[vc_row][vc_column][vc_column_text]Hac\u0131 \u00c2rif Bey, Klasik T\u00fcrk M\u00fczi\u011fimizin bug\u00fcnk\u00fc tabirle duayen ismi \u0130sm\u00e2il Dede Efendi\u2019den yar\u0131m as\u0131r sonra, 1831 y\u0131l\u0131nda d\u00fcnyaya gelmi\u015ftir. Bu d\u00f6nem, Osmanl\u0131 saray\u0131nda Bat\u0131 musikisi etkilerinin belirginle\u015fti\u011fi d\u00f6nem olarak bilinir. Hac\u0131 \u00c2rif Bey de i\u00e7ine do\u011fdu\u011fu zaman diliminde T\u00fcrk musikisine \u00e7ok \u00f6nemli katk\u0131larda bulunmu\u015f \u00f6nemli bir bestek\u00e2rd\u0131r. 1885 y\u0131l\u0131nda hayat\u0131n\u0131 kaybeden m\u00fczik adam\u0131, hayat hik\u00e2yesinden k\u0131sa bilgilerle sayfam\u0131za konuk oluyor.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”20837″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Sesi k\u00fc\u00e7\u00fck ya\u015f\u0131nda fark edilmi\u015f, Zek\u00e2i Dede Efendi ve Eyyub\u00ee Mehmed Bey’den ders alm\u0131\u015f, saray bandosu M\u0131z\u0131ka-\u0131 H\u00fcmayun\u2019da e\u011fitim g\u00f6rm\u00fc\u015ft\u00fcr. B\u00f6ylece gen\u00e7 ya\u015f\u0131nda saraya ad\u0131m atm\u0131\u015f, sesinin g\u00fczelli\u011fi Sultan Abd\u00fclmecid taraf\u0131ndan onaylanm\u0131\u015f, Harem-i H\u00fcmayun\u2019da kad\u0131nlara musiki dersleri vermekle g\u00f6revlendirilmi\u015ftir. Ne var ki ya\u015fad\u0131\u011f\u0131 g\u00f6n\u00fcl ili\u015fkileri birka\u00e7 kez evlendirilmek suretiyle saraydan uzakla\u015ft\u0131r\u0131lmas\u0131na sebep olmu\u015f, fakat ayr\u0131l\u0131k ve \u00f6l\u00fcm gibi talihsizliklerle sonu\u00e7lanan bu evliliklerin ard\u0131ndan tekrar sarayda kabul g\u00f6rm\u00fc\u015ft\u00fcr.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”20838″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Hac\u0131 \u00c2rif Bey\u2019in ya\u015fad\u0131\u011f\u0131 sevdalar ve ayr\u0131l\u0131klar kar\u015f\u0131s\u0131nda yapt\u0131\u011f\u0131 bestelerden baz\u0131lar\u0131 g\u00fcn\u00fcm\u00fcze kadar ula\u015fmay\u0131 ba\u015farm\u0131\u015ft\u0131r. \u201c\u015eerhedemem h\u00e2limi canan\u0131ma \/ \u00c7are bulunmaz bilirim y\u00e2reme\u201d dizelerinin ge\u00e7ti\u011fi eser onlardan biridir ve g\u00fcn\u00fcm\u00fczde Tarkan gibi \u00fcnl\u00fc sanat\u00e7\u0131lar taraf\u0131ndan da seslendirilmi\u015ftir. Hac\u0131 \u00c2rif Bey\u2019in g\u00fcc\u00fcn\u00fcn, sesinin yan\u0131 s\u0131ra \u00e7ok h\u0131zl\u0131 beste yapmas\u0131ndan ve y\u00fczlerce eseri haf\u0131zas\u0131nda tutabilmesinden kaynakland\u0131\u011f\u0131 s\u00f6ylenir. Herhangi bir saz \u00e7almad\u0131\u011f\u0131 ve nota yazmay\u0131 bilmedi\u011fi halde bir gecede dokuz-on tane beste yapt\u0131\u011f\u0131 rivayetler aras\u0131ndad\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”20839″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Hac\u0131 \u00c2rif Bey T\u00fcrk musikisinde romantik d\u00f6nemin ba\u015flang\u0131c\u0131 olarak kabul edilir. Herkesin anlayabilece\u011fi sadelikte s\u00f6zlerle yaz\u0131lm\u0131\u015f, melodi ve ritim zenginli\u011fi i\u00e7eren \u015fark\u0131 formu onunla birlikte pop\u00fclerlik kazanm\u0131\u015ft\u0131r. Padi\u015fahlar Abd\u00fclmecid, Abd\u00fclaziz ve II. Abd\u00fclhamid d\u00f6nemlerinde sarayda g\u00f6rev alan bestek\u00e2r\u0131n yukar\u0131daki dizeleri de d\u00f6nemin en \u00fcnl\u00fc eserleri aras\u0131nda yer alm\u0131\u015f ve g\u00fcn\u00fcm\u00fczde h\u00e2l\u00e2 seslendirilen \u015fark\u0131lar\u0131ndan biridir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”20840″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]En \u00e7ok kullan\u0131lan m\u00fczik makamlar\u0131ndan “k\u00fcrdilihicazk\u00e2r” da \u00c2rif Bey\u2019in bulu\u015fudur. \u201cGur\u00fbb etti g\u00fcne\u015f d\u00fcnya karard\u0131\u201d dizesiyle ba\u015flayan k\u00fcrdilihicazk\u00e2r makam\u0131ndaki \u015fark\u0131 ise besteledi\u011fi son eserdir. 1000 say\u0131s\u0131na ula\u015facak kadar \u00e7ok eser besteledi\u011fi rivayet edilmi\u015ftir ama g\u00fcn\u00fcm\u00fcze ula\u015fan say\u0131 337\u2019dir. Baz\u0131 eserlerin s\u00f6zleri de kendisine aittir, hatta d\u00f6neminde Mecm\u00fba-i \u00c2rif\u00ee isminde bir g\u00fcfte dergisi \u00e7\u0131kard\u0131\u011f\u0131 da bilinmektedir. Hac\u0131 \u00c2rif Bey kendisinden sonra gelen ve g\u00fcn\u00fcm\u00fczde de etkisi s\u00fcren \u00e7ok say\u0131da m\u00fczik \u00fcstad\u0131na hocal\u0131k yapm\u0131\u015ft\u0131r. \u015eevki Bey, Lemi Atl\u0131 o \u00fcnl\u00fc isimlerden sadece ikisidir.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
Hac\u0131 \u00c2rif Bey, Klasik T\u00fcrk M\u00fczi\u011fimizin bug\u00fcnk\u00fc tabirle duayen ismi \u0130sm\u00e2il Dede Efendi\u2019den yar\u0131m as\u0131r sonra, 1831 y\u0131l\u0131nda d\u00fcnyaya gelmi\u015ftir. Bu d\u00f6nem, Osmanl\u0131 saray\u0131nda Bat\u0131 musikisi etkilerinin belirginle\u015fti\u011fi d\u00f6nem olarak bilinir. Hac\u0131 \u00c2rif Bey de i\u00e7ine do\u011fdu\u011fu zaman diliminde T\u00fcrk musikisine \u00e7ok \u00f6nemli katk\u0131larda bulunmu\u015f \u00f6nemli bir bestek\u00e2rd\u0131r. 1885 y\u0131l\u0131nda hayat\u0131n\u0131 kaybeden m\u00fczik adam\u0131, hayat hik\u00e2yesinden k\u0131sa bilgilerle sayfam\u0131za konuk oluyor.<\/p>\n","protected":false},"author":1,"featured_media":20836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2239,2240,447],"class_list":["post-20833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-haci-arif-bey","tag-ismail-dede-efendi","tag-klasik-turk-muzigi"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/20833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20833"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/20833\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/media\/20836"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}