[vc_row][vc_column][vc_column_text]Yirminci y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda ortaya \u00e7\u0131kan caz, ABD\u2019nin New Orleans \u015fehrinde do\u011fdu. \u0130\u00e7inde \u00f6zg\u00fcnl\u00fck ve yarat\u0131c\u0131l\u0131k bar\u0131nd\u0131ran caz, her ne kadar geleneksel gibi dursa da asl\u0131nda pop\u00fcler m\u00fczi\u011fe de g\u00f6z k\u0131rpar. Caz denince akla ilk gelenlerden biri \u015f\u00fcphesiz enstr\u00fcmanlard\u0131r. Bunlar\u0131n aras\u0131nda saksafon, klarnet, fl\u00fct, trompet, basgitar, bateri say\u0131labilir. Caz bir m\u00fczik t\u00fcr\u00fc olarak kendine \u00f6zg\u00fc \u00f6zellikler bar\u0131nd\u0131r\u0131r, bunlar\u0131n en dikkat \u00e7ekenlerden biri do\u011fa\u00e7lamad\u0131r. \u015eark\u0131n\u0131n baz\u0131 yerlerinde m\u00fczisyen birden solo \u00e7almaya ba\u015flar ve bir do\u011fa\u00e7lama yapar. Bu do\u011fa\u00e7lama ayn\u0131 zamanda besteyle o kadar uyumludur ki kendimizi birden m\u00fczi\u011fin ritmine kapt\u0131r\u0131r\u0131z. Bug\u00fcn sizlerle caza dair k\u0131sa bilgiler payla\u015facak ve m\u00fczi\u011fin d\u00fcnyas\u0131nda k\u0131sa bir yolculu\u011fa \u00e7\u0131kaca\u011f\u0131z.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Caz\u0131n k\u00f6keni” title_font_size=”13″][vc_single_image image=”23688″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1900\u2019lerin ba\u015f\u0131nda geli\u015fmeye ba\u015flayan bir m\u00fczik t\u00fcr\u00fc olarak hayat\u0131m\u0131zdaki yerini ald\u0131. Caz\u0131n k\u0131sa tan\u0131m\u0131 i\u00e7in \u015fu a\u00e7\u0131klamay\u0131 yapmak m\u00fcmk\u00fcnd\u00fcr: M\u00fczik tekniklerinin harmanlanmas\u0131. Dixieland Jazz Band\u2019in ilk plaklar\u0131n\u0131 \u00e7\u0131karmas\u0131yla art\u0131k varl\u0131\u011f\u0131n\u0131 iyiden iyiye hissettirmeye ba\u015flam\u0131\u015ft\u0131r. Tarihler 1920 ila 1930\u2019lar\u0131 g\u00f6sterdi\u011finde ise art\u0131k bir caz \u00e7a\u011f\u0131ndan s\u00f6z etmek m\u00fcmk\u00fcnd\u00fcr.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Blues mu caz m\u0131?” title_font_size=”13″][vc_single_image image=”23689″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Caz, ilk y\u0131llarda blues ak\u0131m\u0131ndan beslenmi\u015ftir. Blues, Amerika\u2019ya gelen k\u00f6lelerin halk m\u00fczi\u011fidir. Ayn\u0131 zamanda Amerikal\u0131 siyahilerin \u00e7al\u0131\u015fma s\u0131ras\u0131nda s\u00f6yledikleri halk \u015fark\u0131lar\u0131n\u0131n bir derlemesidir. Bu halk \u015fark\u0131lar\u0131 caz\u0131 olu\u015fturan en \u00f6nemli unsurlardand\u0131r. \u00a0Caz, blues ile birbirine \u00e7ok benzedi\u011fi i\u00e7in s\u0131k\u00e7a kar\u0131\u015ft\u0131r\u0131l\u0131r ancak blues ve caz aras\u0131nda baz\u0131 ay\u0131rt edici \u00f6zellikler vard\u0131r. Saksafon ve piyano, caz m\u00fczi\u011fin \u00f6ne \u00e7\u0131kan enstr\u00fcmanlar\u0131ndand\u0131r, blues m\u00fczi\u011finde ise daha \u00e7ok gitar vard\u0131r. Blues \u00e7ok daha yava\u015f \u00e7al\u0131n\u0131r, caz ise biraz daha hareketlidir. Blues daha \u00e7ok geleneklere ba\u011fl\u0131d\u0131r ve onlardan beslenir. Caz, \u015fehir hayat\u0131 kavram\u0131na g\u00f6z k\u0131rpar.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Caz\u0131n geli\u015fimi” title_font_size=”13″][vc_single_image image=”23691″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Caz g\u00fcn\u00fcm\u00fcze kadar pek \u00e7ok de\u011fi\u015fime u\u011fram\u0131\u015ft\u0131r. Baz\u0131 kaynaklara g\u00f6re bu m\u00fczi\u011fin ba\u015flang\u0131c\u0131 olan Ragtime, siyahilerin t\u00f6renlerde s\u00f6yledikleri eski \u015fark\u0131lardan olu\u015fur. \u0130lk olarak 1890\u2019l\u0131 y\u0131llarda ortaya \u00e7\u0131km\u0131\u015f piyano a\u011f\u0131rl\u0131kl\u0131 bir m\u00fczik t\u00fcr\u00fcd\u00fcr. Caz ve ragtime piyanisti denince akla ilk gelen isim Jelly Roll Morton\u2019dur. Ragtime\u2019\u0131 blues takip eder. Amerikal\u0131 siyahilerin s\u00f6yledi\u011fi halk \u015fark\u0131lar\u0131ndan olu\u015fur.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Caz m\u00fczikte hot caz ak\u0131m\u0131” title_font_size=”13″][vc_single_image image=”23692″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Caz, perdeye ve sahneye ge\u00e7tikten sonra art\u0131k hot jazz kavram\u0131 hayat\u0131m\u0131za girdi. Hot jazz t\u00fcr\u00fcnde pek \u00e7ok melodiden bahsetmek m\u00fcmk\u00fcn; solo ak\u0131m\u0131ndan tam da bu noktada s\u00f6z etmek gerekir zira hot jazz, herkesin kendi stilinde solo yapt\u0131\u011f\u0131 bir t\u00fcrd\u00fcr. Son olarak Cuse\u2019dan bahsedelim. Cuse; hot jazz t\u00fcr\u00fcn\u00fcn devam\u0131 ve daha olgunla\u015fm\u0131\u015f bir m\u00fczik t\u00fcr\u00fcd\u00fcr. Cuse geli\u015fimi ile caz m\u00fczi\u011fin karakteri kesin olarak belirginle\u015ferek, t\u00fcm y\u00f6nleriyle olgunla\u015fm\u0131\u015f ve tamamlanm\u0131\u015ft\u0131r. \u00d6zellikle klasik m\u00fczik par\u00e7alar\u0131, caz m\u00fczik ile ortak noktalardan bulu\u015fmaya ba\u015flam\u0131\u015ft\u0131r. Efsaneleri hat\u0131rlayal\u0131m: Louis Armstrong, Coleman Hawkins, Lester Young\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Caz m\u00fczi\u011finde do\u011fa\u00e7lama sanat\u0131” title_font_size=”13″][vc_single_image image=”23693″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Caz m\u00fczi\u011fini tan\u0131mlarken do\u011fa\u00e7lama ve solo ak\u0131m\u0131 kavramlar\u0131 \u00f6ne \u00e7\u0131kar. \u0130lk zamanlar do\u011fa\u00e7lama asl\u0131nda birer \u201cat\u0131\u015fma\u201ddan ibaret iken, zamanla i\u015fe melodiler de kar\u0131\u015fm\u0131\u015f ve farkl\u0131 bir duyu \u015f\u00f6leni ba\u015flam\u0131\u015ft\u0131r. Caz m\u00fczi\u011finde yap\u0131lan do\u011fa\u00e7lamalar besteye ba\u011fl\u0131 kal\u0131narak yap\u0131l\u0131r. Bir par\u00e7ay\u0131 dinlerken birden ritim de\u011fi\u015febilir ve melodi farkl\u0131la\u015fabilir. Bu esnada dinleyici ritme ayak uydurmaya ba\u015flar. Caz, t\u00fcm\u00fcyle dinleyiciyi etkisi alt\u0131na alabilir. Yap\u0131lan do\u011fa\u00e7lamalar, bu m\u00fczik t\u00fcr\u00fcn\u00fcn ay\u0131rt edici \u00f6zelliklerinden biridir. Konu m\u00fczik ve duygular olunca, belirli s\u0131n\u0131rlar\u0131 \u00e7izmek do\u011fru olmaz zira caz ba\u015fl\u0131 ba\u015f\u0131na s\u0131n\u0131rlar\u0131n \u00e7ok \u00f6tesindedir.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text]Yirminci y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda ortaya \u00e7\u0131kan caz, ABD\u2019nin New Orleans \u015fehrinde do\u011fdu. \u0130\u00e7inde \u00f6zg\u00fcnl\u00fck ve yarat\u0131c\u0131l\u0131k bar\u0131nd\u0131ran caz, her ne kadar geleneksel gibi dursa da asl\u0131nda pop\u00fcler m\u00fczi\u011fe de g\u00f6z k\u0131rpar. Caz denince akla ilk gelenlerden biri \u015f\u00fcphesiz enstr\u00fcmanlard\u0131r. Bunlar\u0131n aras\u0131nda saksafon, klarnet, fl\u00fct, trompet, basgitar, bateri say\u0131labilir. Caz bir m\u00fczik t\u00fcr\u00fc olarak kendine \u00f6zg\u00fc \u00f6zellikler […]<\/p>\n","protected":false},"author":1,"featured_media":23687,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,3],"tags":[2012,1842,773],"class_list":["post-23683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat","tag-caz","tag-jazz","tag-muzik"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/23683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23683"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/23683\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}