[vc_row][vc_column][vc_column_text]1588 y\u0131l\u0131nda \u0130stanbul\u2019da hayata g\u00f6zlerini yumdu\u011funda 100 ya\u015f\u0131na iki kalm\u0131\u015ft\u0131. Mimarba\u015f\u0131 oldu\u011funda, \u00e7ok da gen\u00e7 say\u0131lmayacak bir d\u00f6neminde, 48 ya\u015f\u0131ndayd\u0131 ve yar\u0131m as\u0131rl\u0131k mimarl\u0131k kariyerine y\u00fczlerce eser s\u0131\u011fd\u0131rd\u0131. \u0130mza att\u0131\u011f\u0131 477 adet eserin i\u00e7inde camiler, k\u00f6pr\u00fcler, imaretler, medreseler, dar\u00fc\u015f\u015fifalar, hamamlar, kervansaraylar diye devam eden 16 farkl\u0131 yap\u0131 tipi bulunuyordu. Eserlerinden 120 tanesi g\u00fcn\u00fcm\u00fczde h\u00e2l\u00e2 kullan\u0131lmakta. Gelin, sadece mimar kimli\u011fiyle de\u011fil m\u00fchendislik zek\u00e2s\u0131yla da bir deha olan Mimar Sinan\u2019\u0131, mesle\u011fine ve eserlerine ili\u015fkin kimi detaylar\u0131 hat\u0131rlayarak anal\u0131m.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”20930″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Kat\u0131ld\u0131\u011f\u0131 Bo\u011fdan Seferi s\u0131ras\u0131nda, ordunun kar\u015f\u0131 k\u0131y\u0131ya ge\u00e7mesi i\u00e7in Prut Nehri \u00fcst\u00fcne k\u00f6pr\u00fc yap\u0131lmas\u0131 gerekmi\u015f, birka\u00e7 deneme ba\u015far\u0131s\u0131z olunca Sultan S\u00fcleyman\u2019dan gelen emir \u00fczerine o d\u00f6nem yeni\u00e7eri olan Sinan devreye girmi\u015fti. \u0130leriki zamanlarda Kanuni\u2019nin ba\u015fmimar\u0131 olacak Sinan, Prut Nehri \u00fcst\u00fcne sadece 10 g\u00fcnde bir k\u00f6pr\u00fc in\u015fa etti. Tabii ge\u00e7ici bir k\u00f6pr\u00fc oldu\u011fu i\u00e7in g\u00fcn\u00fcm\u00fcze kadar ula\u015famad\u0131. Foto\u011fraftaki yap\u0131 ise yine usta mimar\u0131n imza att\u0131\u011f\u0131 Bosna-Hersek\u2019teki Drina K\u00f6pr\u00fcs\u00fc\u2019d\u00fcr.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”23114″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]S\u00fcleymaniye Camii\u2019nin as\u0131rlara meydan okumas\u0131n\u0131n s\u0131rlar\u0131ndan biri, yap\u0131n\u0131n temeli kaz\u0131ld\u0131\u011f\u0131nda Mimar Sinan\u2019\u0131n in\u015fay\u0131 hemen ba\u015flatmamas\u0131, birka\u00e7 sene kaz\u0131k \u00e7akarak zeminin iyice s\u0131k\u0131la\u015fmas\u0131n\u0131 beklemesiydi. Hatta bu inceli\u011fin fark\u0131nda olmayanlar, usta mimar\u0131n i\u015fi a\u011f\u0131rdan ald\u0131\u011f\u0131 s\u00f6ylentilerini bile yaym\u0131\u015ft\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”20932″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Alibey Deresi \u00fczerine Ma\u011flova Su Kemeri\u2019ni in\u015fa ederken sel bask\u0131n\u0131 ve \u015fiddetli hava ak\u0131m\u0131na kar\u015f\u0131 yapt\u0131\u011f\u0131 k\u00fc\u00e7\u00fck hafifletme kemerleri, ayr\u0131ca a\u011f\u0131rl\u0131\u011f\u0131 ta\u015f\u0131mas\u0131 i\u00e7in yapt\u0131\u011f\u0131 piramit \u015feklindeki ayaklar, Mimar Sinan\u2019\u0131n geli\u015ftirdi\u011fi ve d\u00fcnyada \u00f6rne\u011fi bulunmayan sigorta sistemleriydi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”20933″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u0130\u00e7b\u00fckey oldu\u011fu i\u00e7in sesi odaklayan cami kubbelerinin akustik sorununu, bazen kubbeden yans\u0131yan sesin duvarlarda yutulmas\u0131n\u0131, bazen de sesi direkt kubbenin yutmas\u0131n\u0131 sa\u011flayarak giderdi. Bunu farkl\u0131 malzemelerden olu\u015fan \u00f6zel s\u0131valar kullanarak yapm\u0131\u015ft\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”20934″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Mimar Sinan, eserlerinde ana kubbe, yar\u0131m kubbeler, kemerler ve pandantiflerden olu\u015fan ta\u015f\u0131y\u0131c\u0131 bir sistem geli\u015ftirmi\u015f, bunun kare, alt\u0131gen ya da sekizgen olmak \u00fczere \u00fc\u00e7 \u00e7e\u015fidini kullanm\u0131\u015ft\u0131. Ana kubbe ve onu \u00e7evreleyen d\u00f6rt yar\u0131m kubbesiyle \u015eehzade Camii, sonradan gelenekselle\u015fecek bu tarz\u0131n ilk \u00f6rne\u011fiydi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”20935″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Mimar Sinan\u2019\u0131n, Selimiye Camii\u2019ni in\u015fa etmekteyken \u00fcst\u00fcnde \u00e7al\u0131\u015ft\u0131\u011f\u0131 di\u011fer bir yap\u0131 Kas\u0131mpa\u015fa\u2019daki Piyale Pa\u015fa Camii\u2019ydi. 1573 y\u0131l\u0131nda ve 83 ya\u015f\u0131nda yapt\u0131\u011f\u0131 bu eser hem daha \u00f6nceki deneyimlerini kulland\u0131\u011f\u0131 hem de \u00f6ncekilerden daha farkl\u0131 bir tarza b\u00fcr\u00fcnd\u00fcrd\u00fc\u011f\u00fc ayr\u0131cal\u0131kl\u0131 bir Osmanl\u0131 yap\u0131s\u0131 olacakt\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”20936″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Mimar Sinan, \u00e7\u0131rakl\u0131k eserini 50\u2019li ya\u015flar\u0131nda, kalfal\u0131k eserini 60\u2019l\u0131 ya\u015flar\u0131nda, ustal\u0131k eserini 80\u2019li ya\u015flar\u0131nda ortaya koydu. Bilindi\u011fi gibi \u00e7\u0131rakl\u0131k eseri olarak \u015eehzade Camii\u2019ni, kalfal\u0131k eseri olarak S\u00fcleymaniye Camii\u2019ni, ustal\u0131k eseri olarak Selimiye Camii\u2019ni g\u00f6stermi\u015fti.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row][vc_column][vc_column_text]1588 y\u0131l\u0131nda \u0130stanbul\u2019da hayata g\u00f6zlerini yumdu\u011funda 100 ya\u015f\u0131na iki kalm\u0131\u015ft\u0131. Mimarba\u015f\u0131 oldu\u011funda, \u00e7ok da gen\u00e7 say\u0131lmayacak bir d\u00f6neminde, 48 ya\u015f\u0131ndayd\u0131 ve yar\u0131m as\u0131rl\u0131k mimarl\u0131k kariyerine y\u00fczlerce eser s\u0131\u011fd\u0131rd\u0131. \u0130mza att\u0131\u011f\u0131 477 adet eserin i\u00e7inde camiler, k\u00f6pr\u00fcler, imaretler, medreseler, dar\u00fc\u015f\u015fifalar, hamamlar, kervansaraylar diye devam eden 16 farkl\u0131 yap\u0131 tipi bulunuyordu. Eserlerinden 120 tanesi g\u00fcn\u00fcm\u00fczde h\u00e2l\u00e2 kullan\u0131lmakta. […]<\/p>\n","protected":false},"author":1,"featured_media":20929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[342,343,588],"class_list":["post-20928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-mimar-sinan","tag-selimiye-camii","tag-suleymaniye-camii"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/20928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20928"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/20928\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/media\/20929"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}