{"id":22232,"date":"2025-07-23T11:43:45","date_gmt":"2025-07-23T08:43:45","guid":{"rendered":"https:\/\/kulturveyasam.com\/?p=22232"},"modified":"2025-07-23T11:43:45","modified_gmt":"2025-07-23T08:43:45","slug":"duygularin-tasviri-olarak-nitelenen-akim-izlenimcilik","status":"publish","type":"post","link":"https:\/\/soms.invekor.net\/?p=22232","title":{"rendered":"DUYGULARIN TASV\u0130R\u0130 OLARAK N\u0130TELENEN AKIM: \u0130ZLEN\u0130MC\u0130L\u0130K"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Birbirine tepki olarak do\u011fan sanat ak\u0131mlar\u0131 i\u00e7inde \u00f6zg\u00fcr \u00fcretimlerin kap\u0131s\u0131n\u0131 aralayan ak\u0131md\u0131r, izlenimcilik. Orijinal ad\u0131 empresyonizmdir. Bu ak\u0131m, sanat\u00e7\u0131y\u0131 kal\u0131plar\u0131n ve kurallar\u0131n \u00f6tesine ta\u015f\u0131yarak, kendi d\u00fc\u015f\u00fcnsel varl\u0131\u011f\u0131n\u0131 ortaya koyma imk\u00e2n\u0131 tan\u0131m\u0131\u015f, g\u00f6rd\u00fcklerini duygular\u0131yla birlikte tasvir etmesine izin vermi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;1#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22235&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]19.y\u00fczy\u0131l Fransa\u2019s\u0131nda do\u011fan empresyonizm, t\u00fcm sanat dallar\u0131n\u0131 etkilemi\u015f olsa da, en \u00e7ok resim sanat\u0131nda kendini g\u00f6stermi\u015ftir. Frans\u0131zca kelimenin dilimizdeki kar\u015f\u0131l\u0131\u011f\u0131 izlenimciliktir. Empresyonizm ismini \u00fcnl\u00fc Frans\u0131z ressam Claude Monet\u2018nin \u201cImpression: soleil levant\u201d isimli tablosundan alm\u0131\u015ft\u0131r. Hatta bu tan\u0131m, Monet\u2019nin sergisini ve tablosunu hedef alan Paris gazetesindeki bir ele\u015ftiri yaz\u0131s\u0131nda kullan\u0131ld\u0131ktan sonra ak\u0131m\u0131n ismi haline gelmi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;2#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22236&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]Empresyonizm ya da izlenimcilikte, sanat\u00e7\u0131n\u0131n eserinde ne g\u00f6rd\u00fc\u011f\u00fcne de\u011fil nas\u0131l g\u00f6rd\u00fc\u011f\u00fcne yer vermesi beklenir. Ba\u015fka bir deyi\u015fle, sanat\u00e7\u0131 g\u00f6rd\u00fc\u011f\u00fc ger\u00e7ekli\u011fi duygular\u0131yla birlikte yorumlar ve kendi izlenimiyle eserine yans\u0131t\u0131r. Objektif bak\u0131\u015f yerini s\u00fcbjektif yakla\u015f\u0131ma b\u0131rak\u0131r. Ressam, izlenimlerini yans\u0131t\u0131rken b\u00fcy\u00fck oranda \u0131\u015f\u0131k ve renklerden etkilenir. Yukar\u0131daki resimde, Pierre Auguste Renoir\u2019n\u0131n izlenimci eserlerinden birini g\u00f6r\u00fcyorsunuz\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;3#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22237&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]Y\u00fcr\u00fcy\u00fc\u015f isimli bu tablo da empresyonist ressam Pierre Auguste Renoir\u2019ya aittir. Renoir, Claude Monet, Fr\u00e9d\u00e9ric Bazille ve Alfred Sisley ile \u00e7al\u0131\u015fm\u0131\u015f ve aralar\u0131na Paul C\u00e9zanne, Edgar Degas, Berthe Morisot, Camille Pissarro gibi isimleri de alarak empresyonizmin temellerini atm\u0131\u015flard\u0131r. Ak\u0131m\u0131n en \u00fcnl\u00fc eserlerini \u00fcreten bu ressamlardan kimi \u00f6l\u00fcm\u00fcnden \u00f6nce kimiyse \u00f6l\u00fcm\u00fcn\u00fcn ard\u0131ndan de\u011fer g\u00f6rm\u00fc\u015ft\u00fcr.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;4#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22238&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]Lorient\u2019teki Liman tablosunun ressam\u0131 Berthe Morisot \u2018dur. 1841-1895 y\u0131llar\u0131 aras\u0131nda ya\u015fayan sanat\u00e7\u0131, Frans\u0131z sanat ele\u015ftirmeni Gustave Geffroy taraf\u0131ndan, Marie Bracquemond ve Mary Cassatt ile birlikte \u201cempresyonizmin \u00fc\u00e7 b\u00fcy\u00fck kad\u0131n\u0131\u201dndan biri olarak g\u00f6sterilmi\u015ftir. Morisot, \u00e7o\u011funlukla portreler, ev ve aile hayat\u0131 ile manzaralar \u00fczerine \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Ayn\u0131 zamanda bir s\u00fcre empresyonist ressamlara modellik yapan Julie Manet\u2019nin de annesidir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;5#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22239&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]Empresyonizm, ortaya \u00e7\u0131kt\u0131\u011f\u0131 1800\u2019lerin ikinci yar\u0131s\u0131nda, geleneksel sanat camias\u0131n\u0131n b\u00fcy\u00fck tepkisiyle kar\u015f\u0131la\u015fm\u0131\u015ft\u0131. 1800\u2019lerin sonunda izlenimci olarak yola \u00e7\u0131k\u0131p bir s\u00fcre sonra bu ak\u0131m\u0131n s\u0131n\u0131rlar\u0131n\u0131 a\u015fmak isteyen kimi ressamlar da empresyonizmin kurallar\u0131na tepki g\u00f6sterdi ve b\u00f6ylece k\u0131sa bir d\u00f6nemde var olacak ama yepyeni ak\u0131mlara kap\u0131 aralayacak olan post-empresyonizm do\u011fdu. \u00dcnl\u00fc ressam Vincent van Gogh da post-empresyonizmin \u00f6nc\u00fclerinden biriydi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;6#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22240&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]Duygular\u0131n, hayallerin, sezgilerin ger\u00e7ekle bulu\u015ftu\u011fu empresyonist ak\u0131m en \u00e7ok ressamlar\u0131 etkilemi\u015f olsa da sanat\u0131n di\u011fer dallar\u0131 da kendisine d\u00fc\u015fen pay\u0131 alm\u0131\u015ft\u0131. \u00d6rne\u011fin m\u00fczikte pek \u00e7ok kal\u0131b\u0131n d\u0131\u015f\u0131na \u00e7\u0131k\u0131lm\u0131\u015f ve m\u00fczisyenler \u015fairane taraflar\u0131n\u0131 kullanmaya ba\u015flam\u0131\u015flard\u0131r. 20. y\u00fczy\u0131l\u0131n en \u00f6nemli Frans\u0131z bestecilerinden olan Claude Debussy empresyonizmin \u00f6nc\u00fcs\u00fc kabul edilir. Yukar\u0131da okudu\u011funuz al\u0131nt\u0131 ise Frans\u0131z \u015fair Arthur Rimbaud\u2019un Ofelya \u015fiirine ait olmakla birlikte empresyonizmin edebiyata yans\u0131mas\u0131na bir \u00f6rnektir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;7#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22241&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]Ak\u0131m\u0131n edebiyat alan\u0131ndaki di\u011fer temsilcileri olarak Rainer Maria Rilke, James Joyce g\u00f6sterilebilir. T\u00fcrk edebiyat\u00e7\u0131lar aras\u0131nda Ahmet Ha\u015fim, Cenap \u015eahabettin, Ahmet Muhip D\u0131ranas da eserlerinde izlenimci \u00f6rnekler vermi\u015flerdir ve yukar\u0131da okudu\u011funuz Ahmet Ha\u015fim\u2019e ait dizeler bunun g\u00fczel bir \u00f6rne\u011fidir.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Birbirine tepki olarak do\u011fan sanat ak\u0131mlar\u0131 i\u00e7inde \u00f6zg\u00fcr \u00fcretimlerin kap\u0131s\u0131n\u0131 aralayan ak\u0131md\u0131r, izlenimcilik. Orijinal ad\u0131 empresyonizmdir. Bu ak\u0131m, sanat\u00e7\u0131y\u0131 kal\u0131plar\u0131n ve kurallar\u0131n \u00f6tesine ta\u015f\u0131yarak, kendi d\u00fc\u015f\u00fcnsel varl\u0131\u011f\u0131n\u0131 ortaya koyma imk\u00e2n\u0131 tan\u0131m\u0131\u015f, g\u00f6rd\u00fcklerini duygular\u0131yla birlikte tasvir etmesine izin vermi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=&#8221;innerItemContainer&#8221;][vc_column][eltd_section_title alignment=&#8221;left&#8221; title=&#8221;1#&#8221; title_font_size=&#8221;13&#8243;][vc_single_image image=&#8221;22235&#8243; img_size=&#8221;full&#8221; el_class=&#8221;innerImageContainer&#8221;][vc_column_text el_class=&#8221;innerText&#8221;]19.y\u00fczy\u0131l Fransa\u2019s\u0131nda do\u011fan empresyonizm, t\u00fcm sanat dallar\u0131n\u0131 etkilemi\u015f olsa da, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":22234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3664,3679,891],"class_list":["post-22232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-empresyonizm","tag-izlenimcilik","tag-sanat-akimlari"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/22232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22232"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/22232\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}