[vc_row][vc_column][vc_column_text]Bak\u0131m\u0131, muhafazas\u0131 ve dinleme \u015fekliyle bir rit\u00fcel gerektiren, g\u00fcn\u00fcm\u00fczde ancak koleksiyonerlerde veya sahaflarda bulabilece\u011fimiz 45\u2019likler, iki ayr\u0131 y\u00fcz\u00fcne birer \u015fark\u0131 olmak \u00fczere en fazla iki \u015fark\u0131 kaydedilebilen, plastikten \u00fcretilmi\u015f ve bir dakikada 45 devir d\u00f6nd\u00fc\u011f\u00fc i\u00e7in ad\u0131 45\u2019lik olan kay\u0131t ara\u00e7lar\u0131yd\u0131. \u00d6zellikle 70\u2019lere damgas\u0131n\u0131 vuran bu nostalji simgelerine bak\u0131n kimler hangi \u015fark\u0131larla ad\u0131n\u0131 yazd\u0131rm\u0131\u015ft\u0131?[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”22715″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1970\u2019lerde Ayten Alpman\u2019\u0131n sesiyle \u00fcnlenen \u015fark\u0131, Meksikal\u0131 Armando Manzanero\u2019nun bamba\u015fka s\u00f6zler i\u00e7in yapt\u0131\u011f\u0131 besteydi. Beste \u00fczerine, \u201c\u00dczg\u00fcn\u00fcm, ac\u0131 s\u00f6zlerim i\u00e7in \/ \u00dczg\u00fcn\u00fcm, seni k\u0131rd\u0131\u011f\u0131m i\u00e7in \/ Hakl\u0131s\u0131n, bana dar\u0131lsan bile\u2026\u201d \u015feklinde devam eden ma\u011frur c\u00fcmleleri yazan ki\u015fi ise \u00dcmit Aksu\u2019ydu.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”22716″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Cem Karaca\u2019n\u0131n kendi ifadesiyle Tamirci \u00c7\u0131ra\u011f\u0131, zengin k\u0131z-fakir o\u011flan kli\u015fesinin sinemaya de\u011fil de \u015fark\u0131ya uyarlanm\u0131\u015f haliydi. Sanat\u00e7\u0131 \u015fark\u0131y\u0131, motorunu g\u00f6t\u00fcrd\u00fc\u011f\u00fc bir tamircinin, delikanl\u0131l\u0131k \u00e7a\u011f\u0131ndaki \u00e7\u0131ra\u011f\u0131ndan esinlenerek kaleme alm\u0131\u015ft\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”22717″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u201cG\u00f6lgen gibi ad\u0131m ad\u0131m \/ Her solukta benim ad\u0131m \/ Ben nas\u0131l ki unutmad\u0131m \/ Sen de unutma beni, unutama beni\u201d s\u00f6zleri \u015f\u00fcphesiz ki en \u00e7ok Esmeray\u2019\u0131n bu\u011fulu sesine yak\u0131\u015f\u0131rd\u0131. Bir zamanlar\u0131n hit par\u00e7as\u0131n\u0131n s\u00f6z ve m\u00fczi\u011fi ise \u015eemi Diriker\u2019e aitti.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”22718″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Erkin Koray\u2019\u0131n, \u201cSevince durma durma ko\u015f ard\u0131ndan \/ Zaman yoktur git a\u015fk\u0131 iste ondan\u201d diye \u00f6\u011f\u00fct verdi\u011fi \u015fark\u0131d\u0131r Sevince… Sanat\u00e7\u0131n\u0131n, 1975 y\u0131l\u0131nda \u00e7\u0131kard\u0131\u011f\u0131 45\u2019li\u011fin bir y\u00fcz\u00fcnde Sevince, di\u011fer y\u00fcz\u00fcnde ise Estarabim kay\u0131tl\u0131yd\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”22719″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]F\u00fcsun \u00d6nal\u2019\u0131n sesinden dinlendi\u011finde \u00e7ok daha e\u011flenceli olan, \u201cNerde b\u0131rakt\u0131m kalbimi bilmem \/ Ah nerede vah nerede\u201d \u015fark\u0131s\u0131,\u00a0 Tar\u0131k Akan ve G\u00fcl\u015fen Bubiko\u011flu\u2019nun rol ald\u0131\u011f\u0131 ayn\u0131 isimli film sayesinde daha da \u00e7ok benimsenmi\u015f ve sevilmi\u015fti.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”22720″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]G\u00fcn\u00fcm\u00fcze kadar farkl\u0131 \u015fark\u0131c\u0131lar taraf\u0131ndan defalarca yorumlansa da en naif ve duygulu yorumu Berkant taraf\u0131ndan yap\u0131lan Samanyolu, s\u00f6zleri Teoman Alpay taraf\u0131nda yaz\u0131lm\u0131\u015f, bestesi Metin B\u00fckey\u2019ce yap\u0131lm\u0131\u015f efsane \u015fark\u0131lardan biri olarak, daha 60\u2019l\u0131 y\u0131llarda tarihe ge\u00e7mi\u015fti.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”22721″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u201cGel otur yan\u0131ma dinle s\u00f6zlerimi \/ Sorsana kalbine beni hi\u00e7 sevmedi mi \/ Bilmeden k\u0131rd\u0131msa b\u00fct\u00fcn su\u00e7 bende mi \/ Ba\u011f\u0131\u015fla sevgilim sen affet beni.\u201d Luciano Rossi bestesi \u00fczerine Fikret \u015eene\u015f\u2019in yazd\u0131\u011f\u0131 bu s\u00f6zler, Ajda Pekkan\u2019\u0131n jest ve mimikleriyle klasik halini alm\u0131\u015ft\u0131.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text]Bak\u0131m\u0131, muhafazas\u0131 ve dinleme \u015fekliyle bir rit\u00fcel gerektiren, g\u00fcn\u00fcm\u00fczde ancak koleksiyonerlerde veya sahaflarda bulabilece\u011fimiz 45\u2019likler, iki ayr\u0131 y\u00fcz\u00fcne birer \u015fark\u0131 olmak \u00fczere en fazla iki \u015fark\u0131 kaydedilebilen, plastikten \u00fcretilmi\u015f ve bir dakikada 45 devir d\u00f6nd\u00fc\u011f\u00fc i\u00e7in ad\u0131 45\u2019lik olan kay\u0131t ara\u00e7lar\u0131yd\u0131. \u00d6zellikle 70\u2019lere damgas\u0131n\u0131 vuran bu nostalji simgelerine bak\u0131n kimler hangi \u015fark\u0131larla ad\u0131n\u0131 yazd\u0131rm\u0131\u015ft\u0131?[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title […]<\/p>\n","protected":false},"author":1,"featured_media":22714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1033,773,1034,80],"class_list":["post-22713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-45lik","tag-muzik","tag-plak","tag-sarki"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/22713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22713"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/22713\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}