[vc_row][vc_column][vc_column_text]1925 y\u0131l\u0131nda Bak\u0131rk\u00f6y\u2019de d\u00fcnyaya gelen M\u00fcnir \u00d6zkul 2018 y\u0131l\u0131nda, tam 93 ya\u015f\u0131nda aram\u0131zdan ayr\u0131ld\u0131. Cumhuriyet\u2019in akran\u0131 sanat\u00e7\u0131 bu 93 y\u0131l\u0131n 60 y\u0131l\u0131n\u0131 tiyatro sahneleri ve sinema setlerinde ge\u00e7irdi. Kavuk sahibi bir meddah; halk\u0131n Baba, Usta, Hoca diyerek benimsedi\u011fi bir sinema oyuncusu oldu\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1#” title_font_size=”13″][vc_single_image image=”13808″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]M\u00fcnir \u00d6zkul\u2019un oyunculukla ilk tan\u0131\u015fmas\u0131 Bak\u0131rk\u00f6y Halkevinde ger\u00e7ekle\u015fti. Sanat\u0131n bir y\u00f6n\u00fcyle bulu\u015fmas\u0131 ka\u00e7\u0131n\u0131lmazd\u0131 \u00e7\u00fcnk\u00fc \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Sanat Tarihi B\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015fti. Halkevindeki birka\u00e7 amat\u00f6r deneyimin ard\u0131ndan \u0130stanbul Devlet Tiyatrosunda \u00e7al\u0131\u015fmaya ba\u015flad\u0131, sonra Ankara Devlet Tiyatrosu, Ses Tiyatrosu derken perdeleri \u00e2deta onu parlatmak i\u00e7in kapan\u0131p a\u00e7\u0131lacak K\u00fc\u00e7\u00fck Sahne\u2019ye ge\u00e7ti.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”13807″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Herkesten \u00f6nce Muhsin Ertu\u011frul\u2019un dikkatini \u00e7ekmi\u015fti. 70\u2019li y\u0131llarda halk\u0131n \u00f6n\u00fcne Mahmut Hoca, Ya\u015far Usta olarak \u00e7\u0131kmadan \u00e7ok \u00f6nce, 50\u2019li y\u0131llarda, Nobel \u00d6d\u00fcll\u00fc John Steinbeck’in yazd\u0131\u011f\u0131 Fareler ve \u0130nsanlar, George Axelrod’un yazd\u0131\u011f\u0131 Yaz Bek\u00e2r\u0131, John Patrick’in \u00c7ayhane\u2019si gibi \u00f6nemli oyunlar i\u00e7in tiyatro sahnesine \u00e7\u0131kt\u0131. Ama sanat ya\u015fam\u0131nda en \u00e7ok \u201c\u0130bi\u015f\u201d ve \u201cKavuklu\u201dyu sevdi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”13809″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Beyaz perdeye ge\u00e7menin hayalini pek kurmuyordu ama birka\u00e7 sinema filminde ufak roller alm\u0131\u015ft\u0131. Askerli\u011fini yapt\u0131\u011f\u0131 d\u00f6nemde bir g\u00fcn y\u00f6netmen asistanl\u0131\u011f\u0131 yapan arkada\u015f\u0131n\u0131 Ye\u015fil\u00e7am\u2019da ziyarete gitti\u011finde, onu halk\u0131n g\u00f6nl\u00fcne oturtacak yolun da kap\u0131s\u0131ndan girmi\u015f bulunuyordu. Vatan ve Nam\u0131k Kemal isimli filmde \u00fcniformal\u0131 bir fig\u00fcran aran\u0131yordu ve o fig\u00fcran asker k\u0131yafetiyle M\u00fcnir \u00d6zkul oldu. 50\u2019li ve 60\u2019l\u0131 y\u0131llarda filmler art arda geldi; Edi ile B\u00fcd\u00fc, Bal\u0131k\u00e7\u0131 G\u00fczeli, Kalbimin \u015eak\u0131s\u0131, \u015eof\u00f6r Nebahat Bizde Kabahat, Bir Millet Uyan\u0131yor ve daha nicesi\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”13810″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]M\u00fcnir \u00d6zkul i\u00e7in sinema ve tiyatro kol kola y\u00fcr\u00fcyordu. T\u00fcrk tiyatrosunda Kel Hasan Efendi\u2019den \u0130smail D\u00fcmb\u00fcll\u00fc\u2019ye devredilen ve g\u00fcld\u00fcr\u00fc gelene\u011finde yetene\u011fin alameti say\u0131lan \u201cKavuk\u201d, 1968 y\u0131l\u0131nda \u0130smail D\u00fcmb\u00fcll\u00fc taraf\u0131ndan M\u00fcnir \u00d6zkul\u2019a devredildi. Y\u0131llar sonra \u00d6zkul kavu\u011fu Ferhan \u015eensoy\u2019a, \u015eensoy da Rasim \u00d6ztekin\u2019e devredecek ve \u00d6ztekin devir t\u00f6reni s\u0131ras\u0131nda kavu\u011fu \u015f\u00f6yle tan\u0131mlayacakt\u0131: \u201cBu i\u015fin Nirvana\u2019s\u0131!\u201d[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”13811″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u00d6zellikle 70\u2019li y\u0131llarda yer ald\u0131\u011f\u0131 sinema filmleri M\u00fcnir \u00d6zkul\u2019u hep sevgi dolu bir karakter olarak iyicil rollere yerle\u015ftirdi. Onun g\u00f6r\u00fcnd\u00fc\u011f\u00fc filmler beynimize illa ki serotonin y\u00fckleyen filmlerdi. Sev Karde\u015fim, Oh Olsun, Mavi Boncuk, Bizim Aile, G\u00fclen G\u00f6zler, Ne\u015feli G\u00fcnler, film boyunca \u201cHayat sevince g\u00fczel, sevince tatl\u0131 g\u00fcnler, bir ku\u015fu, kelebe\u011fi, bir ta\u015f\u0131 sevin yeter.\u201d \u015fark\u0131s\u0131n\u0131n s\u00f6ylendi\u011fi Hayat Sevince G\u00fczel\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”13812″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Ve tabii Hababam S\u0131n\u0131f\u0131 serisi\u2026 \u0130nek \u015eaban\u2019\u0131n, Damat Ferit\u2019in, G\u00fcd\u00fck Necmi\u2019nin Mahmut Hoca\u2019s\u0131, Badi Ekrem\u2019in meslekta\u015f\u0131, Hafize Ana\u2019n\u0131n Kel Mahmut\u2019u\u2026 R\u0131fat Ilgaz\u2019\u0131n \u00f6yk\u00fcs\u00fcnden uyarlanan ve Ertem E\u011filmez y\u00f6netmenli\u011finde \u00e7ekilen film ilk defa 1975 y\u0131l\u0131nda g\u00f6sterime girdi. T\u00fcrk sinema tarihinde \u00f6nemli bir yer edinen serinin ana ta\u015f\u0131y\u0131c\u0131lar\u0131ndan biri \u015f\u00fcphesiz ki tatl\u0131 sert m\u00fcd\u00fcr muavini rol\u00fcyle M\u00fcnir \u00d6zkul\u2019du.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”13813″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]T\u00fcrk sinemas\u0131nda uzun y\u0131llar M\u00fcnir \u00d6zkul deyince ak\u0131llara Adile Na\u015fit, Adile Na\u015fit dendi\u011finde M\u00fcnir \u00d6zkul geldi. Buna neden olansa \u201cbirbirine yak\u0131\u015ft\u0131r\u0131lan \u00e7ift\u201d ya da \u201cge\u00e7imsiz \u00e7ift\u201d olarak rol ald\u0131klar\u0131 kalabal\u0131k aile filmleriydi. Muhte\u015fem ikili rol gere\u011fi ne kadar aksi olursa olsun T\u00fcrk milletinin y\u00fcz\u00fcn\u00fc g\u00fcld\u00fcrmeyi hep ba\u015fard\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”8#” title_font_size=”13″][vc_single_image image=”13814″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]M\u00fcnir \u00d6zkul 2000\u2019lere kadar aktif olarak s\u00fcrd\u00fcrd\u00fc\u011f\u00fc sanat ya\u015fam\u0131nda \u00e7ok say\u0131da \u00f6d\u00fcl\u00fcn sahibi oldu. 7 Ocak 2018\u2019de Harbiye Muhsin Ertu\u011frul Sahnesinde son yolculu\u011funa sevenleri taraf\u0131ndan u\u011furlan\u0131rken \u0130lyas Salman kendisiyle ilgili \u015f\u00f6yle bir anekdot payla\u015ft\u0131: \u201cSefil Bilo’yu \u00e7ekerken Cihangir’de otururdu. Arabayla gider al\u0131rd\u0131m onu. Yolda Yunus Emre’den \u015fiirler okuturdu bana.\u201d Biz de M\u00fcnir \u00d6zkul sayfam\u0131z\u0131 \u00e7ok sevdi\u011fi Yunus Emre dizeleriyle tamaml\u0131yoruz\u2026[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
1925 y\u0131l\u0131nda Bak\u0131rk\u00f6y\u2019de d\u00fcnyaya gelen M\u00fcnir \u00d6zkul 2018 y\u0131l\u0131nda, tam 93 ya\u015f\u0131nda aram\u0131zdan ayr\u0131ld\u0131. Cumhuriyet\u2019in akran\u0131 sanat\u00e7\u0131 bu 93 y\u0131l\u0131n 60 y\u0131l\u0131n\u0131 tiyatro sahneleri ve sinema setlerinde ge\u00e7irdi. Kavuk sahibi bir meddah; halk\u0131n Baba, Usta, Hoca diyerek benimsedi\u011fi bir sinema oyuncusu oldu\u2026<\/p>\n","protected":false},"author":1,"featured_media":13815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[2997,2970,141,1144],"class_list":["post-13806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-mahmut-hoca","tag-munir-ozkul","tag-tiyatro","tag-yasar-usta"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/13806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13806"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/13806\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/media\/13815"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}