\u0131zda okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”25223″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1891 y\u0131l\u0131nda Amerika\u2019da Thomas Edison ile yard\u0131mc\u0131s\u0131 William Kennedy Laurie Dickson\u2019\u0131n geli\u015ftirdi\u011fi \u201cKinetoscope\u201d prototipi ilk film g\u00f6r\u00fcnt\u00fcleme makinelerinden biridir. Cihaz\u0131n \u00fcst k\u0131sm\u0131nda bulunan bir delikten hareketli resimlerin izlenebildi\u011fi bu makine, ayn\u0131 zamanda sinematik projeksiyon aletlerinin de temelini olu\u015fturmaktad\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”25224″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Kineteskoptan (kinetoscope) ald\u0131klar\u0131 ilhamla 1892\u2019de \u201csinematograf\u201d\u0131 geli\u015ftiren Frans\u0131z Lumiere karde\u015fler, 1895\u2019te geli\u015ftirdikleri bu makinenin patentini ald\u0131lar. Sinematograf ile kaydettikleri \u201cArrival of a Train at La Ciotat\u201d isimli filmin g\u00f6sterimini Paris\u2019te bir kafede ger\u00e7ekle\u015ftirdiler. Sineman\u0131n ba\u015flang\u0131c\u0131 olarak kabul edilen bu film; Lumiere karde\u015flerin sinema tarihinin ilk film yap\u0131mc\u0131s\u0131 unvan\u0131n\u0131 almas\u0131n\u0131 da sa\u011flam\u0131\u015ft\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”25225″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Lumiere karde\u015flerin filmi, 15 kare h\u0131z\u0131nda \u00e7ekilmi\u015f ve 55 saniye s\u00fcrm\u00fc\u015ft\u00fcr. Edison\u2019un kaydetti\u011fi ilk kay\u0131tlar sirk ve vodvil g\u00f6sterilerine aitken, Lumiere karde\u015flerin filmi g\u00fcndelik hayat ile ilgili oldu\u011fu i\u00e7in daha \u00e7ok belgesel niteli\u011findedir. Lumiere karde\u015flerin \u201cSinematograf\u201d\u0131 yakla\u015f\u0131k 10 kilogram a\u011f\u0131rl\u0131\u011f\u0131ndayd\u0131. Kolay ta\u015f\u0131nabilmesi sayesinde Paris\u2019teki bir\u00e7ok mek\u00e2nda filmlerinin g\u00f6sterimini sa\u011flayan karde\u015flerin ismi sinema tarihine kaz\u0131nm\u0131\u015f oldu.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”25226″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Sadece birka\u00e7 dakika s\u00fcren ilk filmler hem sessiz hem de renksizdi. Sineman\u0131n renkli h\u00e2le gelmesi 1902\u2019de \u015fablonlama y\u00f6ntemi ile ger\u00e7ekle\u015fti. Her kare tek tek elle boyand\u0131\u011f\u0131 i\u00e7in uygulanabilir olmayan bu sistem, 1906\u2019da George Albert Smith\u2019in geli\u015ftirdi\u011fi \u201cKinemacolor\u201d ile ilk film renklendirme tekni\u011finin ba\u015far\u0131l\u0131 bir \u015fekilde uygulanmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r. Bu teknik sayesinde ye\u015fil ve k\u0131rm\u0131z\u0131 renkler \u00f6zel filtrelerden ge\u00e7iyor ve iki a\u015famada renklendirme sa\u011flan\u0131yordu.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”25228″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]George Albert Smith\u2019in 1908 yap\u0131m\u0131 \u201cA Visit to the Seaside\u201d, sinema tarihinin ilk renkli filmi olurken; renk spektrumunda meydana gelen sapmalar ve aksakl\u0131klar 1932\u2019de Tecnicolor \u015eirketinin \u00fc\u00e7 renkli filtreyi geli\u015ftirmesiyle y\u0131llar sonra ancak son bulabilmi\u015ftir. Bu filtre ile \u00e7ekilen ilk film, Walt Disney\u2019in \u201cFlowers and Trees\u201d isimli animasyonudur, ilk canl\u0131 sinema filmi ise 1934\u2019te \u00e7ekilen \u201cThe Cat and the Fiddle\u201d olmu\u015ftur.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”25229″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Teknik olarak s\u00fcrekli kendini geli\u015ftiren sinema end\u00fcstrisi, senaryo ve hik\u00e2ye olu\u015fturma a\u00e7\u0131s\u0131ndan da geli\u015fmeler g\u00f6stermi\u015ftir. Fantastik sinema ve bilim-kurgu filmlerinin y\u00f6netmeni Frans\u0131z Georges Melies, sineman\u0131n ger\u00e7ekli\u011fi yeniden kurgulama yetene\u011fini kullanan ilk y\u00f6netmen olmu\u015ftur. Lumiere karde\u015flerin film g\u00f6steriminden \u00e7ok etkilenen M\u00e9li\u00e8s, 1892-1912 y\u0131llar\u0131 aras\u0131nda Montreuil\u2019da kurdu\u011fu st\u00fcdyosunda y\u00fczlerce film \u00fcretmi\u015f; Londra, Barselona, Berlin ve New York\u2019ta y\u00fczlerce film g\u00f6sterimi ger\u00e7ekle\u015ftirmi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”25230″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Sineman\u0131n sese kavu\u015fmas\u0131 1925\u2019te Warner Bros\u2019un icat etti\u011fi \u201cVitaphone\u201d ile olmu\u015ftur. 1927\u2019de ilk sesli film \u201cThe Jazz Singer\u201d g\u00f6sterime girmi\u015f ancak ses ile g\u00f6r\u00fcnt\u00fcn\u00fcn senkronize olamamas\u0131ndan sebep saniyede 15 tane olan g\u00f6r\u00fcnt\u00fc say\u0131s\u0131, saniyede 24 kareye y\u00fckseltilerek standartla\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r. 1930\u2019lu ve 1940\u2019l\u0131 y\u0131llar aras\u0131nda haftada iki kez sinemaya gitmek art\u0131k normal bir rutin h\u00e2line gelmi\u015f, sinema end\u00fcstrisi milyon dolarlar kazanan bir sekt\u00f6re d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”8#” title_font_size=”13″][vc_single_image image=”25231″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u00dclkemizin ilk sinema filmi Osmanl\u0131 d\u00f6neminde, Fuat Uzk\u0131nay\u2019\u0131n \u201cAyastefanos\u2019taki Rus Abidesinin Y\u0131k\u0131l\u0131\u015f\u0131\u201d adl\u0131 belgesel kayd\u0131d\u0131r. 14 Kas\u0131m 1914\u2019te g\u00f6sterime giren filmin g\u00fcn\u00fcm\u00fcze ula\u015fan hi\u00e7bir kopyas\u0131 bulunmamaktad\u0131r. Geli\u015fen yeni teknolojiler sayesinde hem \u00fcretilen sinema filmlerinin g\u00f6rsel dinamikleri de\u011fi\u015fmi\u015f hem de b\u00fcy\u00fck b\u00fct\u00e7elere gerek kalmadan ba\u011f\u0131ms\u0131z sinema filmleri de seyircileriyle bulu\u015farak hayat\u0131n t\u00fcm renklerini i\u00e7ine alan bir sanat dal\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]\u0130lk g\u00f6sterime giren filmden itibaren kitlelerin yo\u011fun ilgisini \u00e7ekmeyi ba\u015faran sinema, 20. y\u00fczy\u0131l\u0131n en \u00f6nemli icatlar\u0131ndan biri. Kamera arac\u0131l\u0131\u011f\u0131yla elde edilen g\u00f6r\u00fcnt\u00fcleri \u015feritle dizilen kadrajlarla beyaz renkli perdeye yans\u0131tan makineler, kitlelerin yedinci sanat olarak adland\u0131r\u0131lan sinema sekt\u00f6r\u00fc ile tan\u0131\u015fmas\u0131n\u0131 sa\u011flad\u0131. Hen\u00fcz y\u00fcz y\u0131ld\u0131r hayat\u0131m\u0131zda olan bu teknoloji, g\u00fcndelik hayat\u0131m\u0131z\u0131n vazge\u00e7ilmez e\u011flence arac\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015f durumda. Yediden […]<\/p>\n","protected":false},"author":1,"featured_media":25222,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[117,57,2561,2562,2563],"class_list":["post-25220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-film","tag-sinema","tag-sinema-sektoru","tag-sinema-tarihi","tag-yedinci-sanat"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/25220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25220"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/25220\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}