[vc_row][vc_column][vc_column_text]Antik \u00e7a\u011flardan g\u00fcn\u00fcm\u00fcze in\u015fa edilen bir\u00e7ok mimari yap\u0131da insanl\u0131\u011f\u0131n bilgi birikiminin, d\u00fc\u015f\u00fcnsel d\u00fcnyas\u0131n\u0131n, estetik ve sanata bak\u0131\u015f\u0131n\u0131n izlerini s\u00fcrmek m\u00fcmk\u00fcnd\u00fcr. Bu y\u00fczden d\u00fcnyan\u0131n farkl\u0131 yerlerinde kar\u015f\u0131m\u0131za \u00e7\u0131kan kimi yap\u0131lar insanl\u0131\u011fa mal edilirler. Ayasofya, Tac Mahal, Notre Dame Katedrali, Pisa Kulesi ve niceleri\u2026 Bu gibi eserlerin zihinlerde belirmesini, tasarlanmas\u0131n\u0131 ya da yap\u0131lmas\u0131n\u0131 sa\u011flayan \u00e7ok say\u0131da \u00f6nemli mimar gelip ge\u00e7ti d\u00fcnyadan… Bu listemiz tarihte mimariye farkl\u0131 katk\u0131lar sunmu\u015f \u00f6zel isimlere ait\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Dev bir imparatorlu\u011fun ba\u015fmimar\u0131” title_font_size=”13″][vc_single_image image=”18054″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1489\u2019da Kayseri\u2019de do\u011fup 1588\u2019de \u0130stanbul\u2019da hayat\u0131n\u0131 kaybeden Mimar Sinan, 99 y\u0131ll\u0131k \u00f6mr\u00fcn\u00fcn 49 y\u0131l\u0131n\u0131 \u00fc\u00e7 k\u0131tada egemenlik kuran Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun ba\u015fmimar\u0131 olarak ge\u00e7irdi. \u00c7\u0131rakl\u0131ktan ustal\u0131\u011fa uzanan hik\u00e2yesinde diyar diyar dola\u015f\u0131p eserler restore etti, d\u00fcnyan\u0131n g\u00f6zdesi \u0130stanbul\u2019un evleri, caddeleri, sokaklar\u0131yla ilgilendi, imza att\u0131\u011f\u0131 eserlerle kendinden sonraki mimarlara e\u015fsiz bilgiler ve ilham aktard\u0131. Osmanl\u0131 mimarisi Selimiye Camii, S\u00fcleymaniye Camii, Haseki K\u00fclliyesi ve nicelerini tasarlayan mimar\u0131n ad\u0131yla y\u00fcceldi. Koca Sinan\u2019\u0131n bir eserinin (B\u00fcy\u00fck\u00e7ekmece K\u00f6pr\u00fcs\u00fc) \u00fczerindeki imzas\u0131 ise \u015f\u00f6yleydi: De\u011fersiz ve muhta\u00e7 kul, Saray \u00f6zel mimarlar\u0131n\u0131n ba\u015fkan\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Resim, heykel ve mimarinin bulu\u015ftu\u011fu zihin” title_font_size=”13″][vc_single_image image=”18055″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u0130talyan ressam, heykelt\u0131ra\u015f, mimar ve \u015fair Michelangelo di Lodovico Buonarroti Simoni\u00a01475-1564 y\u0131llar\u0131 aras\u0131nda ya\u015fad\u0131. Adem\u2019in Yarat\u0131l\u0131\u015f\u0131 resmi ve Davut heykeli gibi ba\u015fyap\u0131tlar onun eseri ve g\u00fcn\u00fcm\u00fczde daha \u00e7ok bu alandaki \u00fcretimleriyle tan\u0131nmakta. Oysa 1535 y\u0131l\u0131nda Papa\u2019n\u0131n heykelt\u0131ra\u015f\u0131 ve mimar\u0131 olan Michelangelo neredeyse son 20 y\u0131l\u0131n\u0131 tamamen mimariye vermi\u015fti. Aziz Petrus Bazilikas\u0131\u2019n\u0131n kubbesini tasarlad\u0131 fakat tamamland\u0131\u011f\u0131n\u0131 g\u00f6remeden hayata veda etti. T\u0131pk\u0131 resim ve heykelde oldu\u011fu gibi mimari \u00fcretimlerine de ki\u015fili\u011fini yans\u0131tan sanat\u00e7\u0131, R\u00f6nesans kuralc\u0131l\u0131\u011f\u0131ndan \u00f6znelli\u011fe ge\u00e7i\u015fin, yani maniyerizmin \u00f6nc\u00fcs\u00fc oldu.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Delilik ve d\u00e2hilik aras\u0131nda gezinen mimar” title_font_size=”13″][vc_single_image image=”18056″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Antoni Placid Guillem Gaudi i Cornet, 1852-1926 y\u0131llar\u0131 aras\u0131nda ya\u015fayan Katalan bir mimard\u0131. \u201cBu diplomay\u0131 bir deliye mi yoksa bir d\u00e2hiye mi verdi\u011fimizi kim bilebilir? Bunu bize zaman g\u00f6sterecek.\u201d notunu Gaudi\u2019nin mimarl\u0131k diplomas\u0131 \u00fczerine yazan ki\u015fi ise \u00f6\u011fretmeni mimar Elies Rogent oldu. Barcelona\u2019daki sokak lambalar\u0131 ve bir eldiven imalat\u00e7\u0131s\u0131n\u0131n vitrin tasar\u0131m\u0131yla ba\u015flad\u0131\u011f\u0131 mesle\u011finde s\u00fcrreal olarak tan\u0131mlanabilecek \u00e7ok say\u0131da eser \u00fcretti. Casa Batllo binas\u0131, G\u00fcell Park\u0131, La Sagrada Familia bazilikas\u0131 ve di\u011ferleri\u2026 Art Nouveau ak\u0131m\u0131n\u0131n \u0130spanya\u2019daki \u00f6nc\u00fcs\u00fc Gaudi\u2019nin do\u011fadan ilham alarak s\u00fcsledi\u011fi bu yap\u0131lar hala insanl\u0131\u011f\u0131n hayal g\u00fcc\u00fcn\u00fc zorluyor.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Yolunu \u015fa\u015f\u0131ran mimarl\u0131\u011f\u0131 yenileyen adam” title_font_size=”13″][vc_single_image image=”18057″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Mimar Antonio Manetti, yazd\u0131\u011f\u0131 Filippo Brunelleschi biyografisinde \u015fu c\u00fcmleye de yer verir: “Bu adam, y\u00fcz y\u0131llard\u0131r yolunu \u015fa\u015f\u0131rm\u0131\u015f olan mimarl\u0131\u011f\u0131 yenile\u015ftirmesi i\u00e7in bize Tanr\u0131 taraf\u0131ndan g\u00f6nderildi.” Michelangelo\u2019ya nereye g\u00f6m\u00fclmek istedi\u011fi soruldu\u011funda ise cevab\u0131, \u201cBrunelleschi’nin yap\u0131t\u0131n\u0131 sonsuza kadar seyredebilece\u011fim bir yere\u201d olur. 1377-1446 y\u0131llar\u0131 aras\u0131nda ya\u015fayan \u0130talyan mimar ve heykelt\u0131ra\u015f Brunelleschi Floransa Katedrali’nin kubbesi gibi ola\u011fan\u00fcst\u00fc eserler imza atm\u0131\u015f, d\u00f6neminde en \u00e7ok tercih edilen Gotik \u00fcsluptan uzak durarak R\u00f6nesans mimarisinin \u00f6nc\u00fcl\u00fc\u011f\u00fcn\u00fc yapm\u0131\u015ft\u0131r. Tasarlad\u0131\u011f\u0131 yap\u0131lar\u0131n in\u015fas\u0131n\u0131n h\u0131zl\u0131 bir \u015fekilde ger\u00e7ekle\u015fmesi i\u00e7in mekanik ara\u00e7lar da icat eden mimar, perspektif \u00e7izimin de mucididir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”Hez\u00e2rfen, polimat, homo universalis ” title_font_size=”13″][vc_single_image image=”18058″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Fars\u00e7a ve Arap\u00e7adan t\u00fcreyen hez\u00e2rfen ya da Yunancadan t\u00fcreyen polimat kelimeleri birden \u00e7ok alanda ihtisas yapm\u0131\u015f ki\u015filer i\u00e7in kullan\u0131l\u0131yor. 1452\u2019de \u0130talya\u2019da do\u011fup 1519\u2019da Fransa\u2019da hayat\u0131n\u0131 kaybeden Leonardo di ser Piero da Vinci de i\u015fte b\u00f6yle bir ki\u015fiydi. Resim, heykel, mimari, m\u00fchendislik, anatomi, mekanik, jeoloji, paleontoloji, matematik, fizik, astronomi gibi alanlarda uzmanla\u015fan Da Vinci homo universalis, yani evrensel insan kimli\u011fiyle g\u00fcn\u00fcm\u00fczde pek \u00e7ok mimara ilham vermeye devam ediyor. Mona Lisa\u2019n\u0131n ressam\u0131 Leonardo, 500 y\u0131l \u00f6nce \u0130stanbul i\u00e7in de bir k\u00f6pr\u00fc tasarlam\u0131\u015f, Galata\u2019ya yap\u0131lmas\u0131n\u0131 \u00f6nerdi\u011fi k\u00f6pr\u00fc i\u00e7in d\u00f6nemin padi\u015fah\u0131 II. Bayezid\u2019e mektup dahi yollam\u0131\u015ft\u0131.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
Antik \u00e7a\u011flardan g\u00fcn\u00fcm\u00fcze in\u015fa edilen bir\u00e7ok mimari yap\u0131da insanl\u0131\u011f\u0131n bilgi birikiminin, d\u00fc\u015f\u00fcnsel d\u00fcnyas\u0131n\u0131n, estetik ve sanata bak\u0131\u015f\u0131n\u0131n izlerini s\u00fcrmek m\u00fcmk\u00fcnd\u00fcr. Bu y\u00fczden d\u00fcnyan\u0131n farkl\u0131 yerlerinde kar\u015f\u0131m\u0131za \u00e7\u0131kan kimi yap\u0131lar insanl\u0131\u011fa mal edilirler. Ayasofya, Tac Mahal, Notre Dame Katedrali, Pisa Kulesi ve niceleri\u2026 Bu gibi eserlerin zihinlerde belirmesini, tasarlanmas\u0131n\u0131 ya da yap\u0131lmas\u0131n\u0131 sa\u011flayan \u00e7ok say\u0131da \u00f6nemli mimar gelip ge\u00e7ti d\u00fcnyadan… Bu listemiz tarihte mimariye farkl\u0131 katk\u0131lar sunmu\u015f \u00f6zel isimlere ait\u2026<\/p>\n","protected":false},"author":1,"featured_media":18060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[683,684,685,342],"class_list":["post-17995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-brunelleschi","tag-leanorda-da-vinci","tag-michelangelo","tag-mimar-sinan"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/17995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17995"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/17995\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/media\/18060"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}