[vc_row][vc_column][vc_column_text]T\u00fcrk edebiyat\u0131na damga vuran isimlerden biri olan Necip Faz\u0131l K\u0131sak\u00fcrek, \u015fiirlerini tasavvufi d\u00fc\u015f\u00fcnceler ile sentezleyen b\u00fcy\u00fck bir \u015fair, yazar ve \u0130slamc\u0131 ideologdur. T\u00fcrk edebiyat\u0131n\u0131n Baki\u2019den sonra ikinci \u201cSultanu\u2019\u015f \u015euara\u201d (baz\u0131 kaynaklarda Sultan\u00fc\u2019\u015f \u015euara olarak da ge\u00e7er ve anlam\u0131 \u015fairler sultan\u0131d\u0131r) unvan\u0131na sahip olan, fikir ve eserleriyle d\u00fc\u015f\u00fcnce d\u00fcnyam\u0131zda derin izler b\u0131rakan Necip Faz\u0131l, edebiyat\u0131m\u0131z\u0131n alt\u0131n isimlerinin de ilham kayna\u011f\u0131 olmu\u015f ve olmaya devam etmektedir. Farkl\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131 ile hayat\u0131m\u0131za dokunan Necip Faz\u0131l K\u0131sak\u00fcrek\u2019i sayfam\u0131zda a\u011f\u0131rl\u0131yoruz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Necip Faz\u0131l K\u0131sak\u00fcrek kimdir?” title_font_size=”13″][vc_single_image image=”23896″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1904 y\u0131l\u0131nda \u0130stanbul\u2019da d\u00fcnyaya gelmi\u015f, Mara\u015fl\u0131 bir ailenin o\u011fludur. \u00c7ocukluk y\u0131llar\u0131n\u0131n b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc dedesinin \u00c7emberlita\u015f\u2019ta bulunan kona\u011f\u0131nda ge\u00e7iren Necip Faz\u0131l, ilk\u00f6\u011frenimini pek \u00e7ok farkl\u0131 okulda g\u00f6rd\u00fc. K\u0131sa bir s\u00fcre Gedikpa\u015fa\u2019da bulunan Frans\u0131z Frerler Mektebi\u2019nde okudu. Ard\u0131ndan B\u00fcy\u00fckdere\u2019deki Emin Efendi Mektebine ve daha sonra yat\u0131l\u0131 bir okul olan Rehber-i \u0130ttihat Mektebi\u2019ne devam etti. Hatta sonraki y\u0131llarda yak\u0131n dostu olacak olan Peyami Safa ile burada tan\u0131\u015ft\u0131. Bu okulda e\u011fitim ald\u0131ktan sonra B\u00fcy\u00fck Re\u015fit Pa\u015fa Numune Mektebi\u2019ne devam etti. K\u0131z karde\u015fi Sema\u2019n\u0131n be\u015f ya\u015f\u0131nda vefat etmesinin ard\u0131ndan Heybeliada\u2019ya ta\u015f\u0131nd\u0131 ve \u00f6\u011frenimini Heybeliada Numune Mektebi\u2019nde tamamlad\u0131. Bir d\u00f6nem \u0130stanbul \u00dcniversitesi ve ard\u0131ndan Sorbonne \u00dcniversitesi\u2019nde felsefe e\u011fitimi g\u00f6rd\u00fc ancak her iki \u00fcniversiteden de mezun olamad\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Banka memuru bir \u015fair\u2026” title_font_size=”13″][vc_single_image image=”23897″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Edebiyat\u0131m\u0131zda derin izler b\u0131rakan Necip Faz\u0131l, 10 y\u0131ldan fazla memuriyet hayat\u0131nda bulundu. Hatta pek \u00e7ok eserini banka memurlu\u011fu s\u0131ras\u0131nda kaleme ald\u0131. O d\u00f6nemlerde bankac\u0131l\u0131k t\u0131pk\u0131 bug\u00fcn oldu\u011fu gibi pop\u00fcler bir meslekti. Osmanl\u0131 Bankas\u0131 gibi b\u00fcy\u00fck bankalarda uzun y\u0131llar g\u00f6rev yapan Necip Faz\u0131l, bir s\u00fcre sonra bankac\u0131l\u0131k mesle\u011finden gazetecilik mesle\u011fine ge\u00e7i\u015f yapt\u0131. Bir d\u00f6nem edebiyat \u00f6\u011fretmenli\u011fi de yapan usta \u015fairin d\u00f6n\u00fcm noktas\u0131 ise \u00c7ile \u015fiirini yazmas\u0131yla oldu, bu \u015fiirinde maddi ve manevi yolculu\u011funu dizelere d\u00f6kt\u00fc. Bir yandan \u00e7al\u0131\u015f\u0131p, bir yandan \u015fiir \u00fcretirken bir anda kendini felsefi bir aray\u0131\u015f i\u00e7inde buldu. Bu aray\u0131\u015f, onun hayat\u0131nda yeni bir d\u00f6nemin kap\u0131lar\u0131n\u0131 da aralad\u0131. O d\u00f6nem girdi\u011fi baz\u0131 sohbetler ve konu\u015fmalar neticesinde fikir olarak ba\u015fka bir d\u00f6n\u00fc\u015f\u00fcme giren Necip Faz\u0131l, kaleminde daha tasavvufi d\u00fc\u015f\u00fcncelere yer verdi ve \u015fiirlerini bu \u015fekilde olu\u015fturdu. Bu d\u00fc\u015f\u00fcnce sistemi ve hayata bak\u0131\u015f\u0131 ile ilk tiyatro oyununu yazd\u0131; Tohum. Ard\u0131 ard\u0131na tiyatro oyunlar\u0131 geldi; Bir Adam Yaratmak isimli piyesi, \u0130stanbul \u015eehir Tiyatrolar\u0131\u2019nda sahnelendi. \u00a01940 y\u0131l\u0131nda yazd\u0131\u011f\u0131 \u201cSab\u0131r Ta\u015f\u0131\u201d oyunuyla 1947 y\u0131l\u0131nda Piyes Yar\u0131\u015fmas\u0131\u2019nda birincilik kazand\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”At\u2019a Senfoni\u2019nin hik\u00e2yesi” title_font_size=”13″][vc_single_image image=”23898″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u015eiire ve tiyatroya ilgisi malumdu ancak \u00f6zel olarak ilgilendi\u011fi bir \u015fey vard\u0131 ki bu onu kitap yazmaya kadar g\u00f6t\u00fcrd\u00fc; at sevdas\u0131\u2026 Kula\u011fa ilgin\u00e7 geliyor olsa da atlara olan sevgisi ve ilgisi ona yeni bir kitab\u0131n sayfalar\u0131n\u0131 aralad\u0131. Asl\u0131nda her \u015fey ona bir Arap at\u0131n\u0131n hediye edilmesiyle ba\u015flad\u0131 \u00e7\u00fcnk\u00fc o g\u00fcnden itibaren atlara olan sevgisi ve ilgisi g\u00fcnden g\u00fcne artt\u0131. Ata binmeyi ve atlarla ilgilenmeyi \u00e7ok seven Necip Faz\u0131l, her ne kadar bu sevdas\u0131 u\u011fruna attan d\u00fc\u015f\u00fcp g\u00fcnlerce yata\u011fa ba\u011f\u0131ml\u0131 hale geldiyse de yine de ilgisinden bir \u015fey kaybetmedi. Bu durum \u00f6yle bir vaziyet ald\u0131 ki art\u0131k bir kitap yazacak kadar bilgi sahibi oldu. Tam da o d\u00f6nemde T\u00fcrkiye Jokey Kul\u00fcb\u00fc\u2019n\u00fcn iste\u011fi \u00fczerine \u201cAt\u2019a Senfoni\u201d adl\u0131 kitab\u0131 kaleme ald\u0131; bu kitapta at\u0131n felsefesini, tarihini, \u00f6zelliklerini, ge\u00e7mi\u015fini ve ata dair bildi\u011fi her \u015feyi anlatt\u0131 bu sayede atlara olan sevdas\u0131n\u0131 bir kitap ile \u00f6l\u00fcms\u00fczle\u015ftirmi\u015f oldu.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Necip Faz\u0131l K\u0131sak\u00fcrek eserleri, \u015fiirleri, kitaplar\u0131\u2026” title_font_size=”13″][vc_single_image image=”23899″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Politika, \u00f6yk\u00fc, tasavvuf \u015fiiri ve tiyatro alan\u0131nda say\u0131s\u0131z esere imza atan Necip Faz\u0131l K\u0131sak\u00fcrek\u2019in ilk \u015fiir kitab\u0131n\u0131 hen\u00fcz 17 ya\u015f\u0131ndayken yay\u0131mlad\u0131\u011f\u0131 bilinir. De\u011ferli edebiyat\u00e7\u0131m\u0131z\u0131 \u00fcne kavu\u015fturan eserler aras\u0131nda \u015funlar yer al\u0131r; \u00d6r\u00fcmcek A\u011f\u0131, Kald\u0131r\u0131mlar, Ben ve \u00d6tesi, Bir Adam Yaratmak, Son Devrin Din Mazlumlar\u0131, \u00c7ile ve Aynadaki Yalan, \u015eiirlerim, Sonsuzluk Kervan\u0131, Ruh Burkuntular\u0131ndan Hik\u00e2yeler, Kafa K\u00e2\u011f\u0131d\u0131, Para, Nam\u0131 Di\u011fer Parmaks\u0131z Salih, Abd\u00fclhamit Han, Birka\u00e7 Hik\u00e2ye Birka\u00e7 Tahlil. Eserleriyle T\u00fcrk edebiyat\u0131na unutulmaz eserler b\u0131rakan Necip Faz\u0131l, 25 May\u0131s 1983 y\u0131l\u0131nda hayata g\u00f6zlerini yumdu.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text]T\u00fcrk edebiyat\u0131na damga vuran isimlerden biri olan Necip Faz\u0131l K\u0131sak\u00fcrek, \u015fiirlerini tasavvufi d\u00fc\u015f\u00fcnceler ile sentezleyen b\u00fcy\u00fck bir \u015fair, yazar ve \u0130slamc\u0131 ideologdur. T\u00fcrk edebiyat\u0131n\u0131n Baki\u2019den sonra ikinci \u201cSultanu\u2019\u015f \u015euara\u201d (baz\u0131 kaynaklarda Sultan\u00fc\u2019\u015f \u015euara olarak da ge\u00e7er ve anlam\u0131 \u015fairler sultan\u0131d\u0131r) unvan\u0131na sahip olan, fikir ve eserleriyle d\u00fc\u015f\u00fcnce d\u00fcnyam\u0131zda derin izler b\u0131rakan Necip Faz\u0131l, edebiyat\u0131m\u0131z\u0131n alt\u0131n […]<\/p>\n","protected":false},"author":1,"featured_media":23895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[707,1400,635,19],"class_list":["post-23894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-edebiyat","tag-necip-fazil-kisakurek","tag-sair","tag-siir"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/23894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23894"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/23894\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}