[vc_row][vc_column][vc_column_text]Baz\u0131 \u00fclkeler, baz\u0131 \u015fehirler insanda farkl\u0131 duygular\u0131n uyanmas\u0131na, insan\u0131n hayata ba\u015fka bir g\u00f6zle bakmas\u0131na sebep olabilir. Sanatta veya hayat\u0131n ba\u015fka alanlar\u0131nda meyve veren \u00f6yle isimler var ki ilhamlar\u0131n\u0131 T\u00fcrkiye\u2019den alm\u0131\u015f\u2026 \u0130\u00e7eri\u011fimizde, bu isimlerin 8 tanesini listeliyoruz\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”1# ” title_font_size=”13″][vc_single_image image=”31670″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Giuseppe Donizetti, \u0130talyan as\u0131ll\u0131 orkestra ve bando \u015fefi\u2026 Osmanl\u0131 ordusunun bandosu Muz\u0131ka-i H\u00fcmayun\u2019u y\u00f6neten bir m\u00fczisyen. Bat\u0131 m\u00fczi\u011fine olan ilgisini \u00e7evresine de aktaran Donizetti, d\u00f6nemin padi\u015fah\u0131 II. Mahmut i\u00e7in Mahmudiye, sonras\u0131nda tahta ge\u00e7en Abd\u00fclmecid i\u00e7in ise Mecidiye Mar\u015f\u0131\u2019n\u0131 bestelemi\u015ftir. Bu mar\u015flar d\u00f6nemlerinin mill\u00ee mar\u015f\u0131 olarak \u00e7al\u0131nm\u0131\u015ft\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”2#” title_font_size=”13″][vc_single_image image=”16433″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Ger\u00e7ek ad\u0131yla David Arugete Moreno, Ayd\u0131n do\u011fumludur. Musevi as\u0131ll\u0131 T\u00fcrk gitarist, piyanist ve sinema oyuncusu ayn\u0131 zamanda ba\u015far\u0131l\u0131 bir bestecidir. \u0130zmir\u2019de \u00e7al\u0131\u015ft\u0131\u011f\u0131 d\u00f6nemde geceleri k\u00fct\u00fcphaneye gidip Frans\u0131zca \u00f6\u011frenmeye \u00e7al\u0131\u015fm\u0131\u015f ve eline ge\u00e7en bir gitar sayesinde m\u00fczikle tan\u0131\u015fm\u0131\u015ft\u0131r. Bir\u00e7ok farkl\u0131 yerde sahne alan Moreno bu s\u00fcrede tan\u0131nan bir sanat\u00e7\u0131 h\u00e2line gelmi\u015ftir. Hayat\u0131n\u0131n bir k\u0131sm\u0131n\u0131 ise Fransa\u2019da ge\u00e7irmi\u015f, \u00e7al\u0131\u015fmalar\u0131n\u0131 devam ettirmi\u015f ve \u015fark\u0131lar\u0131nda da T\u00fcrk ezgilerini kullanm\u0131\u015ft\u0131r. \u00d6l\u00fcm\u00fcn\u00fcn ard\u0131ndan \u0130zmir\u2019de oturdu\u011fu soka\u011f\u0131n ad\u0131 \u2018\u2018Dario Moreno\u2019\u2019 diye de\u011fi\u015ftirilmi\u015ftir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”3#” title_font_size=”13″][vc_single_image image=”16431″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1854\u2019te Padova\u2019da do\u011fan \u0130talyan ressam, 1851\u2018de \u0130stanbul\u2019a gelerek tam 19 senesini burada ge\u00e7irmi\u015ftir. Meslek hayat\u0131na duvarc\u0131 \u00e7\u0131ra\u011f\u0131 olarak ba\u015flayan Zonaro, yetene\u011fini ke\u015ffetmesiyle desen \u00e7al\u0131\u015fmalar\u0131na a\u011f\u0131rl\u0131k vermi\u015f, eserlerinin yank\u0131s\u0131 d\u00f6nemin padi\u015fah\u0131 Abd\u00fclhamit\u2019e ula\u015ft\u0131\u011f\u0131nda ise Mecidiye Ni\u015fan\u0131 ve Saray Ressaml\u0131\u011f\u0131 \u00fcnvan\u0131na lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”4#” title_font_size=”13″][vc_single_image image=”16434″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Besteci, piyanist ve ayn\u0131 zamanda da halk m\u00fczi\u011fi derleyicisi Bartok, 1881 Macaristan do\u011fumludur. Besteleriyle ad\u0131ndan s\u00f6z ettirmi\u015f ve 1936 y\u0131l\u0131nda Ankara Halkevinin davetlisi olarak T\u00fcrkiye\u2019ye gelmi\u015ftir. \u00dclkemizde kald\u0131\u011f\u0131 s\u00fcre boyunca Halk m\u00fczi\u011fi derlemeleri hakk\u0131nda bir\u00e7ok konferans vermi\u015f, Ankara Devlet Konservatuvar\u0131\u2019nda T\u00fcrk Halk M\u00fczi\u011fi ar\u015fivi olu\u015fturulmas\u0131 i\u00e7in \u00e7al\u0131\u015fmalar yapm\u0131\u015ft\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”5# ” title_font_size=”13″][vc_single_image image=”16432″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]\u0130stanbul\u2019da uzun y\u0131llar ya\u015fayan, g\u00fcn\u00fcm\u00fczde de bir \u0130stanbul \u00e2\u015f\u0131\u011f\u0131 olarak nitelendirdi\u011fimiz Frans\u0131z yazar ve asker, oryantalist Pierre Loti. As\u0131l ad\u0131yla “Julien Viaud”, 70 y\u0131ll\u0131k hayat\u0131nda tam sekiz kez T\u00fcrkiye\u2019ye gelmi\u015ftir. Pierre Loti, Osmanl\u0131 k\u00fclt\u00fcr\u00fcnden derinden etkilenir ve pek \u00e7ok eserinde bu etki g\u00f6zlenir. Yaz\u0131lar\u0131nda Mill\u00ee M\u00fccadele\u2019ye verdi\u011fi destek sebebiyle T\u00fcrk halk\u0131n\u0131n sempatisini kazanm\u0131\u015ft\u0131r. 1920 senesinde \u201c\u0130stanbul \u015eehri Fahri Hem\u015fehrisi\u201d olarak kabul g\u00f6r\u00fcr, Divanyolu\u2019ndaki bir caddeye, Ey\u00fcp\u2019te de bir kahvehaneye ad\u0131 verilir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”6#” title_font_size=”13″][vc_single_image image=”16435″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Frans\u0131z s\u00f6z yazar\u0131, \u015fark\u0131c\u0131 ve piyanist Marc Aryan, 1926 y\u0131l\u0131nda do\u011fmu\u015ftur. Kendi becerileriyle nota okumay\u0131 ve piyano \u00e7almay\u0131 \u00f6\u011frenen Aryan, 1963 y\u0131l\u0131nda ilk alb\u00fcm\u00fcn\u00fc yay\u0131nlam\u0131\u015ft\u0131r. Konser vermek i\u00e7in geldi\u011fi \u00fclkemizde T\u00fcrk\u00e7e\u2019yi \u00f6\u011frenmi\u015f ve s\u00f6z yazar\u0131 Fecri Ebcio\u011flu taraf\u0131ndan yaz\u0131lan T\u00fcrk\u00e7e s\u00f6zlerle kendi bestelerini seslendirmi\u015ftir. Eserlerini Sel\u00e7uk Ural, Ajda Pekkan ve Ay-Feri gibi sanat\u00e7\u0131lar da yorumlam\u0131\u015ft\u0131r.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”7#” title_font_size=”13″][vc_single_image image=”16437″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]Brenna McCrimmon, T\u00fcrk\u00e7e konu\u015fan ve T\u00fcrk\u00e7e \u015fark\u0131 s\u00f6yleyebilen, uluslararas\u0131 platformda T\u00fcrk halk m\u00fczi\u011fi ses sanat\u00e7\u0131s\u0131 olarak kabul edilen, 1970 Kanada do\u011fumlu bir sanat\u00e7\u0131. Kanada\u2019da bir k\u00fct\u00fcphaneyi ziyaret ederken \u2018\u2019T\u00fcrk\u00e7e alb\u00fcmlere rastlad\u0131m ve aniden duygusal bir ba\u011f olu\u015ftu\u2019\u2018 c\u00fcmlesiyle T\u00fcrk m\u00fczi\u011fine olan ilgisinin sebebini a\u00e7\u0131klam\u0131\u015f… T\u00fcrk ve Balkan ezgileriyle u\u011fra\u015fm\u0131\u015f, T\u00fcrk m\u00fczi\u011fi teorileri \u00fczerine \u00e7al\u0131\u015fma yapm\u0131\u015f ve halk m\u00fczi\u011fi ar\u015fivleri ara\u015ft\u0131rm\u0131\u015ft\u0131r. G\u00fcn\u00fcm\u00fczde de T\u00fcrkiye\u2019yle olan ba\u011f\u0131n\u0131 s\u00fcrd\u00fcrmektedir.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”innerItemContainer”][vc_column][eltd_section_title alignment=”left” title=”8# ” title_font_size=”13″][vc_single_image image=”16436″ img_size=”full” el_class=”innerImageContainer”][vc_column_text el_class=”innerText”]1957 senesinde \u0130stanbul\u2019da do\u011fmu\u015f, yazar ve ileti\u015fim e\u011fitmenidir. \u00c7ocuklu\u011funu az\u0131nl\u0131k n\u00fcfusun yo\u011fun oldu\u011fu semtlerde ge\u00e7irmi\u015f, eserlerinde de s\u0131k s\u0131k \u0130stanbul\u2019daki az\u0131nl\u0131klar\u0131n sorunlar\u0131ndan bahsetmi\u015ftir. \u0130lk \u00f6yk\u00fcs\u00fcn\u00fc 1975\u2019te yazm\u0131\u015f, sonralar\u0131 da Musevi gazetesi olan \u2018\u2018\u015ealom\u2019\u2019un k\u00fclt\u00fcr ve sanat sayfas\u0131n\u0131 y\u00f6netmi\u015ftir. TRT d\u00fcnya m\u00fczikleri \u00fczerine say\u0131s\u0131z program, bir\u00e7ok reklam \u015firketinde de reklam ve k\u00f6\u015fe yazarl\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r. 1990 y\u0131l\u0131nda \u2018\u2019Bir \u015fehre gidememek\u2019\u2019 adl\u0131 \u00f6yk\u00fcs\u00fcyle Haldun Taner \u00d6yk\u00fc \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fclm\u00fc\u015f, ard\u0131ndan \u2018\u2019\u0130stanbul Bir Masald\u0131\u2019\u2018 isimli \u00f6yk\u00fcs\u00fcyle de Yunus Nadi Roman \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanm\u0131\u015ft\u0131r.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
Baz\u0131 \u00fclkeler, baz\u0131 \u015fehirler insanda farkl\u0131 duygular\u0131n uyanmas\u0131na, insan\u0131n hayata ba\u015fka bir g\u00f6zle bakmas\u0131na sebep olabilir. Sanatta veya hayat\u0131n ba\u015fka alanlar\u0131nda meyve veren \u00f6yle isimler var ki ilhamlar\u0131n\u0131 T\u00fcrkiye\u2019den alm\u0131\u015f\u2026 \u0130\u00e7eri\u011fimizde, bu isimlerin 8 tanesini listeliyoruz\u2026 <\/p>\n","protected":false},"author":1,"featured_media":31672,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[3881,3882,30],"class_list":["post-11346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-dario-moreno","tag-marc-aryan","tag-pierre-loti"],"_links":{"self":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/11346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11346"}],"version-history":[{"count":0,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=\/wp\/v2\/posts\/11346\/revisions"}],"wp:attachment":[{"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soms.invekor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}