[vc_row][vc_column][vc_column_text]Muhte\u015fem tekniklerle yap\u0131lm\u0131\u015f ve sanat tarihine damgas\u0131n\u0131 vurmu\u015f nice tablolar vard\u0131r ki \u00fcn\u00fc kendisini \u00fcreten ressam\u0131 bile a\u015fm\u0131\u015ft\u0131r. O tablolardan kimi de vard\u0131r ki hik\u00e2yeleriyle dikkat \u00e7eker. Onlardan birka\u00e7 tanesini sayfam\u0131zda g\u00f6rebilir ve ifade ettikleri anlamlar\u0131 genel hatlar\u0131yla okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”21824″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Haf\u0131zan\u0131n S\u00fcreklili\u011fi, Belle\u011fin Azmi veya Eriyen Saatler gibi isimlerle bilinen, \u0130spanyol ressam Salvador Dali\u2019nin 1931 y\u0131l\u0131nda yapt\u0131\u011f\u0131 s\u00fcrrealist resimde, d\u00f6rt adet cep saati ile zaman\u0131n insan ve do\u011fa nazar\u0131nda g\u00f6receli olu\u015funa ve diren\u00e7sizli\u011fine vurgu yap\u0131lm\u0131\u015ft\u0131r. Saatlerden biri resmin orta yerindeki bi\u00e7imsiz bir insan y\u00fcz\u00fc \u00fcst\u00fcnde, di\u011feri \u00f6l\u00fc bir a\u011fa\u00e7 dal\u0131nda erimektedir. Bir saatin \u00fcst\u00fcnde sinek vard\u0131r, bir saat kar\u0131ncalar taraf\u0131ndan ta\u015f\u0131nmaktad\u0131r. Arka plan\u0131nda ise Katalonya b\u00f6lgesinden canl\u0131 bir manzara yer almaktad\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”21825″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Hollandal\u0131 ressam Rembrandt 1632 y\u0131l\u0131nda yapt\u0131\u011f\u0131 resimde d\u00f6nemin \u00fcnl\u00fc cerrahlar\u0131ndan Dr. Nicolaes Tulp taraf\u0131ndan d\u00fczenlenen ger\u00e7ek bir anatomi dersini tasvir etmi\u015ftir. Dr. Tulp, cesedin kol kaslar\u0131 \u00fczerinden ders vermekte ve di\u011fer cerrahlar da onu ilgiyle dinlemektedir. O d\u00f6nem sadece su\u00e7lular\u0131n kadavra olarak kullan\u0131lmas\u0131na izin verildi\u011finden resimdeki ceset de dersten bir g\u00fcn \u00f6nce soygun su\u00e7lamas\u0131yla idam edilen Aris Kindt’e aittir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”21826″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Atina Okulu isimli resim asl\u0131nda \u0130talyan ressam Raffaello Sanzio taraf\u0131ndan 1509-1511 y\u0131llar\u0131 aras\u0131nda yap\u0131lan bir fresktir. Sanat\u00e7\u0131 kendi \u00e7a\u011f\u0131nda d\u00fc\u015f\u00fcncenin k\u00f6relmeye y\u00fcz tuttu\u011funu d\u00fc\u015f\u00fcnerek filozof ve bilim insanlar\u0131ndan olu\u015fan bu resmi \u00e7izmi\u015ftir. T\u00fcm fig\u00fcrlerin kimi temsil etti\u011fi bilinmemekle birlikte bir\u00e7o\u011fu \u00e7\u00f6z\u00fclebilmi\u015ftir. Resmin tam ortas\u0131nda kalan iki fig\u00fcr Aristo ve Platon\u2019dur. Di\u011fer fig\u00fcrler aras\u0131nda \u00d6klid, Pisagor, Epik\u00fcr, Diyojen, Strabon gibi \u00fcnl\u00fc d\u00fc\u015f\u00fcn\u00fcrler bulunmaktad\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”21827″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]T\u00fcrk ressam \u0130brahim \u00c7all\u0131\u2019n\u0131n 1923 y\u0131l\u0131nda yapt\u0131\u011f\u0131 Zeybekler veya Zeybekler Kurtulu\u015f Sava\u015f\u0131\u2019nda isimli resminde sava\u015fa gitmek i\u00e7in haz\u0131rl\u0131k yapan bir grup zeybek ile onlar\u0131 u\u011furlamaya gelen kad\u0131nlar tasvir edilmi\u015ftir. Resimdeki odak noktas\u0131 beyaz at\u0131na e\u015fyas\u0131n\u0131 y\u00fcklemeye \u00e7al\u0131\u015fan zeybektir. Bir taraf\u0131nda kar\u015f\u0131l\u0131kl\u0131 konu\u015fan iki zeybek, di\u011fer taraf\u0131nda oturdu\u011fu yerden kad\u0131nlarla konu\u015fan ba\u015fka bir zeybek bulunmaktad\u0131r. Arka planda ise s\u0131rada\u011flar y\u00fckselmekte, da\u011flar\u0131n ete\u011finde bir k\u00f6y g\u00f6r\u00fclmektedir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”21828″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u0130spanyol ressam Picasso 1937 y\u0131l\u0131nda yapt\u0131\u011f\u0131 resimde, \u0130spanya \u0130\u00e7 Sava\u015f\u0131 esnas\u0131nda Nazilerin y\u00f6netimindeki Almanya\u2019ya ait bombard\u0131man u\u00e7aklar\u0131n\u0131n \u0130spanya’daki Guernica \u015fehrini bombalamas\u0131n\u0131 resmetmi\u015ftir. 26 Nisan 1937’de ger\u00e7ekle\u015fen bombalaman\u0131n yaratt\u0131\u011f\u0131 trajediyi korku dolu insanlar, ac\u0131 \u00e7eken hayvanlar, y\u0131k\u0131lan binalar e\u015fli\u011finde tasvir etmi\u015ftir. Sava\u015f\u0131 \u00f6l\u00fcm ve cans\u0131zl\u0131kla e\u015fleyerek resmi renklendirmemi\u015f siyah beyaz olarak \u00fcretmi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”21829″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u0130talyan ressam Leonardo da Vinci 15. y\u00fczy\u0131lda yapt\u0131\u011f\u0131 Son Ak\u015fam Yeme\u011fi isimli freskte, \u0130sa Peygamber\u2019in Romal\u0131 askerlerce tutuklanmas\u0131ndan bir g\u00fcn \u00f6nce havarileriyle yedi\u011fi son yeme\u011fi \u0130ncil\u2019i referans alarak tasvir etmi\u015ftir. Resimdeki konunun genel \u00e7er\u00e7evesi b\u00f6yledir fakat ger\u00e7ekte bu yeme\u011fin d\u00f6nem gere\u011fi bir masa etraf\u0131nda ger\u00e7ekle\u015fmedi\u011fi bilinmektedir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”21830″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Frans\u0131z ressam Jacques-Louis David\u2019in 1787 y\u0131l\u0131nda yapt\u0131\u011f\u0131 resimde Yunan filozof Sokrates\u2019in \u00f6l\u00fcme giden an\u0131 tasvir edilmi\u015ftir. Bilindi\u011fi gibi d\u00fc\u015f\u00fcncelerini ifade ederek gen\u00e7lerin ahlak\u0131n\u0131 bozdu\u011fu ileri s\u00fcr\u00fclen Sokrates yarg\u0131lanm\u0131\u015f, s\u00fcrg\u00fcne g\u00f6nderilme \u00f6nerisini reddetmesi \u00fczerine \u00f6l\u00fcme mahk\u00fbm edilmi\u015ftir. Resimde, i\u00e7inde bald\u0131ran zehri bulunan kupay\u0131 bir \u00f6\u011frencisi Sokrates\u2019e keder i\u00e7inde uzatmaktad\u0131r. Yata\u011f\u0131n ayak k\u0131sm\u0131nda \u00fcz\u00fcnt\u00fc i\u00e7inde oturan ki\u015fi ise Platon\u2019dur. \u00dcz\u00fcnt\u00fc i\u00e7indeki \u00f6\u011frencileri aras\u0131nda Sokrates son derece g\u00fc\u00e7l\u00fc ve kendinden emin olarak resmedilmi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text]Muhte\u015fem tekniklerle yap\u0131lm\u0131\u015f ve sanat tarihine damgas\u0131n\u0131 vurmu\u015f nice tablolar vard\u0131r ki \u00fcn\u00fc kendisini \u00fcreten ressam\u0131 bile a\u015fm\u0131\u015ft\u0131r. O tablolardan kimi de vard\u0131r ki hik\u00e2yeleriyle dikkat \u00e7eker. Onlardan birka\u00e7 tanesini sayfam\u0131zda g\u00f6rebilir ve ifade ettikleri anlamlar\u0131 genel hatlar\u0131yla okuyabilirsiniz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”21824″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Haf\u0131zan\u0131n S\u00fcreklili\u011fi, Belle\u011fin Azmi veya Eriyen Saatler gibi isimlerle […]<\/p>\n","protected":false},"author":1,"featured_media":21823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[453,847,848,849],"class_list":["post-21822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-resim","tag-ressam","tag-tablo","tag-unlu-tablolar"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/21822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21822"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/21822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/media\/21823"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}