[vc_row][vc_column][vc_column_text]Osmanl\u0131 Devleti\u2019nde ilk resim sergisini a\u00e7an \u015eeker Ahmet Pa\u015fa 1842 y\u0131l\u0131nda \u00dcsk\u00fcdar\u2019da do\u011fdu. As\u0131l ad\u0131 Ahmet Ali olan sanat\u00e7\u0131ya \u201c\u015eeker\u201d lakab\u0131, T\u0131bbiye Mektebi\u2018nde resim \u00f6\u011fretmeni iken sergiledi\u011fi naif tav\u0131rlar\u0131 nedeniyle \u00e7evresi taraf\u0131ndan verilmi\u015fti. \u00dcretti\u011fi eserlerle d\u00fcnya \u00e7ap\u0131nda sayg\u0131 kazanan T\u00fcrk sanat tarihinin \u00f6nc\u00fc ressam\u0131 \u015eeker Ahmet Pa\u015fa\u2019y\u0131 listemize konuk ediyoruz.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1# ” title_font_size=”13″][vc_single_image image=”12734″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1855 y\u0131l\u0131nda T\u0131bbiye Mektebi\u2019ne giren \u015eeker Ahmet Pa\u015fa buradaki e\u011fitimini yar\u0131m b\u0131rakarak Harbiye Mektebi\u2019ne ge\u00e7ti ve ald\u0131\u011f\u0131 anatomi, perspektif dersleri ile resim yetene\u011fini geli\u015ftirdi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”12735″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Tanzimat\u2019\u0131n ilan\u0131yla birlikte askeri \u00f6\u011fretim kurumlar\u0131nda \u201chendese-i tersimiyye\u201d, \u201cresm-i hatii\u201d gibi resim dersleri verilmeye ba\u015flanm\u0131\u015f ve yetenekli \u00f6\u011frenciler yurtd\u0131\u015f\u0131na e\u011fitime yollanm\u0131\u015ft\u0131r. 19. y\u00fczy\u0131l\u0131n \u00f6zelikle ikinci yar\u0131s\u0131nda yeti\u015fen ressamlar\u0131n \u00e7o\u011funlukla askerlerden \u00e7\u0131kmas\u0131, d\u00f6nemin \u201cpa\u015fa ressamlar\u201d d\u00f6nemi olarak adland\u0131r\u0131lmas\u0131na neden olmu\u015ftur. Yetene\u011fi ile Sultan Abd\u00fclaziz\u2019in ilgisini \u00e7eken \u015eeker Ahmet Pa\u015fa da Paris\u2019e e\u011fitime yolland\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”12736″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Fransa\u2019da yedi y\u0131l kalan \u015eeker Ahmet Pa\u015fa, Paris G\u00fczel Sanatlar Akademisi\u2019nde L. Gerome ve G. Boulanger gibi \u00fcnl\u00fc ressamlardan dersler alarak onlar\u0131n at\u00f6lyelerinde \u00e7al\u0131\u015ft\u0131; bu d\u00f6nemde yapt\u0131\u011f\u0131 do\u011fa ve manzara resimleriyle dikkatleri \u00e7ekti.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”12737″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]”Ormanda Oduncu” tablosu sanat\u00e7\u0131n\u0131n bu d\u00f6nemde ortaya koydu\u011fu en bilinen eserlerinden biridir. \u00dcnl\u00fc \u0130ngiliz yazar ve sanat ele\u015ftirmeni John Berger\u2019in, \u201cDaha bakar bakmaz beni ilgilendirmeye ve akl\u0131m\u0131 kurcalamaya ba\u015flad\u0131 bu resim. Asl\u0131nda, bilmedi\u011fim bir ressam\u0131 tan\u0131mama yol a\u00e7mas\u0131 de\u011fil, resmin kendisiydi bu ilginin kayna\u011f\u0131.\u201d s\u00f6zleriyle hayranl\u0131\u011f\u0131n\u0131 belirtti\u011fi eser, bug\u00fcn \u0130stanbul Resim Heykel M\u00fczesi\u2019nde sergilenmektedir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5#” title_font_size=”13″][vc_single_image image=”12738″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Eserleri, d\u00fcnyaca \u00fcnl\u00fc Paris Salon\u2019a kabul edildi. Abd\u00fclaziz, Avrupa gezisi s\u0131ras\u0131nda bu sergideki resimleri g\u00f6rd\u00fc ve Ahmet Pa\u015fa\u2019y\u0131 farkl\u0131 sergilerden resim se\u00e7ip almakla g\u00f6revlendirdi. 1870\u2019te Akademiyi bitiren sanat\u00e7\u0131 Fransa taraf\u0131ndan verilen sanat bursunu (Prix de Romeu) kazand\u0131 ve \u00fc\u00e7 ay s\u00fcreyle Roma\u2019ya g\u00f6nderildi. Yurda d\u00f6n\u00fcnce \u201ckola\u011fas\u0131\u201d r\u00fctbesiyle Sultanahmet\u2019teki Sanat Mektebi\u2019ne resim \u00f6\u011fretmeni olarak atand\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”12739″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Uzun s\u00fcre yapt\u0131\u011f\u0131 haz\u0131rl\u0131k ve \u00e7al\u0131\u015fmalardan sonra 27 Nisan 1873\u2019te, Sultanahmet’teki Mekteb-i Sanayi’de T\u00fcrk ve yabanc\u0131 ressamlar\u0131n eserlerinden olu\u015fan bir resim sergisi a\u00e7may\u0131 ba\u015fard\u0131. Bu sergi, Osmanl\u0131’da a\u00e7\u0131lan ilk resim sergisiydi.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”12740″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Sultan Abd\u00fclaziz\u2019in takdirini kazanan \u015eeker Ahmet Pa\u015fa padi\u015fah yaverli\u011fine atand\u0131. Bu g\u00f6revi s\u0131ras\u0131nda manzara resimlerinden uzakla\u015ft\u0131 ve \u0130stanbul Mercan’da bulunan kona\u011f\u0131ndaki at\u00f6lyesinde nat\u00fcrmort \u00e7al\u0131\u015fmalar yapmaya ba\u015flad\u0131.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”8#” title_font_size=”13″][vc_single_image image=”12741″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Fransa Devlet Ni\u015fan\u0131 ile onurland\u0131r\u0131lan \u015eeker Ahmet Pa\u015fa\u2019n\u0131n Narlar ve Ayvalar adl\u0131 nat\u00fcrmort tablosu, Louvre M\u00fczesi\u2019nde sergilendi. B\u00f6ylelikle \u015eeker Ahmet Pa\u015fa, Louvre M\u00fczesi\u2019ne hayatta iken resmi kabul edilen ilk T\u00fcrk ressam oldu.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”9#” title_font_size=”13″][vc_single_image image=”12742″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Resimlerinin \u00f6nemli bir b\u00f6l\u00fcm\u00fc; Milli Saraylar Resim M\u00fczesi, \u0130stanbul ve Ankara Resim Heykel M\u00fczeleri ile Sak\u0131p Sabanc\u0131 M\u00fczesi\u2019nde sergilenen \u015eeker Ahmet Pa\u015fa, 5 May\u0131s 1907 y\u0131l\u0131nda vefat etti.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
Osmanl\u0131 Devleti\u2019nde ilk resim sergisini a\u00e7an \u015eeker Ahmet Pa\u015fa 1842 y\u0131l\u0131nda \u00dcsk\u00fcdar\u2019da do\u011fdu. As\u0131l ad\u0131 Ahmet Ali olan sanat\u00e7\u0131ya \u201c\u015eeker\u201d lakab\u0131, T\u0131bbiye Mektebi\u2018nde resim \u00f6\u011fretmeni iken sergiledi\u011fi naif tav\u0131rlar\u0131 nedeniyle \u00e7evresi taraf\u0131ndan verilmi\u015fti. \u00dcretti\u011fi eserlerle d\u00fcnya \u00e7ap\u0131nda sayg\u0131 kazanan T\u00fcrk sanat tarihinin \u00f6nc\u00fc ressam\u0131 \u015eeker Ahmet Pa\u015fa\u2019y\u0131 listemize konuk ediyoruz.<\/p>\n","protected":false},"author":1,"featured_media":12743,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[961,962,963],"class_list":["post-12733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-narlar-ve-ayvalar","tag-pasa-ressamlar","tag-seker-ahmet-pasa"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/12733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12733"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/12733\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/media\/12743"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}